A Miami, nel 1980, un immigrato cubano determinato prende il controllo di un cartello di narcotrafficanti e soccombe all'avidità.A Miami, nel 1980, un immigrato cubano determinato prende il controllo di un cartello di narcotrafficanti e soccombe all'avidità.A Miami, nel 1980, un immigrato cubano determinato prende il controllo di un cartello di narcotrafficanti e soccombe all'avidità.
- Premi
- 8 candidature
Trama
Lo sapevi?
- QuizDuring the scene where Tony and Elvira are sitting in the Cadillac at the car dealership, Al Pacino surreptitiously slips on the hat that Michelle Pfeiffer was wearing while she was looking away, which was not scripted. When she turns back and sees him wearing it, her amused reaction was genuine and to her credit, she stayed in character and ad-libbed a line. Brian De Palma decided to keep that unscripted exchange in the movie to show Elvira's gradual warming up to Montana.
- BlooperExtras during the riot stop "rioting" before they are off-screen.
- Citazioni
Tony Montana: I always tell the truth. Even when I lie.
- Curiosità sui creditiWe see a proverb at the beginning of the movie that says: "Enjoy yourself, every day above ground is a good day." ANONYMOUS, MIAMI 1981
- Versioni alternativeTo get a 16 rating in West Germany, most of the violence and profanity were toned down.
- ConnessioniEdited into 76-89-03 (2000)
- Colonne sonoreScarface (Push It to the Limit)
Performed by Paul Engemann
Music by Giorgio Moroder
Lyrics by Pete Bellotte
Recensione in evidenza
Every great gangster movie has under-currents of human drama. Don't expect an emotional story of guilt, retribution and despair from "Scarface". This is a tale of ferocious greed, corruption, and power. The darker side of the fabled "American Dream".
Anybody complaining about the "cheesiness" of this film is missing the point. The superficial characters, cheesy music, and dated fashions further fuel the criticism of this life of diabolical excess. Nothing in the lives of these characters really matter, not on any human level at least. In fact the film practically borderlines satire, ironic considering all the gangsta rappers that were positively inspired by the lifestyle of Tony Montana.
This isn't Brian DePalma's strongest directorial effort, it is occasionally excellent and well-handled (particularly the memorable finale), but frequently sinks to sloppy and misled. Thankfully, it is supported by a very strong script by Oliver Stone (probably good therapy for him, considering the coke habit he was tackling at the time). The themes are consistent, with the focus primarily on the life of Tony Montana, and the evolution of his character as he is consumed by greed and power. The dialogue is also excellent, see-sawing comfortably between humour and drama. There are many stand-out lines, which have since wormed their way into popular culture in one form or another.
The cast help make it what it is as well, but this is really Pacino's film. One of his earlier less subtle performances (something much more common from him nowadays), this is a world entirely separate from Michael Corleone and Frank Serpico. Yet he is as watchable here as ever, in very entertaining (and intentionally over-the-top) form. It is hard to imagine another Tony Montana after seeing this film, in possibly one of the most mimicked performances ever. Pfeiffer stood out as dull and uncomfortable on first viewing, but I've come to realize how she plays out the part of the bored little wife. Not an exceptional effort, but unfairly misjudged. The supporting players are very good too, particularly Paul Shenar as the suave Alejandro Sosa.
Powerful, occasionally humorous, sometimes shocking, and continually controversial. "Scarface" is one of the films of the eighties (whatever that might mean to you). An essential and accessible gangster flick, and a pop-culture landmark. 9/10
Anybody complaining about the "cheesiness" of this film is missing the point. The superficial characters, cheesy music, and dated fashions further fuel the criticism of this life of diabolical excess. Nothing in the lives of these characters really matter, not on any human level at least. In fact the film practically borderlines satire, ironic considering all the gangsta rappers that were positively inspired by the lifestyle of Tony Montana.
This isn't Brian DePalma's strongest directorial effort, it is occasionally excellent and well-handled (particularly the memorable finale), but frequently sinks to sloppy and misled. Thankfully, it is supported by a very strong script by Oliver Stone (probably good therapy for him, considering the coke habit he was tackling at the time). The themes are consistent, with the focus primarily on the life of Tony Montana, and the evolution of his character as he is consumed by greed and power. The dialogue is also excellent, see-sawing comfortably between humour and drama. There are many stand-out lines, which have since wormed their way into popular culture in one form or another.
The cast help make it what it is as well, but this is really Pacino's film. One of his earlier less subtle performances (something much more common from him nowadays), this is a world entirely separate from Michael Corleone and Frank Serpico. Yet he is as watchable here as ever, in very entertaining (and intentionally over-the-top) form. It is hard to imagine another Tony Montana after seeing this film, in possibly one of the most mimicked performances ever. Pfeiffer stood out as dull and uncomfortable on first viewing, but I've come to realize how she plays out the part of the bored little wife. Not an exceptional effort, but unfairly misjudged. The supporting players are very good too, particularly Paul Shenar as the suave Alejandro Sosa.
Powerful, occasionally humorous, sometimes shocking, and continually controversial. "Scarface" is one of the films of the eighties (whatever that might mean to you). An essential and accessible gangster flick, and a pop-culture landmark. 9/10
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Caracortada
- Luoghi delle riprese
- 656 Park Ln, Santa Barbara, California, Stati Uniti(Alejandro Sosa's Bolivian Estate)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 50.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 45.967.303 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4.597.536 USD
- 11 dic 1983
- Lordo in tutto il mondo
- 66.443.303 USD
- Tempo di esecuzione2 ore 50 minuti
- Colore
- Mix di suoni
- 4-Track Stereo(original release)
- Proporzioni
- 2.39 : 1
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