Il terzo segreto

This is a beautiful looking film. It's in B/W but also in Cinemascope. At the time audiences were often disappointed when a film was in B/W, colour had well and truly arrived, B/W seemed a throwback. But now we can see what a unique art form it was.

After a prominent psychiatrist Dr Leo Whitset commits suicide, his daughter Catherine (Pamela Franklin), convinced it was murder, enlists one of her fathers' patients, well-known investigative reporter Alex Stedman (Stephen Boyd), to find the killer.

Although Whitset only had four active cases, one of them was a paranoid schizophrenic unaware of their condition. Alex, who also has issues, visits each of the patients although the killer could very well be himself.

The camera loved Stephen Boyd. The well-built Irishman had a hard time covering his Irish brogue whether playing a chariot-racing Roman, a Mongol warrior or an American as he does here, but he sure had presence.

It was the penultimate film of director Charles Crichton who together with cinematographer Douglas Slocombe made some iconic British films including "The lavender Hill Mob" and "The Titfield Thunderbolt". They knew how to compose a shot.

When Cinemascope arrived many Hollywood directors said they didn't know how to compose for the letterbox shape. Not so Crichton and Slocombe. They shot from above or below and used horizontals to balance the composition. It could be a lake, a long wall or even the rails on a park bench. Inside it was the lines of the ceiling, wooden beading or the slats on a window. It wasn't accidental.

"The Third Secret" has a superior score by Richard Arnell. British film music had broken away from the distinctive, but often repetitious Muir Mathieson, Malcolm Arnold era. Arnell, admired by none other than Bernard Herrmann, only did a small number of film scores. He gave thoughtful shadings here. Gentle flute precedes warm orchestral colours and then gives way to atonal textures that suit the nature of the story.

Of course most don't watch a film for the technical aspects, but the attractive stars of this psychological mystery enhance a story that still holds attention after 60 years of movies and countless TV shows.