VALUTAZIONE IMDb
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LA TUA VALUTAZIONE
A un chirurgo viene assegnato il caso di una giovane donna la cui zia vuole che venga lobotomizzata per nascondere un segreto di famiglia.A un chirurgo viene assegnato il caso di una giovane donna la cui zia vuole che venga lobotomizzata per nascondere un segreto di famiglia.A un chirurgo viene assegnato il caso di una giovane donna la cui zia vuole che venga lobotomizzata per nascondere un segreto di famiglia.
- Candidato a 3 Oscar
- 4 vittorie e 7 candidature totali
Sheila Robins
- Dr. Hockstader's Secretary
- (as Sheila Robbins)
Erik Chitty
- Asylum Inmate
- (non citato nei titoli originali)
Grace Denbeigh-Russell
- Asylum patient
- (non citato nei titoli originali)
Brenda Dunrich
- Nurse
- (non citato nei titoli originali)
Eddie Fisher
- Street Urchin
- (non citato nei titoli originali)
Anthony Lang
- Inmate
- (non citato nei titoli originali)
Aileen Lewis
- Nurse
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizAccording to author Garson Kanin in his memoir "Tracy and Hepburn," Katharine Hepburn was reportedly so furious at the way Montgomery Clift was treated by producer Sam Spiegel and director Joseph L. Mankiewicz during filming that, after making sure that she would not be needed for retakes, she told both men off and actually spat at them (although it remains unclear just which one of the two she spat at, or if she spat at both).
- BlooperAlthough set in 1937, costumes, hairstyles and makeup worn by Dame Elizabeth Taylor are all contemporary in 1959.
- Citazioni
Catherine Holly: Is that what love is? Using people? And maybe that's what hate is - not being able to use people.
- ConnessioniEdited into Michael Jackson's This Is It (2009)
Recensione in evidenza
While the symbolism here is about as heavy as a sledgehammer, it's offered in such artfully poetic style that only writers of the caliber of Tennessee Williams and Gore Vidal could give us. What they have done is provide KATHARINE HEPBURN with a role that fits her like a glove and where her mannered acting sits comfortably on a role she was born to play. She is totally mesmerizing as Mrs. Venable, a woman who has lavished all her hopes and dreams on her only son only to have them all swept away on a brutal summer day, "suddenly, last summer", under the hot Mediteranean sun. She gets to spout the most poetic dialog in the film, with ELIZABETH TAYLOR not far behind, especially during their frequent monologues.
This leaves MONTGOMERY CLIFT, as a surgeon who is asked to perform a lobotomy on Miss Taylor, hovering in the background and looking like a frightened sparrow most of the time, although it is he who uncovers the truth about last summer. Mr. Clift must have been at a difficult phase of his own personal life because he performs in a stiff, robot-like manner that makes him seem dubious as a skilled surgeon with steady hands.
All of this is highly melodramatic as only Tennessee Williams can muster, while at the same time affording us the luxury of watching two commanding performances from Hepburn and Taylor that were justifiably nominated for Oscars.
The tale seems burdened by too much heavy-handed poetry but somehow it holds the attention because of the forceful acting by a fine cast. Mercedes McCambridge is a standout as Taylor's mother in the sort of fluttery, birdbrain role one might suspect would be offered to Billie Burke if this had been filmed in the 1940s.
By the end of the film, Miss Hepburn is so far removed from reality that she thinks Dr. Sugar (Montgomery Clift) is her son Sebastian and seems more like a candidate for lobotomy than the plucky Miss Taylor. Taylor never quite has the air of vulnerability that the role demands, but she gives a colorful, if strident, performance as the poor victimized girl who was used as bait by her playboy cousin.
This leaves MONTGOMERY CLIFT, as a surgeon who is asked to perform a lobotomy on Miss Taylor, hovering in the background and looking like a frightened sparrow most of the time, although it is he who uncovers the truth about last summer. Mr. Clift must have been at a difficult phase of his own personal life because he performs in a stiff, robot-like manner that makes him seem dubious as a skilled surgeon with steady hands.
All of this is highly melodramatic as only Tennessee Williams can muster, while at the same time affording us the luxury of watching two commanding performances from Hepburn and Taylor that were justifiably nominated for Oscars.
The tale seems burdened by too much heavy-handed poetry but somehow it holds the attention because of the forceful acting by a fine cast. Mercedes McCambridge is a standout as Taylor's mother in the sort of fluttery, birdbrain role one might suspect would be offered to Billie Burke if this had been filmed in the 1940s.
By the end of the film, Miss Hepburn is so far removed from reality that she thinks Dr. Sugar (Montgomery Clift) is her son Sebastian and seems more like a candidate for lobotomy than the plucky Miss Taylor. Taylor never quite has the air of vulnerability that the role demands, but she gives a colorful, if strident, performance as the poor victimized girl who was used as bait by her playboy cousin.
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- Suddenly, Last Summer
- Luoghi delle riprese
- Begur, Girona, Catalonia, Spagna(village and old castle scenes)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 3.000.000 USD (previsto)
- Lordo in tutto il mondo
- 9.830 USD
- Tempo di esecuzione1 ora 54 minuti
- Colore
- Proporzioni
- 1.85 : 1
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By what name was Improvvisamente, l'estate scorsa (1959) officially released in India in English?
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