Mentre tenta di intervistare un gangster inafferrabile, il fotoreporter Emanuelle scopre un'organizzazione che si occupa di vendere giovani donne.Mentre tenta di intervistare un gangster inafferrabile, il fotoreporter Emanuelle scopre un'organizzazione che si occupa di vendere giovani donne.Mentre tenta di intervistare un gangster inafferrabile, il fotoreporter Emanuelle scopre un'organizzazione che si occupa di vendere giovani donne.
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- QuizLaura Gemser said later that the Emanuelle films were all the same, adding "It seemed like one long, long movie that didn't end. You know, it was always the same story, the same things happens." In every film, she played a journalist or a photographer sent out to find some drug criminals, and she always had to strip naked or have sex to get what she needed. She admitted she continued to do them because they paid well and she got to travel to exotic locations, which she loved. That made continuously taking her clothes off and kissing and rubbing against other people tolerable.
- ConnessioniEdited from Emanuelle e gli ultimi cannibali (1977)
- Colonne sonoreRun, Cheetah, Run
Music and Lyrics by Nico Fidenco
Recensione in evidenza
The quality of a film often suffers when the director decides to make it a "hardcore" feature. D'Amato's "Emanuelle In America" is a good example; remove the unappealing and artless hardcore shots and the nauseating "ejjaculation" inserts, and all that is left is a substandard, highly forgettable movie. This explains why "Emanuelle and the White Slave Trade" is, technically speaking, one of the best in the series. Without the porn angle to sell the product, D'Amato can concentrate on the important aspects of making a good movie; like a coherent and interesting story, and softcore erotic scenes that are truly artistic and extremely sexy. Anyone who finds the scenes of ugly men, "blowing their loads" on ugly bimbos, hotter, and more EROTIC than "the mechanic scene" featured in "White Slave Trade..." well, that audience shouldn't be reviewing these movies at all, because they just "don't get it..." In this long-lost entry in the Italian "Emanuelle" series, follows "Emy" Jordan, the reporter who travels to foreign lands to uncover stories too shocking for normal journalists, going to places, and dealing with people considered too dangerous for the average female reporter. Revisiting familiar territory, Emanuelle stumbles upon an international White Slavery ring while vacationing in Africa. Fans will recognize this story from both "Emanuelle In America," as well as the brutal but impressive "Emanuelle Around the World." Only this time D'Amato concentrates more on the quality, and it is recognized mostly in the writing and the introduction of some characters that are actually interesting and not simply one dimensional bodies who are there just to take off their clothes. Not that this film isn't filled with sex and nudity; it simply has more going for it than smut. Emanuelle's romantic interlude with the daughter of a foreign diplomat is really quite nice, and sexy without being exploitative, bringing to mind the girl/girl love story from the original, French "Emmanuelle" series with Sylvia Kristel. The rediscovery of this lost film is truly a great thing, and true fans of the series will be thrilled with the discovery of "Emanuelle and the White Slave trade." Those looking for the "love butter" and the "clam shots," might as well pass this one up.
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- Emanuelle and the White Slave Trade
- Luoghi delle riprese
- Roosevelt Island Tram, Roosevelt Island, New York, New York, Stati Uniti(Emanuelle meets with Francis Harley)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
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By what name was La via della prostituzione (1978) officially released in India in English?
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