VALUTAZIONE IMDb
6,9/10
2990
LA TUA VALUTAZIONE
Un pilota morto della Seconda Guerra Mondiale diventa l'angelo custode di un altro pilota. Egli guida Ted attraverso la battaglia e lo aiuta a far innamorare la sua vecchia fidanzata.Un pilota morto della Seconda Guerra Mondiale diventa l'angelo custode di un altro pilota. Egli guida Ted attraverso la battaglia e lo aiuta a far innamorare la sua vecchia fidanzata.Un pilota morto della Seconda Guerra Mondiale diventa l'angelo custode di un altro pilota. Egli guida Ted attraverso la battaglia e lo aiuta a far innamorare la sua vecchia fidanzata.
- Candidato a 1 Oscar
- 2 candidature totali
Don DeFore
- James J. Rourke
- (as Don De Fore)
Kirk Alyn
- Officer in Heaven
- (non citato nei titoli originali)
Bill Arthur
- Cadet
- (non citato nei titoli originali)
Martin Ashe
- Sergeant in Chinese Restaurant
- (non citato nei titoli originali)
George Atkinson
- Waiter
- (non citato nei titoli originali)
Irving Bacon
- Cpl. Henderson
- (non citato nei titoli originali)
Dora Baker
- Charwoman
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizJoe il pilota (1943) was reportedly director Steven Spielberg's favorite and remade by him in 1989. Spielberg's film, entitled Always - Per sempre (1989), starred Richard Dreyfuss, Holly Hunter and Brad Johnson in the principal roles, as the same Pete Sandich, Durinda Durston and Al Yackey. The characters of "Ted" and "Nails" were also included. The setting of that film was updated to the present and centered on the activities of forest fire-fighting pilots. Spielberg also included a clip from 'A Guy Named Joe' in his film Poltergeist - Demoniache presenze (1982).
- BlooperLate in the movie Dorinda (Irene Dunne) is wearing the uniform of a Women Airforce Service Pilot (WASP), apparently still ferrying airplanes. However, WASPs never ferried planes to overseas locations, especially combat areas such as New Guinea, which is in the Southwest Pacific. Earlier in the movie she is in England; however, she was wearing a British uniform and women regularly ferried planes there and even encountered combat conditions.
- Citazioni
The General: No man is really dead unless he breaks faith with the future, and no man is really alive unless he accepts his responsibility to it.
- Curiosità sui creditiThe film ends with the following written inscription: "To Families and Friends of Men and Women in Our Armed Forces. The picture you have just seen is being shown in combat areas overseas with the compliments of the American Motion Picture Industry."
- ConnessioniFeatured in MGM Parade: Episodio #1.10 (1955)
- Colonne sonoreThe Army Air Corps Song
(uncredited)
Written by Robert Crawford
Played during the opening credits and partially sung by an off-screen male chorus
Played as background music often and at the end
Recensione in evidenza
'A Guy Named Joe' had a lot going for it, as cliched as this sounds it is a good way of describing something that have a lot of major things that makes one want to see it. Something that has happened numerous times but with varied success in execution. Victor Fleming was responsible for great films, 'The Wizard of Oz' and 'Gone With the Wind' being timeless. Also respect Spencer Tracy and Irene Dunne highly as actors so that was another interest point.
Watching it finally, 'A Guy Named Joe' may not completely live up to its potential and everybody involved gave better performances in better things. It does however have more than enough to make it well worth watching and it still is a good representation of the cast and Fleming, so promise is a long way from squandered (am very happy about that as that is a pet peeve of mine watching films etc and has happened many, many times).
Sure, it is not going to work for everybody and is in no way my definition of a classic. The story can be silly and is not always realistic, with it not always gelling with the wartime setting. The effects do show their age and are really quite artificial.
The script can descend into melodramatic soap, not always but when it does it is as subtle as a sledgehammer.
However, 'A Guy Named Joe' shows a lot of polish and care, without being too glossy, in the production values. One can really see the effort in the lavishly produced, without being overly elaborate, sets and equally handsome photography. The music avoids being too stock or syrupy, as well as not being too intrusive. Fleming's direction shows no signs of coldness or indifference, it instead came over as assured and sympathetic while showing momentum. The script is not perfect but nothing came over as toe-curling and the cast show a lot of committment in making it ring true.
Like the script, the story is not perfect but it is never dull, the air sequences do have an exciting momentum regardless of how they hold up visually and the emotional impact is definitely there. Will admit to feeling misty-eyed at the end, and didn't think that the film got too sentimental and despite being a film with heavy-handedness being a big danger it just about avoided that mostly (lapses of subtlety is obvious at times having said that) though somewhat by the skin of its teeth. The cast are uniformly strong, with a subtle and charming performance from Tracy and a truly heartfelt one from Dunne. Their chemistry does have a spark, couldn't tell that behind the scenes they apparently didn't get along. Van Johnson's acting here is some of his best and it is always great to see Lionel Barrymore and Esther Williams.
In a nutshell, well worth watching if not a classic. 7/10
Watching it finally, 'A Guy Named Joe' may not completely live up to its potential and everybody involved gave better performances in better things. It does however have more than enough to make it well worth watching and it still is a good representation of the cast and Fleming, so promise is a long way from squandered (am very happy about that as that is a pet peeve of mine watching films etc and has happened many, many times).
Sure, it is not going to work for everybody and is in no way my definition of a classic. The story can be silly and is not always realistic, with it not always gelling with the wartime setting. The effects do show their age and are really quite artificial.
The script can descend into melodramatic soap, not always but when it does it is as subtle as a sledgehammer.
However, 'A Guy Named Joe' shows a lot of polish and care, without being too glossy, in the production values. One can really see the effort in the lavishly produced, without being overly elaborate, sets and equally handsome photography. The music avoids being too stock or syrupy, as well as not being too intrusive. Fleming's direction shows no signs of coldness or indifference, it instead came over as assured and sympathetic while showing momentum. The script is not perfect but nothing came over as toe-curling and the cast show a lot of committment in making it ring true.
Like the script, the story is not perfect but it is never dull, the air sequences do have an exciting momentum regardless of how they hold up visually and the emotional impact is definitely there. Will admit to feeling misty-eyed at the end, and didn't think that the film got too sentimental and despite being a film with heavy-handedness being a big danger it just about avoided that mostly (lapses of subtlety is obvious at times having said that) though somewhat by the skin of its teeth. The cast are uniformly strong, with a subtle and charming performance from Tracy and a truly heartfelt one from Dunne. Their chemistry does have a spark, couldn't tell that behind the scenes they apparently didn't get along. Van Johnson's acting here is some of his best and it is always great to see Lionel Barrymore and Esther Williams.
In a nutshell, well worth watching if not a classic. 7/10
- TheLittleSongbird
- 20 nov 2019
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- A Guy Named Joe
- Luoghi delle riprese
- Columbia Army Air Base, Columbia, Carolina del Sud, Stati Uniti(air scenes, backdrops and process shots)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 2.627.000 USD (previsto)
- Tempo di esecuzione2 ore
- Colore
- Proporzioni
- 1.37 : 1
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