Colpevole d'omicidio

DiNiro defends his abandoned son. Sooner or later, we all have to stand and face the music. This a depiction of their crossroads, of their choices and consequences: really powerful sh1t. Unfortanately, this is another example of how an out of balance film seems sub-standard, but only because everything else coming out of Hollywood has better production. What's out of balance? you might ask. The acting is excellent, maybe perfect, but there is no Kubrick Factor, there is no memorable music, hurried editing. The old deer hunter pair of DiNiro and Dzundza is still good. McDormand is good. But there's no music! What's missing is dramatic pauses and music. Seems rushed. Real shame this movie and the story it portrays. This could have been so much better. Maybe a classic.

Performance 9 Story 7 score 3 cine 6

The rating scale is my own,... But I think I will continue to use it.

Now that I think of it, in modern dramas there are so many current films that lack these two crucial items; Kubrick and Music. It goes without saying that all modern movies need more development, more patience. Then again, I may be biased and setting the bar too high after watching Clockwork, Godfather, Pulp, Blade Runner, Amadeus, Usual, Apocalypse, Shrek2 and Snatch a hundred times. (Combined...I'm not that sick!)I do believe those are those the most powerful and influential fictional movies I've ever seen. (Schindler, Private Ryan, JFK, don't count...they're docudramas) Maybe I need to get out more often. How do I get to Hollywood?