Storia di vita e di morte del leggendario compositore Ludwig van Beethoven, che cerca di scoprire chi era la sconosciuta donna a cui scrisse la famosa lettera d'amore.Storia di vita e di morte del leggendario compositore Ludwig van Beethoven, che cerca di scoprire chi era la sconosciuta donna a cui scrisse la famosa lettera d'amore.Storia di vita e di morte del leggendario compositore Ludwig van Beethoven, che cerca di scoprire chi era la sconosciuta donna a cui scrisse la famosa lettera d'amore.
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- QuizGary Oldman actually played all of the Beethoven pieces he performed in the film. A different musician performed in the official soundtrack. When Oldman learned he would be playing the lead role, he spent six weeks practicing on a Steinway piano for six hours a day in his hotel, and completely immersed himself in the music as his research for the character. In an interview with the South Bank show in 1997, Oldman quoted an article that said "he mimes very well" in the film. He then laughed and said "I'm playing it! I can play that!"
- BlooperAt his first public recital, Ludwig was eight years-old (some sources report seven) and his father announced him as six, yet the movie conveys, via voiceover, that Ludwig was "12 and his father told the court he was nine".
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Ludwig van Beethoven: [in reference to "Violin Sonata in A Major, Op. 47" - "Kreutzer"...] Do you like it?
Anton Felix Schindler: Shh!
Ludwig van Beethoven: I cannot hear them, but I know they are making a hash of it. What do you think? Music is... a dreadful thing. What is it? I don't understand it. What does it mean?
Anton Felix Schindler: It - it exalts the soul.
Ludwig van Beethoven: Utter nonsense. If you hear a marching band, is your soul exalted? No, you march. If you hear a waltz, you dance. If you hear a mass, you take communion. It is the power of music to carry one directly into the mental state of the composer. The listener has no choice. It is like hypnotism. So, now... What was in my mind when I wrote this? Hmm? A man is trying to reach his lover. His carriage has broken down in the rain. The wheels stuck in the mud. She will only wait so long. This... is the sound of his agitation. "This is how it is... ," the music is saying. "Not how you are used to being. Not how you are used to thinking. But like this."
- Colonne sonoreMissa Solemnis in D Major, Op. 123
Written by Ludwig van Beethoven
Performed by London Symphony Orchestra
Conducted by Georg Solti (as Sir Georg Solti)
Performed by Renée Fleming soprano - Ann Murray alto - Vinson Cole tenor - Bryn Terfel bass with London Voices
Chorus master: Terry Edwards
But if you approach this film as a sort of "conspiracy theory", and if you have a reasonable--but not too precise--familiarity with the facts of Beethoven's life, you will be very entertained, shocked and intrigued at the story.
Real quick historical synopsis: In papers found posthumously, Beethoven did indeed mention an "immortal beloved", much to the surprise of the world which thought him to be a solitary soul. The identity of this person has vexed historians for centuries, and speculation has been the cause of many a knock-down, drag-out fight amongst them (those historians can be pret-ty feisty). Here we have a possible explanation which pulls together several interesting episodes from Beethoven's life and weaves them into a believable plot. The historians can duke it out whilst we can enjoy the show.
Gary Oldman, as always, delivers a fantastic performance which elevates this film to classic status. Sure, there are flaws in this film, but nothing that cannot be overlooked in light of the acting and of course the music. My only gripe is that the film focuses very heavily on plot (and rightly so, I guess), but in so doing, it sacrifices the poetry of the situation. We rarely get a good, quiet, reflective moment where we can look into the tortured soul of the composer. Instead we get plenty of fiery episodes and situational drama, which is good but can leave us exhausted after a while.
Contrast this with the film Amadeus which breaks up the action with carefully crafted monologues and time to breathe & reflect. "Immortal Beloved" can seem like a fast paced action flick compared to that--but again I suppose the complex plot demands it. This is really a minor criticism. Although Amadeus needn't worry about losing its place in my list of best movies ever, Immortal Beloved is certainly worthy of playing in the same league.
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Botteghino
- Lordo Stati Uniti e Canada
- 9.914.409 USD
- Fine settimana di apertura Stati Uniti e Canada
- 120.108 USD
- 18 dic 1994
- Lordo in tutto il mondo
- 9.914.409 USD
- Tempo di esecuzione2 ore 1 minuto
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- 2.39 : 1
- 2.35 : 1