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"Le Circle Rouge" from 1970 is a French film. That's another way of saying that a lot of Americans won't like it and won't understand this gritty and underplayed film. The title comes from a made-up Buddhist saying, "When men, even unknowingly, are to meet one day, whatever may befall each, whatever the diverging paths, on the said day, they will inevitably come together in the red circle." Melville made up a saying for Le Samourai as well.

One thing we've lost in filmmaking in this country is the art of the buildup. You have to get to the point of the story in five minutes. This film is about a jewelry heist, and the jewelry heist happens very late in the film.

Corey (Alain Delon) is released from prison after five years. Just before he leaves, one of the guards tells him about a jewelry heist he can get in on. Corey is uncertain, so instead he goes to his old boss Rico and steals money from him. Rico sends thugs after him to retrieve the money.

In a parallel plot, a criminal Vogel (Gian-Maria Volonte) is being transported by train and escapes. He winds up hiding in Corey's trunk while Corey is in a restaurant.

Corey finds him, hears his story, and lets him travel by trunk. The car is cut off by Rico's people, and in the ensuing fight, Corey loses the money. Now broke, he decides to join the jewelry heist and include Vogel.

They invite a former police detective, Jansen (Yves Montand) to join them. He is a bad alcoholic having the DTs. Somehow he manages to pull himself together and meet with them. The heist is on.

I would be surprised if there is one page of dialogue in this script, and yet you keep watching. Perhaps influenced by another classic, Rififi, the heist is carried out in complete silence.

The director, Melville, does a magnificent job of keeping us interested, even if there is not much background given of the characters. We know that Delon's boss is sleeping with his former girlfriend, and that's about it. We don't know what made Montand an alcoholic. Melville keeps us focused on their objective.

The acting is very smooth, with Volonte (Vogel) a standout who also has the best role. His scene of escaping police and dogs is one of the best scenes in the movie.

The police commissioner in the movie states that in the end, all men are guilty, even the police. He believes that we are all tainted with original sin. Maybe so. "Le Circle Rouge" won't do much to convince you otherwise.