Un membro dell'IRA scappa a New York e si nasconde a casa di un poliziotto a tutti gli effetti ignaro della sua identità. Il nuovo arrivato si integra nella famiglia, mentre organizza un gro... Leggi tuttoUn membro dell'IRA scappa a New York e si nasconde a casa di un poliziotto a tutti gli effetti ignaro della sua identità. Il nuovo arrivato si integra nella famiglia, mentre organizza un grosso acquisto di armi per la sua organizzazione.Un membro dell'IRA scappa a New York e si nasconde a casa di un poliziotto a tutti gli effetti ignaro della sua identità. Il nuovo arrivato si integra nella famiglia, mentre organizza un grosso acquisto di armi per la sua organizzazione.
- Premi
- 1 candidatura
Rubén Blades
- Edwin Diaz
- (as Ruben Blades)
Ashley Acarino
- Morgan O'Meara
- (as Ashley Carin)
Trama
Lo sapevi?
- QuizBrad Pitt wanted to leave the production, but was threatened by a lawsuit. In the February 2, 1997, issue of Newsweek, Pitt called the film a "disaster", and said that "it was the most irresponsible bit of filmmaking - if you can even call it that - that I've ever seen. I couldn't believe it". Rumors of fighting on the set (especially over which star would be the focus of the film) plagued the production. The original script was discarded and there were at least seven subsequent rewrites. Pitt said the final version was "a mess". "The script that I had loved was gone," he said. "I guess people just had different visions and you can't argue with that. But then I wanted out and the studio head said, 'All right, we'll let you out, but it'll be $63 million for starters." (Harrison Ford later noted that Pitt "forgot for a moment that he was talking to someone whose job it was to write this s*** down".)
- BlooperTom pursues Frankie up the indoor stairs and then outside across the roof and down the sixteen foot wall, where Frankie escapes past a building. Given that there was no ladder and nothing on which to climb, how did Tom get up the 16-foot wall to get back inside?
Recensione in evidenza
I'm sure that many viewers will point out with venim that the film was inaccurate with regard to the conflict in Northern Ireland, as well as Brad's accent, which, personally, I thought he had put some work into.
The film is basically a thriller using the N.I conflicts as a backdrop to generate the pathos for the film; so anyone watching it to see an angle on the troubles will be disappoiinted.
However it gave Pitt a chance to show off his ability to be directed and follow staged fight scenes. He was his usual brilliant self at emotional expression.
The purpose of his journey to The States was almost glossed over with the film relying on the first few scenes to show why he had such a vengful purpose.
The title of the film is fairly misleading, as it serves only as an extra tag line. This is NOT a deep or meaningful film in any way, nor does it contain much accurate historical fact. The 'morphing' of the young boy after seeing a close family member being shot was a little hurried, but served to get you into the rhythm of the film.
As there were very few people actually hunting or chasing him on screen except for Ford, his worth for information/intelligence as far as those around him were concerned was almost nil.... but his intentions were far more sinister.
Maybe the point of the film was to demonstrate that to win the cause closest to your heart or carry out duty through conscience or revenge, you may have to kill the person who gets in your way. Either way the wasting of a life comes down to the same thing no matter how it's done.
I realise that it must have been a rather insulting film to those close to the troubles, in terms of trivialisation and attitude, but to repeat my earlier comment, the title of the film was a little misleading, and it may have given rise to higher expectations.
However Pitt's accent wasn't that bad, and his mannerisms were clearly worked on, and all in all the film was entertaining.
At least the film allowed you to reach your own conclusion at the end, and didn't particularly force any political points on the viewer.
The film is basically a thriller using the N.I conflicts as a backdrop to generate the pathos for the film; so anyone watching it to see an angle on the troubles will be disappoiinted.
However it gave Pitt a chance to show off his ability to be directed and follow staged fight scenes. He was his usual brilliant self at emotional expression.
The purpose of his journey to The States was almost glossed over with the film relying on the first few scenes to show why he had such a vengful purpose.
The title of the film is fairly misleading, as it serves only as an extra tag line. This is NOT a deep or meaningful film in any way, nor does it contain much accurate historical fact. The 'morphing' of the young boy after seeing a close family member being shot was a little hurried, but served to get you into the rhythm of the film.
As there were very few people actually hunting or chasing him on screen except for Ford, his worth for information/intelligence as far as those around him were concerned was almost nil.... but his intentions were far more sinister.
Maybe the point of the film was to demonstrate that to win the cause closest to your heart or carry out duty through conscience or revenge, you may have to kill the person who gets in your way. Either way the wasting of a life comes down to the same thing no matter how it's done.
I realise that it must have been a rather insulting film to those close to the troubles, in terms of trivialisation and attitude, but to repeat my earlier comment, the title of the film was a little misleading, and it may have given rise to higher expectations.
However Pitt's accent wasn't that bad, and his mannerisms were clearly worked on, and all in all the film was entertaining.
At least the film allowed you to reach your own conclusion at the end, and didn't particularly force any political points on the viewer.
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Dettagli
Botteghino
- Budget
- 90.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 42.868.348 USD
- Fine settimana di apertura Stati Uniti e Canada
- 14.274.503 USD
- 30 mar 1997
- Lordo in tutto il mondo
- 140.807.547 USD
- Tempo di esecuzione1 ora 51 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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What is the streaming release date of L'ombra del diavolo (1997) in Mexico?
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