Dopo la morte del suo padrone, uno scudiero contadino, alimentato dal suo desiderio di cibo e gloria, si crea una nuova identità come cavaliere.Dopo la morte del suo padrone, uno scudiero contadino, alimentato dal suo desiderio di cibo e gloria, si crea una nuova identità come cavaliere.Dopo la morte del suo padrone, uno scudiero contadino, alimentato dal suo desiderio di cibo e gloria, si crea una nuova identità come cavaliere.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie e 13 candidature
- Christiana
- (as Berenice Bejo)
- Simon the Summoner
- (as Steve O'Donnell)
Trama
Lo sapevi?
- BlooperThis is a satirical romance, not a historical documentary. While nominally set in the middle of the 14th century (when Edward the Black Prince and Geoffrey Chaucer were active), it freely amalgamates the costume, custom and slang of many different centuries to create a unique world. The Chaucer character (who mentions his signature Canterbury Tales) bears almost no resemblance to his historical counterpart. Matte replicas of the London Eye and the Eiffel Tower are included to drive home the anachronistic intentions.
- Citazioni
Chaucer: You're good. You're very good. My lords, my ladies, and everybody else here not sitting on a cushion!
[crowd roars]
Chaucer: Today... today, you find yourselves equals.
[crowd roars]
Chaucer: For you are all equally blessed. For I have the pride, the privilege, nay, the pleasure of introducing to you to a knight, sired by knights. A knight who can trace his lineage back beyond Charlemagne. I first met him atop a mountain near Jerusalem, praying to God, asking his forgiveness for the Saracen blood spilt by his sword. Next, he amazed me still further in Italy when he saved a fatherless beauty from the would-be ravishing of her dreadful Turkish uncle.
[crowd, boo]
Chaucer: In Greece he spent a year in silence just to better understand the sound of a whisper. And so without further gilding the lily and with no more ado, I give to you, the seeker of serenity, the protector of Italian virginity, the enforcer of our Lord God, the one, the only, Sir Ulllrrrich von Lichtenstein!
[crowd roars]
Chaucer: Thank you, thank you, I'll be here all week.
- Curiosità sui creditiAfter the credits finish, Roland, Wat, Kate, and Geoff have a flatulence contest/drinking game. Wat loses, but Kate is the obvious winner.
- Versioni alternativeThere is a slight difference between the UK cinema version and the UK DVD release. In the cinematic release, the queen/Robbie Williams version of We Are The Champions starts playing when William and Jocelyn kiss just before the credits, whereas the DVD release has a different song play. However, We Are The Champions still plays over the last half of the credits.
- ConnessioniFeatured in HBO First Look: The Making of 'A Knight's Tale' (2001)
- lowercasegods
- 28 ago 2003
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Corazón de caballero
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 65.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 56.569.702 USD
- Fine settimana di apertura Stati Uniti e Canada
- 16.511.391 USD
- 13 mag 2001
- Lordo in tutto il mondo
- 117.487.657 USD
- Tempo di esecuzione2 ore 12 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1