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In his Chicago Sun-Times review, Roger Ebert wrote that the character of Daxiat, the collaborationist critic, "is such an evil monster that he must surely be inspired by someone Truffaut knows." Michel Daxiat was the pseudonym of the critic Alain Laubreaux (1899-1968), who wrote for the anti-Semitic journal "Je suis partout." The scene where Bernard gives him a beating is inspired by an incident when Jean Marais punched Laubreaux; after Liberation, Laubreaux shared the fate Daxiat suffers at the film's end.

In one scene in the cellar, during a conversation between Marion and Lucas, we can see the sound recordist hiding himself in a corner of the cellar.

Featured in Sneak Previews: Sunday Lovers/Falling In Love Again/My Bloody Valentine/The Last Metro (1981)