Superman riappare dopo una lunga assenza, ma viene sfidato da un vecchio nemico che usa tecnologia di Krypton nel tentativo di dominare il mondo.Superman riappare dopo una lunga assenza, ma viene sfidato da un vecchio nemico che usa tecnologia di Krypton nel tentativo di dominare il mondo.Superman riappare dopo una lunga assenza, ma viene sfidato da un vecchio nemico che usa tecnologia di Krypton nel tentativo di dominare il mondo.
- Candidato a 1 Oscar
- 12 vittorie e 47 candidature totali
- Jor-El
- (filmato d'archivio)
- Ben Hubbard
- (scene tagliate)
Trama
Lo sapevi?
- QuizIn interviews, Kal Penn revealed he originally had a much greater role. It would have been revealed that his character was a disgraced former Daily Planet science reporter who was bribed by Lex Luthor to plant false evidence of Krypton's possible survival, thus inspiring Superman to leave Earth and explore Krypton's ruins.
- Blooper(at around 1h 23 mins) When Lois is talking to Lex Luthor in the piano room on the boat, her engagement ring constantly moves from her ring finger to her middle finger between shots.
- Citazioni
Superman: [Quoting Marlon Brando/Jor-el from 1978's SUPERMAN:THE MOVIE to Jason asleep in his bed] You will be different, sometimes you'll feel like an outcast, but you'll never be alone. You will make my strength your own. You will see my life through your eyes, as your life will be seen through mine. The son becomes the father and the father becomes the son.
- Curiosità sui creditiThe opening credits are seen in a trip through space, from Krypton to Earth, in a manner reminiscent of the Superman (1978) opening credits sequence.
- Versioni alternativeIn the IMAX presentation, four scenes (totalling about 20 minutes) were converted from 2D to 3D: The flashback to Clark Kent's youth on the farm, the Shuttle/777 rescue, the rescue of the sinking ocean liner, and the final flyover before the credits. Bryan Singer developed a cue featuring an icon of Clark's glasses flashing in green at the bottom of the screen when it is time to put them on, and then with a red circle/slash over when it is time to take them off.
- ConnessioniEdited from Superman (1978)
- Colonne sonoreQuando, Quando, Quando
Written by Pat Boone (as Charles E. Boone), Tony Renis and Alberto Testa
Performed by The Drifters
Courtesy of Atlantic Recording Corp.
By arrangement with Warner Music Group Film & TV Licensing
Meanwhile, Superman isn't the only one making a comeback after five years; seems Lex Luthor, put away in prison for what was supposed to be many life sentences, is out on appeal, or something. Anyway, he's up to no good, and it involves killing billions of people and forcing the survivors to bow to him and lavish him with money and gifts and so on. Kevin Spacey plays Lex this time around, and he's a great choice - megalomaniacal without being hammy, which is a fine line. Makes one even forget the great Gene Hackman. (Of course, we all know the pitfalls of having a villain who has a stronger personality than the hero, don't we, Tim Burton?) So Supes is back, and Perry wants Lois to cover his return, but Lois wants to cover this weird blackout that affected pretty much everyone (notably, a Space Shuttle launch that winds up being saved by Superman, as you've no doubt seen in the trailers). Could the two issues be related? "You're reporters - find out!" Perry growls at his young charges.
There have been scads of comic-book-related movies over the past decade or so, with varying degrees of success, and from what I've read of this one it was a bit of a disappointment, both critically and financially (it made $200 million in the US, but it cost $270 million to make). Having said that, though, I liked it. Plenty of great action, as you'd expect from a director like Bryan Singer (who left the X-Men series just to do this). For a change, the big action scenes don't feel particularly staged, as they can in superhero movies - you know, "Looks like it's time for Our Hero to.... uh..... lift a train with his bare hands!" and so forth. There were a few "ooooh" scenes that had me gripping the sides of my recliner, especially the plane-about-to-crash scene.
Routh was pretty good as the Man of Steel: taciturn and resolved but conflicted and isolated. Watching him, I got the impression that there was more going on in his head than there ever was in Reeves' mind; hey, I'm sure Christopher Reeves was a heck of a nice guy, but he wasn't a terribly good actor. His acting style was more cartoony than realistic, and nowadays that's not a good style, even for a comic book movie. But Routh looked the part and, even more importantly, sounded the part as well. (Look for a line from him that echoes his first meeting with Lois Lane in 1978's Superman: The Movie.) Spacey, of course, was a lot of fun as Luthor. Mean, evil, intelligent, with a touch of humor and glee - what more could you ask for in a supervillain? Of course, even Spacey can fall victim to a somewhat tepid script; I loved it when Luthor basically tells Lois Lane his evil plans. This information comes in useful for Lois later on. But regardless, at least Spacey didn't have Luthor laugh maniacally or gesture wildly. You know, hallmarks of cinematic madmen for decades.
Bosworth was miscast as Lois Lane, though. She didn't look the part (check out her huge forehead - how come the set stylist didn't have a lock or two fall over her brow?), and she came off as whiny, petulant, conceited, and..... well, just plain annoying. Other actresses who could have done a better job are Keri Russell, Claire Danes, and Scarlett Johansson, all of whom were considered for the role. It's just a flat performance by an actress who looked at times to be a bit overwhelmed by the role.
So, overall - not a disappointment. Not that awesome thriller that Spider-Man was, not as fantastic as the X-Men movies, not as mysterious as Batman, but still loads better than Daredevil, Elektra, and Fantastic Four. Some sincerely harrowing scenes and a solid performance by Routh lift this one enough to compensate for the weak female lead.
***
- dfranzen70
- 18 gen 2007
- Permalink
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- Superman regresa
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- Budget
- 270.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 200.081.192 USD
- Fine settimana di apertura Stati Uniti e Canada
- 52.535.096 USD
- 2 lug 2006
- Lordo in tutto il mondo
- 391.081.192 USD
- Tempo di esecuzione2 ore 34 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1