A un detective della polizia nero deve indagare su un omicidio in una città a tendenza razzista del sud degli Stati Uniti.A un detective della polizia nero deve indagare su un omicidio in una città a tendenza razzista del sud degli Stati Uniti.A un detective della polizia nero deve indagare su un omicidio in una città a tendenza razzista del sud degli Stati Uniti.
- Vincitore di 5 Oscar
- 23 vittorie e 16 candidature totali
William Watson
- McNeil
- (as William C. Watson)
Best Picture Winners by Year
Best Picture Winners by Year
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Trama
Lo sapevi?
- QuizSidney Poitier insisted that the movie be filmed in the North because of an incident in which he and Harry Belafonte were almost killed by Ku Klux Klansmen during a visit to Mississippi. That's why Sparta, IL, was chosen for location filming. Nevertheless, the filmmakers and actors did venture briefly into Tennessee for the outdoor scenes at the cotton plantation, because there was no similar cotton plantation in Illinois that could be used. Poitier slept with a gun under his pillow during production in Tennessee. He did receive threats from local racist thugs, so the shoot was cut short and production returned to Illinois.
- BlooperThe police chase Harvey Oberst through the yellow leaves of an autumn forest, clearly indicating that it is not the middle of summer, as claimed in the movie.
- Citazioni
Gillespie: Virgil? That's a funny name for a nigger boy that comes from Philadelphia. What do they call you up there?
Virgil Tibbs: They call me MISTER TIBBS!
- Curiosità sui creditiNo uppercase ("capital") letters are used in the opening and closing credits, including the film's title, cast and characters, crew and job titles, and company credits.
- Versioni alternativeThe 2001 MGM and 2002 United Artists opening fanfares and closing 2001 MGM logo originally appeared in the 2008 DVD and Blu-ray prints. But in the Criterion Blu-ray and Kino Lorber 4K release, the MGM logos were plastered with the 2012 variants.
- ConnessioniFeatured in Film Review: Film Review (1967)
- Colonne sonoreIn the Heat of the Night
Music by Quincy Jones (uncredited)
Lyrics by Alan Bergman (uncredited) and Marilyn Bergman (uncredited)
Sung by Ray Charles
Recensione in evidenza
In order to understand what's happening in In the Heat of the Night you have to realize that it is set in a very specific time period. The Civil Rights Act had been passed in 1964 and the Voting Rights Act was passed in 1965. But the impact of those laws was only beginning to be felt.
Especially the Voting Rights Act. The town of Sparta, Mississippi where William Schallert was Mayor and Rod Steiger was sheriff now has a significant new voting population and blacks might be a majority in that county. But even if they aren't, they know have a voice in the electoral process. Someone like Steiger has to take that into account now. Of course some of his deputies might not yet be with the program which explains why when a murder/robbery is committed of a very prominent northern businessman, Warren Oates sees fit to roust Sidney Poitier who's an unfamiliar black face in that town.
What a surprise they all get when they find out he's a top Philadelphia, Pennsylvania homicide detective and when his identity is established, his boss in Philly offers his services.
Poitier and Steiger both have to work through their prejudices, how each sees the other to solve this mystery which writer Stirling Silliphant gives us several red herrings before we learn the truth. Though Steiger got the Oscar for Best Actor, it should really have been a joint award. Their conflict and growing respect for each other drives the film. Steiger needs his expertise and respects him for that and Poitier comes to respect Steiger for his honesty.
Norman Jewison got great performances from his stars and the supporting cast of whom Warren Oates as the dimwit redneck deputy really shines.
Though set in a very narrow period of our history, In the Heat of the Night holds up very well with some eternal truths in its story. And it's the story of times that were a changing as one spokesman of the sixties put it.
Especially the Voting Rights Act. The town of Sparta, Mississippi where William Schallert was Mayor and Rod Steiger was sheriff now has a significant new voting population and blacks might be a majority in that county. But even if they aren't, they know have a voice in the electoral process. Someone like Steiger has to take that into account now. Of course some of his deputies might not yet be with the program which explains why when a murder/robbery is committed of a very prominent northern businessman, Warren Oates sees fit to roust Sidney Poitier who's an unfamiliar black face in that town.
What a surprise they all get when they find out he's a top Philadelphia, Pennsylvania homicide detective and when his identity is established, his boss in Philly offers his services.
Poitier and Steiger both have to work through their prejudices, how each sees the other to solve this mystery which writer Stirling Silliphant gives us several red herrings before we learn the truth. Though Steiger got the Oscar for Best Actor, it should really have been a joint award. Their conflict and growing respect for each other drives the film. Steiger needs his expertise and respects him for that and Poitier comes to respect Steiger for his honesty.
Norman Jewison got great performances from his stars and the supporting cast of whom Warren Oates as the dimwit redneck deputy really shines.
Though set in a very narrow period of our history, In the Heat of the Night holds up very well with some eternal truths in its story. And it's the story of times that were a changing as one spokesman of the sixties put it.
- bkoganbing
- 10 mag 2007
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- In the Heat of the Night
- Luoghi delle riprese
- Sparta, Illinois, Stati Uniti(Sparta, Mississippi)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 2.000.000 USD (previsto)
- Lordo in tutto il mondo
- 27.669 USD
- Tempo di esecuzione1 ora 50 minuti
- Mix di suoni
- Proporzioni
- 1.85 : 1
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