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- Life at work becomes unbearable for Orna. Her boss appreciates and promotes her, while making inappropriate advances. Her husband struggles to keep his new restaurant afloat, and Orna becomes the main breadwinner for their three children. When her world is finally shattered, she must pull herself together to fight, in her own way, for her job and a sense of self-worth.
- Tal is 17 years old. Naim is 20. She's Israeli. He's Palestinian. She lives in Jerusalem. He lives in Gaza. They were born in a land of scorched earth, where fathers bury their children. They must endure an explosive situation that is not of their choosing at an age where young people are falling in love and taking their place in adult life. A bottle thrown in the sea and a correspondence by email nurture the slender hope that their relationship might give them the strength to confront this harsh reality to grapple with it, and thereby ever so slightly change it. Only 60 miles separate them but how many bombings, check-points, sleepless nights and bloodstained days stand between them?
- Meduzot (the Hebrew word for Jellyfish) tells the story of three very different Israeli women living in Tel Aviv whose intersecting stories weave an unlikely portrait of modern Israeli life. Batya, a catering waitress, takes in a young child apparently abandoned at a local beach. Batya is one of the servers at the wedding reception of Keren, a young bride who breaks her leg in trying to escape from a locked toilet stall, which ruins her chance at a romantic honeymoon in the Caribbean. One of the guests is Joy, a Philippine chore woman attending the event with her employer, and who doesn't speak any Hebrew (she communicates mainly in English), and who is guilt-ridden after having left her young son behind in the Philippines.
- In ha-Argazim, a neighborhood that time forgot, the one-year anniversary of Morris Mandabon's death is approaching, and his youngest son, Nissim has had a dream in which his father orders him to re-open the old neighborhood movie theater, thus breaking the vow that Morris had made years before never to screen movies again. Nissim and his brother George, together with Aharon Gabardine, who was the projectionist back in the old days, are determined to fulfill Morris' request. The same day Nissim has his dream, Avram Mandabon, Morris' brother, returns for his brother's memorial after a 25-year absence. His reappearance causes old family feuds to resurface. Seniora Mandabon, late Morris' wife, won't even speak to Avram. Following the advice of Yisrael "the Indian", considered the neighborhood authority on films, the brothers decide to screen the Indian-made local hit from years before, "Sangam", to which Seniora objects ("Nobody cares to watch old Indian movies!") and tries to convince them to screen another movie, but they insist. They eventually find out that the only print of "Sangam" is in the hands of Avram, their uncle, who refuses to give it to them. And so, as the time for Morris' memorial approaches, as well as the screening date, it seems that a clash is inevitable. In the tense days that follow, the past resurfaces and the brothers learn the secrets of their family history and the real reason why their father closed down the theater.
- Can a leader succeed in influencing the world? Or is he, as any other human being, only a nutshell tossed to the waves of history with no ability to affect it? Tolstoy pondered this question in War and Peace. Ehud Barak, controversial former prime minister and a decorated commander on the battlefield, contemplates it in this film. Twenty years after he was forced to resign from the premiership due to the failure of the 2000 Camp David summit, 78-year-old Barak observes his own history and the history of the State of Israel with disillusioned clarity, while trying to figure it all out - "What if?"
