VALUTAZIONE IMDb
6,8/10
15.012
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaMonths after the events of the original film, Ming suspects a police superintendent as being a new mole for the triads, while years earlier, Yan embarks on his first mission.Months after the events of the original film, Ming suspects a police superintendent as being a new mole for the triads, while years earlier, Yan embarks on his first mission.Months after the events of the original film, Ming suspects a police superintendent as being a new mole for the triads, while years earlier, Yan embarks on his first mission.
- Premi
- 3 vittorie e 11 candidature
Tony Leung Chiu-wai
- Chan Wing Yan
- (as Tony Leung)
Daoming Chen
- Inspector Shen Chen
- (as Chen Dao Ming)
Anthony Chau-Sang Wong
- SP Wong Chi Shing
- (as Anthony Wong)
Ka-Tung Lam
- Inspector Billy
- (as Lam Ka Tung)
Zhizhong Huang
- Liang
- (as Huang Zhi Zhong)
Chi-Keung Wan
- SP Leung
- (as Wan Chi Keung)
Yeung-Ming Wan
- Night Club Manager
- (as Wan Yeung Ming)
Trama
Lo sapevi?
- QuizShot back-to-back with Infernal Affairs II (2003). While that was a prequel to Infernal Affairs (2002), this third instalment is a direct sequel to the first film.
- BlooperIn the movie, we see Dr Lee's notes about Yan twice. The text in both scenes are in English and has nothing to do with Yan. In fact, the text is a discussion about a blind person (called May) who regained his sight sense. Moreover, though both text tells the same thing, the texts are not the same in those two scenes.
- Citazioni
Inspector Shen Chen: Men are changed by events, not events by men.
- Versioni alternativeDirector's cut (available on Hong Kong DVD) runs ca. 10 min. 40 sec. longer.
- ConnessioniEdited from Infernal Affairs (2002)
- Colonne sonoreRoad To Inferno
Composed by Andy Lau, Kwok-Leung Chan and Marco Wan
Lyrics by Andy Lau
Produced by Andy Lau, Kwok-Leung Chan, and Tony Kiang
Performed by Hacken Lee
Recensione in evidenza
I've watched Infernal Affairs I, II & III, in a year time. I loved the first one very much. It gave me a very unexpected feeling. It's simple but strong in impact. Though one could mention a lot of flaws in the plot, I just couldn't resist its charm. The second one made me disappointed because it lacked the kind of impact the first one gave me. Now after watching the third one, I realise why there needs to be a second one in totally different style than the first one. It's a preparation for the audiences adapting to the change in the third one.
I like this third one. Without the second one, probably I would have been like the other audiences critising the change of style from the first one. It's this kind of change, it's made the film more solid, full of human feeling. The first one indeed was touching only the surface of the hole. This third one is more into the content of it - the heart of the people.
I love particularly the part describing Andy Lau's psychological sufferings and changes. The shadowing effect he had with Tony Leung should deserve a credit for script writing, directing and editting. The interlacing of stories between that happened before and after Tony Leung's death has been editted great. I feel sorry for people who don't read this or who don't like it. It's certainly the best part of the film which should earn a credit rather than negative critics.
I would conclude that the first one is like spicy cuisine which is strong in taste and quick in making one like it immediately if you can stand it. The third one is somehow a French cuisine where you have to be patient, taste it slowly together with the wine before you appreciate the marvellous cooking skills and feel the heart of the Chef.
I like this third one. Without the second one, probably I would have been like the other audiences critising the change of style from the first one. It's this kind of change, it's made the film more solid, full of human feeling. The first one indeed was touching only the surface of the hole. This third one is more into the content of it - the heart of the people.
I love particularly the part describing Andy Lau's psychological sufferings and changes. The shadowing effect he had with Tony Leung should deserve a credit for script writing, directing and editting. The interlacing of stories between that happened before and after Tony Leung's death has been editted great. I feel sorry for people who don't read this or who don't like it. It's certainly the best part of the film which should earn a credit rather than negative critics.
I would conclude that the first one is like spicy cuisine which is strong in taste and quick in making one like it immediately if you can stand it. The third one is somehow a French cuisine where you have to be patient, taste it slowly together with the wine before you appreciate the marvellous cooking skills and feel the heart of the Chef.
- philaychan
- 28 dic 2003
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 4.468.597 USD
- Tempo di esecuzione1 ora 58 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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By what name was Infernal Affairs III (2003) officially released in India in English?
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