La dea dell'amore

This is a charming movie - particularly the parts played by the boxer-onion farmer, and prostitute/porn star, and their two scenes together. Allen's character's efforts sense of what happier direction the prostitute's life could take and his efforts to reform her, are also exactly what most of us would do if we discovered that she was the biological mother of our adopted child.

Allen has such imagination - and such an understanding of how people of varying education and background, talk and move, and what they care about.

I did feel the subplot involving Helena Bonham-Carter, her career and Peter Weller, was less imaginative, less interesting. I've always had trouble warming to Bonham-Carter - perhaps it's just how unlikeable virtually all her roles have been - and this role didn't help.

Mira Sorvino's character sounds amusingly like Victoria Jackson from Saturday Night Live - her figure is so eye-popping, and her sweetness so endearing that she definitely is the memorable character for anyone who sees the movie. "Oh, that's the one with Mira Sorvino" is undoubtedly how people would remember this movie. However, the Greek chorus was a wonderful idea - and Jack Warner in a small role as a blind seer, and F. Murray Abraham as the principal chorus member/conscience of the movie is also wonderful.