Entrambi abbandonati dalle loro amiche, i due migliori amici cercano rifugio nel centro commerciale locale.Entrambi abbandonati dalle loro amiche, i due migliori amici cercano rifugio nel centro commerciale locale.Entrambi abbandonati dalle loro amiche, i due migliori amici cercano rifugio nel centro commerciale locale.
- Regia
- Sceneggiatura
- Star
Renée Humphrey
- Tricia
- (as Renee Humphrey)
Trama
Lo sapevi?
- Quiz(at around 10 mins) Brodie's comic book collection seen in the movie was director Kevin Smith's collection at the time (which has grown considerably since). The collection is what Smith was able to purchase back after selling his original collection to finance production of Clerks - Commessi (1994).
- BlooperWhen Brodie and TS first arrive at the mall, the license plates on the cars state New Jersey, then the remainder show Minnesota.
- Curiosità sui creditiEnd credits finish with: Jay and Silent Bob will return in "Chasing Amy"
- Versioni alternativeThere is also a 10th Anniversary Extended Edition, running 2hours and 2 minutes.
- ConnessioniFeatured in Siskel & Ebert & the Movies: Get Shorty/Now and Then/Mallrats (1995)
Recensione in evidenza
As most Smith fanboys know, Mallrats has been trashed critically, financially (bad box-office) and by a lot of Smith's own fan-base.
Personally I like it. Even without watching the DVD with commentary by Smith its obvious that this outing was backed by Hollywood, emitting a polish and lack of gloom that his other films don't have and thus gaining flack over its lack of "Indie" look and feel and hammy storyline. Had this film been in black in white, shot using a cheaper production method, or had a less happier ending, it possibly would have fared better with the fans than it did.
Listen to the dialogue though and its soon apparent this is indeed pure Smith. And it shines. The long diatribes about seemingly nothing, the anti-establishment rumblings of Brody (who ironically spends a lot of the film clarifying escalator ettiquite and other mall law), and a bigger involvement of Jay and Bob (but not too much) make this as good, if not better than the other Kevin Smith films and quite possibly my favourite of his.
Its hard to rate this film, you'll either really like it and give it a 10 or tuck into another chocolate pretzel after giving it a 1.
Personally I like it. Even without watching the DVD with commentary by Smith its obvious that this outing was backed by Hollywood, emitting a polish and lack of gloom that his other films don't have and thus gaining flack over its lack of "Indie" look and feel and hammy storyline. Had this film been in black in white, shot using a cheaper production method, or had a less happier ending, it possibly would have fared better with the fans than it did.
Listen to the dialogue though and its soon apparent this is indeed pure Smith. And it shines. The long diatribes about seemingly nothing, the anti-establishment rumblings of Brody (who ironically spends a lot of the film clarifying escalator ettiquite and other mall law), and a bigger involvement of Jay and Bob (but not too much) make this as good, if not better than the other Kevin Smith films and quite possibly my favourite of his.
Its hard to rate this film, you'll either really like it and give it a 10 or tuck into another chocolate pretzel after giving it a 1.
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Mallrats
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 8.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 2.122.561 USD
- Fine settimana di apertura Stati Uniti e Canada
- 1.153.838 USD
- 22 ott 1995
- Lordo in tutto il mondo
- 2.122.561 USD
- Tempo di esecuzione1 ora 34 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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