In un tempo ormai perso nelle nebbie della memoria, il grande Re Artù governa nella leggendaria cittadella di Camelot.In un tempo ormai perso nelle nebbie della memoria, il grande Re Artù governa nella leggendaria cittadella di Camelot.In un tempo ormai perso nelle nebbie della memoria, il grande Re Artù governa nella leggendaria cittadella di Camelot.
Trama
Lo sapevi?
- QuizIn his autobiography Size Matters Not: The Extraordinary Life & Career of Warwick Davis, Warwick Davis, an actor in the film, called it an "absolute disaster" which was "premiered, panned and bombed," and "even the wonderful Joanna Lumley---who still managed to put in an amazing performance as Morgan le Fay---couldn't save it." He blames this on the director Anthony Hickox, who he says "seemed intent on partying all night long and giving roles to his friends."
- BlooperWhen Lady Ilene is first introduced into the harem, they tell her that she's Thursday. She says, "That's today," but her mouth says, "That's tomorrow."
- Citazioni
Princess Ilene: I demand to see your king.
Thagnar: Harem.
Prince Gawain: What? You can't do that she's a princess.
Princess Ilene: Who the hell is harem?
[she's thrown into a room full of other woman]
Woman #1: [giggles] I wonder if she's a virgin.
Princess Ilene: Of course I'm a virgin. I'm Princess Ilene of Brenwyn.
Woman #2: We all had kingdoms once. Now we are all queens for a night.
[Ilene looks around scared]
Monday: I am Monday.
Tuesday: I'm Tuesday.
Wednesday: I'm Wednesday.
Monday: And you're Thursday.
Princess Ilene: That's today. He wouldn't dare touch a princess.
[now very unsure]
Princess Ilene: Would he?
- ConnessioniFeatured in Alannah Myles & Zucchero: What Are We Waiting For? (1997)
- Colonne sonoreWhat We Are Waiting For
Performed by Alannah Myles and Zucchero
Written by Phil Roy, Simon Wilson, Siobhan Maher
Published by Sony Tunes Inc./Philster Music ASCAP,
Bugle Songs Ltd. PRS, BMG Music Publishing PRS
Run of the mill script. Mediocre acting.
Bad special effects and stunts,and bad film-editing.
The special effects were truly terrible. Just stop-the-movie awful. Alligators that don't move and clearly are not alive. One alligator, clad in plate mail (huh?), shoots vertically out of the water into the air and descends down onto the stonework beside the water, where it doesn't move -while characters run about, pretending to be fearful of the clearly-lifeless, unmoving armor-clad alligator.
And lots of characters swinging Tarzan-like on ropes, slamming feet first into the villains. Except the actors are clearly hanging on ropes being moved by an overhead crane. And the ropes move slowly, as if there was great concern on the set about hurting the actors. In these scenes the villain conveniently stands in one spot until the slow-swinging good guy finally collides with him. This isn't a one-time screw-up; the slow-swinging Tarzan-bit happens over and over again.
The film editing is bad enough that it makes it hard to follow the story at spots. And the stunts and special effects kept blowing up the suspension of disbelief.
There is plenty of no-brainer action, though, and high production values on the sets and costumes. This could have been fun if it was better made.
I più visti
- How long is Prince Valiant?Powered by Alexa
Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- Prince Valiant
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 31 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1