VALUTAZIONE IMDb
6,6/10
8053
LA TUA VALUTAZIONE
I corridori sfortunati Larry (Fonda) e Deke (Rourke) rubano da un manager di un supermercato per comprare un'auto che li aiuterà nelle loro corse. Mary (George) si invita nell'inseguimento d... Leggi tuttoI corridori sfortunati Larry (Fonda) e Deke (Rourke) rubano da un manager di un supermercato per comprare un'auto che li aiuterà nelle loro corse. Mary (George) si invita nell'inseguimento della polizia che ne consegue.I corridori sfortunati Larry (Fonda) e Deke (Rourke) rubano da un manager di un supermercato per comprare un'auto che li aiuterà nelle loro corse. Mary (George) si invita nell'inseguimento della polizia che ne consegue.
T.J. Castronovo
- Steve
- (as Tom Castranova)
James W. Gavin
- Helicopter Pilot
- (as James Gavin)
Edna MacAfee
- Seller at Swapmeet
- (as Edna Macafee)
Trama
Lo sapevi?
- QuizVic Morrow, playing 'Franklin', insisted on a $1 million life insurance policy before he would film any scenes involving the helicopter, and said that if he wouldn't be insured, he would walk off the picture. His wish was granted, and he very reluctantly agreed to fly in the chopper. When asked why he wanted the policy, Morrow replied "I have always had a premonition that I'll be killed in a helicopter crash!" Of course, on July 23, 1982, Morrow was indeed killed, along with two children, when a helicopter was brought down by special effects explosions, right on top of them while they were filming Ai confini della realtà (1983). Morrow was decapitated by the helicopter's main rotor, as was one of the children. The other child was crushed to death. Incidentally, famed stunt coordinator Gary McLarty, who was one of the passengers inside the helicopter that killed Morrow, also appears in this movie as a State Trooper.
- BlooperThe first getaway car is repeatedly referred to as a 1967 or 1968 Chevy by the police. It is actually a 1966 Impala and the differences between the model years are obvious.
- Versioni alternativeSeveral scenes cut from the original theatrical release were re-inserted for some television cuts of the film: Among these is a scene in the walnut grove after the collision with the fruit truck where Mary (Susan George) chides Larry (Peter Fonda) about not being literate enough to understand a quote from a book. Another occurs where four hoods at the swap meet are being interviewed by the police after Larry, Mary, and Deke tear off in the souped up Dodge Charger. The houdlums stall the officer's questions by commenting back and forth about what kind of engine was in the Charger.
- ConnessioniEdited into Professione pericolo (1981)
Recensione in evidenza
If you're an aspiring writer/director or just a fan of the cinema? Then you have to watch, "Dirty Mary, Crazy Larry". The movie isn't just another 70's Drive-In exploitation car chase flick. It's the 70's Drive-In exploitation car chase flick to end all other 70's Drive-In exploitation car chase flicks that came before it. Movies like Vanishing Point, White Lightening and The Seven Ups.
While films like 'Bullet' and 'The French Connection' set the standard for car chase scenes in urban jungles. It was Vanishing Point that took the car chase across country, and established a brand new 70's genre called the "Car Chase Movie". Like B monster movies from decades past, they were short on plot and even shorter on character development, but long in action packed car chases. It was an entire new genre of its own creation starting in the late 60's with Steve McQueen's 'Bullit', and eventually going out with a bang in the late 70's with films like 'Smokey and the Bandit', followed by early 80's blockbusters like 'The Blues Brothers' and 'Cannonball Run'. The Blues Brothers being probably the best of all the Car Chase movies that combined musical comedy with exciting urban and cross country high octane action car chases and crashes.
While, 'Smokey and the Bandit' and 'The Blues Brothers' were overall far superior movies to the Drive-In exploitation car chase flicks of the early and mid 70's, it's easy to spot that a lot of the great car chase scenes in those later movies were directly inspired by "Dirty Mary, Crazy Larry", which were themselves inspired by earlier films like Vanishing Point and Bullet, but later expanded upon in 'Dirty Mary,Crazy Larry'.
That's really the main reason why I believe "Dirty Mary, Crazy Larry" is a must see flick. It serves as a transitional film from earlier movies that first established the new 70' genre, with some bold improvisation of stunt coordination using the established genre as its foundation, that made 'DMCL' a source of inspiration for later and greater movies. Check it out and see if you agree with this review.
While films like 'Bullet' and 'The French Connection' set the standard for car chase scenes in urban jungles. It was Vanishing Point that took the car chase across country, and established a brand new 70's genre called the "Car Chase Movie". Like B monster movies from decades past, they were short on plot and even shorter on character development, but long in action packed car chases. It was an entire new genre of its own creation starting in the late 60's with Steve McQueen's 'Bullit', and eventually going out with a bang in the late 70's with films like 'Smokey and the Bandit', followed by early 80's blockbusters like 'The Blues Brothers' and 'Cannonball Run'. The Blues Brothers being probably the best of all the Car Chase movies that combined musical comedy with exciting urban and cross country high octane action car chases and crashes.
While, 'Smokey and the Bandit' and 'The Blues Brothers' were overall far superior movies to the Drive-In exploitation car chase flicks of the early and mid 70's, it's easy to spot that a lot of the great car chase scenes in those later movies were directly inspired by "Dirty Mary, Crazy Larry", which were themselves inspired by earlier films like Vanishing Point and Bullet, but later expanded upon in 'Dirty Mary,Crazy Larry'.
That's really the main reason why I believe "Dirty Mary, Crazy Larry" is a must see flick. It serves as a transitional film from earlier movies that first established the new 70' genre, with some bold improvisation of stunt coordination using the established genre as its foundation, that made 'DMCL' a source of inspiration for later and greater movies. Check it out and see if you agree with this review.
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Dirty Mary Crazy Larry
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.140.000 USD (previsto)
- Tempo di esecuzione1 ora 33 minuti
- Colore
- Proporzioni
- 1.85 : 1
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By what name was Zozza Mary, pazzo Gary (1974) officially released in India in English?
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