VALUTAZIONE IMDb
6,6/10
16.466
LA TUA VALUTAZIONE
Tre ragazze go-go che tengono in ostaggio una giovane ragazza incontrano un vecchio paralitico che vive con i suoi due figli nel deserto. Dopo aver appreso che sta nascondendo una somma di d... Leggi tuttoTre ragazze go-go che tengono in ostaggio una giovane ragazza incontrano un vecchio paralitico che vive con i suoi due figli nel deserto. Dopo aver appreso che sta nascondendo una somma di denaro, le donne iniziano a tramare.Tre ragazze go-go che tengono in ostaggio una giovane ragazza incontrano un vecchio paralitico che vive con i suoi due figli nel deserto. Dopo aver appreso che sta nascondendo una somma di denaro, le donne iniziano a tramare.
- Regia
- Sceneggiatura
- Star
Sue Bernard
- Linda
- (as Susan Bernard)
Michael Finn
- Gas Station Attendant
- (as Mickey Foxx)
John Furlong
- Narrator
- (voce)
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThe film's lead actress, Tura Satana, legally owned her image and likeness. So, whenever Russ Meyer wanted to change the artwork on any of the film's posters or re-release the film, he had to get her permission to do so and sometimes pay her royalties all over again.
- BlooperThe sign above the gas station misspells 'headquarters' as 'headquaters'.
- Versioni alternativeThis film is available in an unrated version on DVD.
- ConnessioniEdited into White Zombie: Thunder Kiss '65 (1992)
Recensione in evidenza
I've got to admit, after the first ten minutes or so; I really didn't think I was going to like this film. However, it isn't long before Russ Meyer's film takes off - and before I knew it, I was watching one of the greatest pieces of trash ever to hit the silver screen! If you want a B-movie; this film has all the essential ingredients. We've got fast cars, fighting, killing, snappy dialogue and a trio of buxom beauties in the lead roles! It's quite clear that this film is made purely for entertainment value - as the plot is non-existent, and the characters don't go any deeper than the common B-movie stereotypes, but it doesn't matter - because entertain it does, and this is about as 'cult' as it gets! Shot in crisp black and white, and with all the energy of the Nouvelle Vogue cinema doing the rounds in sixties France, Faster Pussycat! Kill! Kill! (awesome trashy title) follows three women; dancers by night, and fast car riding killers by day! We follow them as they stumble upon an old farmhouse, inhabited by an old man as sick as they themselves. He's got some money hidden, and the lead chick wants it...only the old man and his sons stand in her way.
It's immediately clear that acting isn't this film's strongpoint; the dialogue sounds forced and ridiculous, and none of the cast do good jobs of making their characters real - yet in true trash fashion, it's the ensemble that is this film's main asset. The trio of women are the main players, with the busty and exotic Tura Satana taking centre stage and being backed up by Haji, and the stunning Lori Williams. These three would make any film worth watching, and the way that Russ Meyer ensures that the girls are always the strongest presence on screen gives Faster Pussycat a lot of its cult value. The film moves quickly, and the action is fast edited and cut with an imminently cool soundtrack, thus making the film amazingly watchable and an obvious influence on the likes of Quentin Tarantino. The fact that this film pokes fun of cinematic violence by having women in the leads will always make it memorable; the fact that they've got big breasts only makes that more so. This is an absolute cult classic and, I suspect, a film that I'll be seeing over and over again. This is one of those films that has to be seen to be believed - so make sure you don't miss it!
It's immediately clear that acting isn't this film's strongpoint; the dialogue sounds forced and ridiculous, and none of the cast do good jobs of making their characters real - yet in true trash fashion, it's the ensemble that is this film's main asset. The trio of women are the main players, with the busty and exotic Tura Satana taking centre stage and being backed up by Haji, and the stunning Lori Williams. These three would make any film worth watching, and the way that Russ Meyer ensures that the girls are always the strongest presence on screen gives Faster Pussycat a lot of its cult value. The film moves quickly, and the action is fast edited and cut with an imminently cool soundtrack, thus making the film amazingly watchable and an obvious influence on the likes of Quentin Tarantino. The fact that this film pokes fun of cinematic violence by having women in the leads will always make it memorable; the fact that they've got big breasts only makes that more so. This is an absolute cult classic and, I suspect, a film that I'll be seeing over and over again. This is one of those films that has to be seen to be believed - so make sure you don't miss it!
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Faster Pussycat, Kill!... Kill!
- Luoghi delle riprese
- Mojave Desert, California, Stati Uniti(General location at Randsburg and Johannesburg, two mining ghosttowns, and Ollie Pesch's Musical Wells Ranch for the dirty old man's ranch scenes.)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 45.000 USD (previsto)
- Tempo di esecuzione1 ora 23 minuti
- Colore
- Mix di suoni
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Divario superiore
By what name was Faster, Pussycat! Kill! Kill! (1965) officially released in India in English?
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