Un cínico expatriado norteamericano, dueño de un café, se debate entre ayudar o no a su antigua amante y a su marido fugitivo a escapar de los nazis en el Marruecos francés.Un cínico expatriado norteamericano, dueño de un café, se debate entre ayudar o no a su antigua amante y a su marido fugitivo a escapar de los nazis en el Marruecos francés.Un cínico expatriado norteamericano, dueño de un café, se debate entre ayudar o no a su antigua amante y a su marido fugitivo a escapar de los nazis en el Marruecos francés.
- Ganó 3 premios Óscar
- 17 premios y 11 nominaciones en total
S.Z. Sakall
- Carl
- (as S.K. Sakall)
Madeleine Lebeau
- Yvonne
- (as Madeleine LeBeau)
Abdullah Abbas
- Arab
- (sin acreditar)
Enrique Acosta
- Guest at Rick's
- (sin acreditar)
Ed Agresti
- Bar Patron
- (sin acreditar)
Arnet Amos
- French Soldier
- (sin acreditar)
- …
Best Picture Winners by Year
Best Picture Winners by Year
See the complete list of Best Picture winners. For fun, use the "sort order" function to rank by IMDb rating and other criteria.
Argumento
¿Sabías que...?
- CuriosidadesMany of the actors who played the Nazis were in fact European Jews who had fled Nazi occupation.
- Pifias(at around 37 mins) When Rick is getting drunk he ask Sam, "It's December 1941 in Casablanca, what time is it in New York?" After Sam replies, "My watch stopped," he goes on to say, "I'll bet they're asleep in New York. I'll bet they're asleep all over America." However, Rick is not referring to the actual time (noted by giving a month and year rather than a time) and is actually making reference to, in pre-Pearl Harbor America, most Americans are "asleep" when it comes to the war and fighting the Axis powers. This is an intentional attempt at a poetic reference, not a statement of fact.
- Citas
Captain Renault: What in heaven's name brought you to Casablanca?
Rick: My health. I came to Casablanca for the waters.
Captain Renault: The waters? What waters? We're in the desert.
Rick: I was misinformed.
- Versiones alternativasAs late as 1974, the references to an extra-marital affair were banned in Ireland. The Irish cut got rid of two important sequences. First, after Ilsa tells Rick that she had left him after finding out that Viktor was still alive, the embraces and dialogue that followed were cut. Second, the emotional dialogue at the end of the film from Ilsa's line "You're saying that only to make me go" to Rick's line "What I've got to do, you haven't any part of". This led to Irish audiences' being bemused by the relationship between Rick and Ilsa, and often interpreting Rick's final speech beginning "I'm no good at being noble" as a reflection on the debilitating effects of war.
- ConexionesEdited into 77 Sunset Strip: The Secret of Adam Cain (1959)
- Banda sonoraLa Marseillaise
(1792) (uncredited)
Written by Claude Joseph Rouget de Lisle
Arranged by Max Steiner
Played during the opening credits
Sung by Madeleine Lebeau and others at Rick's
Variations played often in the score
Reseña destacada
There are literally hundreds of comments about this movie on IMDB. Many of them exhort its greatness. I don't disagree with them.
But I'd like to add a suggestion to those of you out there who haven't seen this film. I'd like to tell you HOW to watch it.
The people who made this movie didn't think they were producing a masterpiece. Bergman left the shoot disgusted. The screenwriters were on salary for Warners, writing half a dozen movies a year, and this was just one more. Bogie was punching the clock in the middle of a workhorse career.
So as an audience member, you can't sit down expecting gilded greatness.
Don't have a Casablaca party. Don't watch it on your first date, hoping it will lend that "Romantic Touch." Don't watch it as part of your "I need to watch the Best 10 movies of all time" Film School project.
Buy this movie on DVD. Have it at the ready. And then, one Friday night, when your plans fall through and you find it's 10:30pm and there's nothing on TV that's any good, open a six pack of beer, or pour yourself some wine, and watch this movie in a darkened room.
The characters in Casablanca are absolutely devoid of sentimentalism. Every one of them sees the world without a hint of rose color in their lenses. As Rick says, "Three little people don't amount to a hill of beans in this big old world." If you're in a mood where you understand what he's saying, watch this movie and it will transport you.
There is no single movie that deserves to be called the best movie of all time. Because movies, when all is said and done, don't amount to a hill of beans. They are meant to entertain us, not for us to worship THEM.
But no movie has ever known this fact like Casablanca.
If you watch Casablance this way, with no expectations, with no "hype," you might catch 10 percent of its greatness on one viewing. And that will be enough to start you on your way.
Happy viewing, kid.
But I'd like to add a suggestion to those of you out there who haven't seen this film. I'd like to tell you HOW to watch it.
The people who made this movie didn't think they were producing a masterpiece. Bergman left the shoot disgusted. The screenwriters were on salary for Warners, writing half a dozen movies a year, and this was just one more. Bogie was punching the clock in the middle of a workhorse career.
So as an audience member, you can't sit down expecting gilded greatness.
Don't have a Casablaca party. Don't watch it on your first date, hoping it will lend that "Romantic Touch." Don't watch it as part of your "I need to watch the Best 10 movies of all time" Film School project.
Buy this movie on DVD. Have it at the ready. And then, one Friday night, when your plans fall through and you find it's 10:30pm and there's nothing on TV that's any good, open a six pack of beer, or pour yourself some wine, and watch this movie in a darkened room.
The characters in Casablanca are absolutely devoid of sentimentalism. Every one of them sees the world without a hint of rose color in their lenses. As Rick says, "Three little people don't amount to a hill of beans in this big old world." If you're in a mood where you understand what he's saying, watch this movie and it will transport you.
There is no single movie that deserves to be called the best movie of all time. Because movies, when all is said and done, don't amount to a hill of beans. They are meant to entertain us, not for us to worship THEM.
But no movie has ever known this fact like Casablanca.
If you watch Casablance this way, with no expectations, with no "hype," you might catch 10 percent of its greatness on one viewing. And that will be enough to start you on your way.
Happy viewing, kid.
- Jaymay
- 22 ago 2003
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- Everybody Comes to Rick's
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 950.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 4.219.709 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 181.494 US$
- 12 abr 1992
- Recaudación en todo el mundo
- 4.727.083 US$
- Duración1 hora 42 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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
Principal laguna de datos
What is the streaming release date of Casablanca (1942) in Germany?
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