Una serie di storie che raccontano una settimana della vita di un paparazzo donnaiolo a Roma.Una serie di storie che raccontano una settimana della vita di un paparazzo donnaiolo a Roma.Una serie di storie che raccontano una settimana della vita di un paparazzo donnaiolo a Roma.
- Vincitore di 1 Oscar
- 11 vittorie e 12 candidature totali
Anouk Aimée
- Maddalena
- (as Anouk Aimee)
Magali Noël
- Fanny
- (as Magali Noel)
Trama
Lo sapevi?
- QuizThe famous scene in the Trevi Fountain was shot over a week in March, when nights were still cold. According to Federico Fellini (in an interview with Costanzo Costantini), Anita Ekberg stood in the cold water in her dress for hours with no trouble. Marcello Mastroianni, on the other hand, had to wear a wetsuit beneath his clothes, and even that wasn't enough. Still freezing, he downed an entire bottle of vodka, so he was completely drunk while shooting the scene.
- BlooperWhen Marcello and Maddalena arrive at the prostitute's apartment, a long electric cable (light?) can be seen attached to the right rear of the car, moving along until the car stops.
- Citazioni
Marcello Rubini: [to Sylvia] You are everything... everything! You are the first woman on the first day of creation. You are mother, sister, lover, friend, angel, devil, earth, home.
- Versioni alternativeIn the original American release, distributed by American International Pictures, the titles open with the AIP logo and appear over a shot of the sky with clouds. In the current release on DVD - and as shown on TCM - the title sequence is over a black background. When originally released, censors in several countries trimmed certain scenes, including the orgy near the end of the film.
- ConnessioniEdited into La case du siècle: Cinecittà, Making of History (2021)
Recensione in evidenza
I first saw this movie probably over 25 years ago when I was quite a bit younger. At that point I enjoyed it for its party scenes, sense of joy and life and vitality and....Marcello Mastroianni. Now that I'm older myself and have just recently seen the movie again, I find that I have a much deeper understanding of it. Maybe it takes some age to find some meaning. In a nutshell, Marcello is at a crossroads in his life, he's unable to settle down or move foreward into any direction - he's a diletante with aspirations but no real goals. He's wrapped up in himself and in projecting rather dreamy ideals onto other people. But as he keeps projecting on to others he comes to find in each situation that he doesn't really know the person and they are a mystery and probably a disappointment to him. certainly steiner is the biggest disappointment and disillusions him to a degree that he is apparently lost to a life of corruption and decadence as a result. but it's not that these people are difficult to understand to someone other than marcello - i think we can see that anita ekberg's character really is just a big good-natured blond and not the mysterious goddess marcello makes her out to be; his father is again - the typical traveling salesman and perhaps not the paternal figure that marcello would like him to be. his amour maddelena lives up to her name even as marcello starts believing himself in love with her - he's literally seduced by nothing more than an image he creates in his own mind. his friend steiner seems to have it all to marcello and to be the renaissance man that he would like to be - but, of course, he is dissatisfied and disturbed and we see what the end is. the only one whom marcello forms a somewhat realistic connection with is his girlfriend whom he treats badly and neglects despite her obvious love for him. he refuses to actually work on the one relationship that he could actually succeed at - he would rather dream about possibilities than actualize something.
marcello cannot communicate with others because he cannot see them as the people they really are - he just sees them as projections of his own needs, aspirations, desires and goals. when he finds out what they're really like, he either turns away or falls apart. this is an outstanding movie - 10 out of 10 and beautifully photographed. if you don't get it now, try again in 10 years - it will wait for you to catch up.
marcello cannot communicate with others because he cannot see them as the people they really are - he just sees them as projections of his own needs, aspirations, desires and goals. when he finds out what they're really like, he either turns away or falls apart. this is an outstanding movie - 10 out of 10 and beautifully photographed. if you don't get it now, try again in 10 years - it will wait for you to catch up.
- shoolaroon
- 22 apr 2004
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- La Dolce Vita
- Luoghi delle riprese
- Villa Giustiniani-Odescalchi, Bassano Romano, Viterbo, Lazio, Italia(abandoned castle scenes)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo in tutto il mondo
- 217.420 USD
- Tempo di esecuzione2 ore 54 minuti
- Colore
- Proporzioni
- 2.35 : 1
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By what name was La dolce vita (1960) officially released in India in English?
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