Lisa Rinzler(I)
- Dirección de fotografía y cámara
- Cámara y electricidad
- Dirección

Reproducir trailer1:11
2B (2009)
- Ganó 1 premio Primetime Emmy
- 6 premios y 2 nominaciones en total
Dirección de fotografía y cámara
- 2025
- 2024
- Walk with Me
- Dirección de fotografía y cámara
- 2024
- 2023
- 2023
- With This Light
- Dirección de fotografía y cámara
- 2023
- 2023
- I Love You Shelly Weintraub (A Woman's Life in 31 Scenes)
- Dirección de fotografía y cámara
- 2022
- 2022
- 2020
- 2020
- 2020
- 2020
- 2019
- 2019
Cámara y electricidad
Dirección
- Nombres alternativos
- Lisa Rinz
- CuriosidadesInvited to join the Academy of Motion Picture Arts and Sciences (Cinematographers Branch) in 2005.
- Citas[talking about her photography work for the film Pollock]: "The driving force behind the photography was a need to express and help bring to life Pollock's intensity as a man and as an artist,my strongest impression of him was that he was full of immense energy, yet at odds socially in the world and with himself. His personality, which Ed inhabited so brilliantly, was ultimately the guiding force behind the photographic style. Scene by scene, Pollock's psychological state was the starting point for the lighting and the camera design."
Contribuir a esta página
Sugerir un cambio o añadir el contenido que falta