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A nun is called upon to adopt her 15-year-old nephew, and as a consequence religion, family and love become entangled.

Communist ideals have long lost their value in Yiwu, a city with 600 Christmas factories, in which Christmas as we know it is produced for the entire world. With rising wages, the workers in Christmas factories can now afford newest iPhones, but they still live in crowded dormitories. All migrants in their own country, nostalgic for some place far away, some miss their families left in hometowns, other miss their friends and lovers from the factories when they go home for holidays. Young generation is already tired of long factory hours, chemical fumes and glitter particles, and they do not care for their parents' wishes to get educated. Stuck in between Chinese tradition and the newly discovered Chinese dream, they want their own businesses, to be rich, to be independent, to be in love.

The Father falls into a coma, the Mother and the Son must overcome fear to find the right words to bring him back.

Nothing seems to be moving in Athens and the people are as still as statues. But elsewhere in the city, a caryatid escapes the museum and a small groupuscule demands the destruction of all antiquities. Perhaps filming is the only way to avoid turning into stone.

The freighter Fair Lady crosses the ocean. The hypnotic rhythm of its gears reveals the continuous movement of machinery devouring its workers: the last gestures of the old sailors' trade disappearing under the mechanic and impersonal pace of 21st century neocapitalism. Perhaps it is a boat adrift, or maybe just the last example of an endangered species. Although we don't know it, the engines are still running, unstoppable.

Young Parisian pursues his former girlfriend to New York where she has a new lover and relentlessly tries to win her back.

Sofia Sonja Vujanovic joins the Communists fighting the Nazis occupying WWII Serbia and after being taken to Auschwitz becomes a resistance leader there.

An intimate and daring confession, a two-way conversation between the director and his lover, a game of domination and submission encompassing the universe of bondage, the traumas of AIDS and even the theory of images.

French filmmaker Armel Hostiou discovers he has a double in Kinshasa. Someone has created a fake Facebook profile in his name to hustle aspiring actors. So Armel heads to Congo's vast capital to track him down.

The story of the relationship between cinema and war, one that has lasted for over a century, from the time of their first encounter, way back in 1911, on the occasion of the Italian invasion of Libya, to our own day.

Armel Hostiou's haunting study of urban alienation follows three characters-a woman, a man, and a child-over the period of a single day in Paris. They don't know each other and they won't cross paths, but they share an insidious feeling of confinement.

Vincent has followed the woman he loves to New York. But they're not getting along anymore. Stubborn, he's going to try to do everything to get her back.

Italian nurses in search of a steady job.

A deserted gas station at nightfall. A man hears his name called out by a woman who approaches him. She seems happy to see him after so many years. But is it really him?

The film tells the life story of its director, Jan Nemec, one of the most known and important filmmakers of Czech New Wave.

All over occupied Europe resistance fighters sentenced to death wrote to their relatives the quintessence of their "life to death".

Men of different ages converge in an indeterminate room. We do not know much about them, whether it is day or night. Only some signs spread out along the footage will allow us to know something about their circumstance.