VALUTAZIONE IMDb
5,4/10
3664
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAfter years of research, the doctor finally succeeds in creating the perfect woman, who gets the name "Eva".After years of research, the doctor finally succeeds in creating the perfect woman, who gets the name "Eva".After years of research, the doctor finally succeeds in creating the perfect woman, who gets the name "Eva".
- Premi
- 3 candidature
Veruschka von Lehndorff
- Countess
- (as Veruschka)
Timothy Spall
- Paulus
- (as Tim Spall)
Andy de la Tour
- Priest
- (as Andrew de la Tour)
Trama
Lo sapevi?
- QuizQuentin Crisp (Dr. Zahlus) was a distant cousin of Boris Karloff, who played Frankenstein's Monster in Frankenstein (1931), La moglie di Frankenstein (1935) and Il figlio di Frankenstein (1939) and Baron Frankenstein in Frankenstein 1970 (1958).
- BlooperEva begins as a corpse, completely smothered in medical fabric, who is brought to life with intense blasts of electricity, and when the bandages are removed, the close-up shot shows her perfectly groomed, with flowing hair, plucked eyebrows, mascaraed eyelashes, and a flawless, gently tanned complexion that is actually richer than Frankenstein's own.
- ConnessioniFeatured in At the Movies: Worst Movies of Summer 1985 (1985)
- Colonne sonoreEine Kleine Nachtsmusik
Composed by Wolfgang Amadeus Mozart
Recensione in evidenza
"The Bride" is more Thomas Hardy than Mary Shelley, and more Gothic romance than horror. Director Franc Roddam points out (on his DVD commentary) that he wanted to make a very different version of the old story by eliminating almost all elements of horror; so only the first ten minutes qualify as authentic horror.
Roddam does not discuss the illogic of making a film devoid of the very elements its "target audience" was interested in seeing, but we already know that "The Bride" had a very poor showing at the box office. This target audience disconnect was most likely the cause. Nor does he comment on the failure to market the film to another audience segment; those interested in Gothic period pieces.
It is especially cool that 20 years later the film is finally being discovered by this other audience and they are finding it a beautifully photographed example of their genre that emphasizes story-line and atmosphere over blood and gore.
Even the much criticized casting of inexperienced leads Jennifer Beals and Sting (although both look great in period costume) takes on a different dimension when the film is re-classified into the Gothic genre. Suddenly you see that it was the director who was responsible for the apparent lack of chemistry between the two stars, particularly Beals lack of passion in the scenes they share. Roddam wanted these performances from his actors to advance his story; they are not not a reflection of inexperience or talent limitation. Which is not to say that Sting will ever be mistaken for a great acting talent but Beals has been unjustly criticized for a shallow performance when she simply gave Roddam what he wanted from her character Eva. Eva is only learning how to feel as the film progresses and when the events have all played out you realize that her emotionless attitude was meant to convey the indifference she felt toward her creator.
I highly recommend this movie as Roddam is an excellent stylistic director and has made a very good and very original Gothic romance. The fantastic production design unifies what are two stories as Roddam cuts back and forth between the Baron (Sting) teaching his creation Eva (Beals) while David Rappaport as Rinaldo teaches his other creation Victor, played by Clancy Brown. There is a psychic link between the two creations which will result in a interesting plot twist.
Roddam has created a visually gorgeous film that has held up much better than the 1980's mainstream features that outperformed it at the box office. Don't be scared away by the negative comments, if you know what to expect (gothic romance not horror) almost any fan of films will enjoy "The Bride". I recommend the DVD, it was made from a flawless print and the widescreen presentation really showcases both the top-notch photography and the terrific work of the production designer.
Roddam does not discuss the illogic of making a film devoid of the very elements its "target audience" was interested in seeing, but we already know that "The Bride" had a very poor showing at the box office. This target audience disconnect was most likely the cause. Nor does he comment on the failure to market the film to another audience segment; those interested in Gothic period pieces.
It is especially cool that 20 years later the film is finally being discovered by this other audience and they are finding it a beautifully photographed example of their genre that emphasizes story-line and atmosphere over blood and gore.
Even the much criticized casting of inexperienced leads Jennifer Beals and Sting (although both look great in period costume) takes on a different dimension when the film is re-classified into the Gothic genre. Suddenly you see that it was the director who was responsible for the apparent lack of chemistry between the two stars, particularly Beals lack of passion in the scenes they share. Roddam wanted these performances from his actors to advance his story; they are not not a reflection of inexperience or talent limitation. Which is not to say that Sting will ever be mistaken for a great acting talent but Beals has been unjustly criticized for a shallow performance when she simply gave Roddam what he wanted from her character Eva. Eva is only learning how to feel as the film progresses and when the events have all played out you realize that her emotionless attitude was meant to convey the indifference she felt toward her creator.
I highly recommend this movie as Roddam is an excellent stylistic director and has made a very good and very original Gothic romance. The fantastic production design unifies what are two stories as Roddam cuts back and forth between the Baron (Sting) teaching his creation Eva (Beals) while David Rappaport as Rinaldo teaches his other creation Victor, played by Clancy Brown. There is a psychic link between the two creations which will result in a interesting plot twist.
Roddam has created a visually gorgeous film that has held up much better than the 1980's mainstream features that outperformed it at the box office. Don't be scared away by the negative comments, if you know what to expect (gothic romance not horror) almost any fan of films will enjoy "The Bride". I recommend the DVD, it was made from a flawless print and the widescreen presentation really showcases both the top-notch photography and the terrific work of the production designer.
- aimless-46
- 17 apr 2005
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- The Bride
- Luoghi delle riprese
- Chateau de Cordes, Orcival, Puy-de-Dôme, Francia(Frankenstein's Chateau Castle)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 13.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 3.558.669 USD
- Fine settimana di apertura Stati Uniti e Canada
- 1.763.277 USD
- 18 ago 1985
- Lordo in tutto il mondo
- 3.558.669 USD
- Tempo di esecuzione1 ora 58 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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