Shool

Other than Govind Nihalani's Ardh Satya, Shool is the only worthwhile spiritual successor to 1973's Zanjeer. In some ways it takes the template to even greater extremes. Shool's cop as played by Manoj Bajpai is not just angry, he is white hot furious. He displays an almost pathological level of intolerance for the rot in the system, even as he pays a heavy price for it. The story & screenplay are credited to Ramgopal Varma and E Niwas, both of whom never before or after achieved anything approaching this level of emotional intensity (I suspect Anurag Kashyap, who is credited for the dialog, had more actual contributions to the script). I know the world has its share of fans of RGV's gangster movies, but hell no, I will stand my ground that none of them are anywhere near the brilliance of Shool. Every scene and character are so well-written, and without any compromises. The direction is terrific, maintaining the grounded nature of the film's setting (or at least consistent to the universe's logic, it's not slavish to the cause of realism). Every scene right down to the item number has its logical place and doesn't look like it was bunged in from somewhere. This is a movie where you don';t divide the cast into lead and supporting actors because everyone is playing a character. Bajpai smolders in the lead making a whole new mold for Angry Young Man, Sayaji Shinde as the main antagonist sends a shiver down your spine (before he replayed those mannerisms ad nauseam in a thousand movies), Ganesh Yadav and Vineet Kumar offer are solid as Bajpai's colleagues. Even Raveena Tandon does a good job. The end is unrelentingly bleak in keeping with the movie's structure. See it now. If you've seen it once before, see it again.