VALUTAZIONE IMDb
6,7/10
7878
LA TUA VALUTAZIONE
L'autostima e l'insicurezza sono il cuore di questa commedia sulla relazione tra una madre e le sue tre figlie confuse.L'autostima e l'insicurezza sono il cuore di questa commedia sulla relazione tra una madre e le sue tre figlie confuse.L'autostima e l'insicurezza sono il cuore di questa commedia sulla relazione tra una madre e le sue tre figlie confuse.
- Premi
- 3 vittorie e 14 candidature
Troy Ruptash
- Photographer
- (voce)
Aunjanue Ellis-Taylor
- Lorraine
- (as Aunjanue Ellis)
Trama
Lo sapevi?
- QuizEmily Mortimer said being totally nude in this film helped her overcome her chronic feelings of embarrassment. She said the scene forever transformed her. "A lot of actors, and especially people who went to drama school, always talked about 'being in the moment'," she explains, "and I was always like, 'Oh my god, I don't think I've ever been in the moment! What does that mean? I've never been to drama school, I'm a fraud!' And then (writer/director Nicole Holofcenter) wrote this scene, and I was madly in the moment. There was never less of a gap between me and the character I was playing. I was as vulnerable, as brave, as stupid, as naked, as everything. It was an incredible feeling and I felt like, 'Oh, this is proper, and I'd like to keep doing this.'"
- BlooperWhen Michelle first sees Annie in McDonald's, she does not have a drink on her tray. When she walks closer to Annie she has a drink on her tray .
- Citazioni
[Cindy gives Elizabeth an aromatherapy candle as a gift]
Elizabeth Marks: This is so sweet of you.
Cindy, Elizabeth's Agent: Nah, I'm re-gifting. It has self-esteem and tranquility.
Elizabeth Marks: I'm so happy for it.
- ConnessioniFeatured in The 2003 IFP Independent Spirit Awards (2003)
- Colonne sonoreI Must Be Crazy
(2000)
Written by Susan Hyatt (as Susan Heyat)
Performed by Pillbox
Courtesy of Music For The Masses
Recensione in evidenza
I had read two glowing reviews of this movie - but this is the sort of movie that requires you to be in sympathy with the characters. And it's a failure. I liked only one of the characters (the mother), simply pitied another (the eight year old girl), found one tiresome (the middle sister) and another (the eldest) hateful.
One of the most striking things about this movie is how easily some without any struggle for life can find ways to make themselves miserable: by cursing strangers, committing rape, behaving abominably toward their family, agonizing over a slight setback in a career -- or loathing their race or body.
What a study of self-obsession this movie is - and it makes it impossible to care about these characters.
When one character is arrested by the police, of course our feeling is relief, we feel "throw the book at her - make her serve decades in prison" and yet I'm not sure the director wanted the audience to experience such loathing of a character whose awful conduct we've been forced to watch for so long.
There's absolutely no consideration of others shown by these characters - whether it is a woman fornicating with a stranger just after she has supposedly had a difficult break-up (so we assume that she is lying that she ever cared for the person - particularly since we aren't shown at all she cared - but why IS she lying?)
-- or a wife raping a young boy --
or another calling a complete stranger a "pig".
In fact, one of the striking things about these characters is how frequently these well-off people call strangers names - "bitch" and "bastard" and "pig" and "repulsive".
If one index of whether a character is likable is that they care for others, it is only the older woman (and to some extent the 8 year old) who appear to give any thought at all to making others happier. From the others, we see only lust and vanity and self-loathing, anger and ambition. I'd never want to run into any member of the younger generation of these characters. They're just loathsome. Yet if a viewer reacts this way to them, it feels that he or she won't like the movie.
In fact, I find it a quite depressing thing that some reviewers do feel the characters represent them!
It's also terribly tedious and slow.
I had happily anticipated this - and hated it.
One of the most striking things about this movie is how easily some without any struggle for life can find ways to make themselves miserable: by cursing strangers, committing rape, behaving abominably toward their family, agonizing over a slight setback in a career -- or loathing their race or body.
What a study of self-obsession this movie is - and it makes it impossible to care about these characters.
When one character is arrested by the police, of course our feeling is relief, we feel "throw the book at her - make her serve decades in prison" and yet I'm not sure the director wanted the audience to experience such loathing of a character whose awful conduct we've been forced to watch for so long.
There's absolutely no consideration of others shown by these characters - whether it is a woman fornicating with a stranger just after she has supposedly had a difficult break-up (so we assume that she is lying that she ever cared for the person - particularly since we aren't shown at all she cared - but why IS she lying?)
-- or a wife raping a young boy --
or another calling a complete stranger a "pig".
In fact, one of the striking things about these characters is how frequently these well-off people call strangers names - "bitch" and "bastard" and "pig" and "repulsive".
If one index of whether a character is likable is that they care for others, it is only the older woman (and to some extent the 8 year old) who appear to give any thought at all to making others happier. From the others, we see only lust and vanity and self-loathing, anger and ambition. I'd never want to run into any member of the younger generation of these characters. They're just loathsome. Yet if a viewer reacts this way to them, it feels that he or she won't like the movie.
In fact, I find it a quite depressing thing that some reviewers do feel the characters represent them!
It's also terribly tedious and slow.
I had happily anticipated this - and hated it.
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Untitled Nicole Holofcener
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 250.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 4.222.923 USD
- Fine settimana di apertura Stati Uniti e Canada
- 91.910 USD
- 30 giu 2002
- Lordo in tutto il mondo
- 4.677.852 USD
- Tempo di esecuzione1 ora 31 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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