Il figlio di Dracula

I keep shouting at sexy movie girls not to go walking alone at night in creepy forests. But they keep ignoring me-- thank goodness! In her flimsy flowing gown Allbritton (Kay) cuts a memorable figure as she traipses through the creepy studio woods on her way to a star-crossed future. Actually, the real star in terms of screen time is Frank Craven as the bloodhound doctor. As it turns out, he's got to put the plot puzzle together. Seems Alucard (Chaney) has followed the mysterious Kay to her southern home to make her his blood-supping wife. Trouble is she's already in love with homeboy Frank (Paige) who's not about to give her up, especially to a weirdo foreigner. Good thing the doc senses something is wrong and goes into action. The ending is kind of surprising and tragic, unusual for the genre.

Many of the gloomy visuals are impressive, thanks probably to director Siodmak, later to make his name in film noir (check out his distinguished list). Plus, the form-changing dissolves are well-done, adding a good spooky touch. However, I can't help feeling Chaney is miscast as the Count. His brawny presence and dialogue delivery lack the wickedly polished undertones needed for such a sinister figure. Then too he gets little screen time to possibly expand. No doubt he's top-billed for marquee value and his Wolf Man reputation. Too bad we don't see more of Madame Zimba (Reynolds). Her old lady hag is about the scariest visual in the 70- minutes.

Anyway, it's a decent horror flick with some good moments even though the central evil fails largely to gel. Plus count me now as a big fan of Louise Allbritton who can come traipse through my woody yard any time.