Un giornalista radiofonico si prende cura del suo giovane nipote e insieme intraprendono un viaggio attraverso il paese.Un giornalista radiofonico si prende cura del suo giovane nipote e insieme intraprendono un viaggio attraverso il paese.Un giornalista radiofonico si prende cura del suo giovane nipote e insieme intraprendono un viaggio attraverso il paese.
- Regia
- Sceneggiatura
- Star
- Nominato ai 1 BAFTA Award
- 16 vittorie e 52 candidature totali
Trama
Lo sapevi?
- QuizWoody Norman (Jesse) is actually British, so he's doing an accent the whole time.
- Citazioni
Johnny: To visit planet earth, you will have to be born as a human child. At first, you'll have to learn to use your new body, to move your arms and legs, to pull yourself upright. You will learn to walk and run, to use your hands to make sounds and form words. Slowly, you will learn to take care of yourself. Here, it is still peaceful but there the colors, sensations and sounds will wash over you constantly. You will see so many living things, plants and animals, beyond imagining. Here, it is always the same, but there everything is in motion, everything is always changing. You will be plunged into earth's river of time. There will be so much for you to learn and so much for you to feel, pleasure and fear, joy and disappointment, sadness and wonder. In your confusion and delight, you will forget where you came from. You will grow up, travel, and work. Perhaps, you'll have children, even grandchildren of your own. Over the years, you will try to make sense of that happy, sad, full, empty, always-shifting life you're in. And when the time comes to return to your star, it may be hard to say goodbye to that strangely beautiful world.
- Curiosità sui creditiOver the credits we hear John and his documentary crew interviewing the various kids from Detroit, New York and New Orleans.
- ConnessioniFeatured in OWV Updates: OWV Cinema Poster Update (16/01/2024) (2024)
- Colonne sonoreEvening Breeze
Written by Emahoy Tsegué-Maryam Guèbrou
Performed by Emahoy Tsegué-Maryam Guèbrou
Courtesy of Emahoy Tsegue Mariam Music Foundation
Mike Mills' newest feature film C'mon C'mon follows a radio journalist, Johnny, that embarks on a cross-country trip with his young nephew, Jesse. If you've seen anything by Mike Mills, you know what you're in for. My first of his was 20th Century Women, a film I adore. His district style of making films about ideas and not story either works for you or doesn't. Once he has the idea down, and they're always well thought out ideas, he creates characters from there and they interact with the world around them as is to create a slice of life story. Once again, slice of life either works for you or doesn't. Depends if you want a heightened reality or see the world for how it is everyday. C'mon C'mon takes the idea aspect very literally. Johnny's current project is going around the states and interviewing children and preteens how they see the world and what they want out of it. I do have a Q&A link that I have yet to watch, but I believe Joaquin Phoenix and the crew actually went out and interviewed actual kids. Otherwise the screenplay is that amazing and these kids are masters at acting. The part was talked about in the Q&A so I guess I'll find out. Strewn throughout the film and the entirety of the credits is audio and video recordings of these interviews. It's a really down-to-earth idea that reminds us what we should be looking at when we see our future and the future for the next generation. The screenplay is truly incredible. Yet again, does Mills write in a way that comes off so natural that you don't even know if this is scripted or not. And he directs it so intimately. The use of black and white works well in its favor, capturing the rich tones we usually don't see with the naked eye. We're close to our characters at all times. Everything feels comforting. Even the way he captures each city makes it feel like a wonderful new experience. As usual, he references many texts and songs throughout for us to remember and search for ourselves.
Joaquin Phoenix finally won his Oscar for Joker almost two years ago. Personally, I think he got even better with this. Maybe it's me being one on subtle performances, but I felt a genuine human being that has found warmth and struggle in this newfound connection with his nephew. Being with him is cozy and calm, even in the most challenging moments. I think the real standout, though, is Woody Norman. When it comes to child performances, I think he just set a new standard. Not only is he British and you couldn't even tell if you tried, but he manages to embody this character to perfection. He's irritating, lovable, and all of those qualities you see within an eccentric child. His relationship with Johnny will make you laugh (he's absolutely hilarious) and cry at the best of times. Gabby Hofmann plays Viv, Jesse's mother, and though her role may be smaller, she's very good. All of the acting hits in a genuine way where you forget they're acting. This film is incredibly pleasing and has this unexplainable feeling that entranced me. Even in the slower moments and parts that felt insignificant to the plot, I enjoyed them. Every moment is meant to be cherished (yes that sounds like a Hallmark card). The very end, we have a grand monologue from Phoenix. I swear to you, it's one of the most beautiful things ever written. My eyes were dripping with tears and I was holding it together. Then, the last line hit and I just about started sobbing right there. A few other people in the audience lost it. But the screen went to black and the credits rolled. I managed to hold it together, but even half an hour after it was done (and even now), when I think about that moment I could just start crying. That's how you end a movie. C'mon C'mon captures emotion and life around us in a way like no other. I felt incredibly connected to the story and didn't want it to end. I'd love for most everybody to see this and hopefully feel as strongly as I do, because it's a visceral experience that everyone should have.
- sweidman-28016
- 26 ott 2021
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Thôi Nào
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 8.300.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 1.863.674 USD
- Fine settimana di apertura Stati Uniti e Canada
- 134.447 USD
- 21 nov 2021
- Lordo in tutto il mondo
- 4.499.395 USD
- Tempo di esecuzione1 ora 49 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.66 : 1