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7,2/10
138.992
LA TUA VALUTAZIONE
Una storia di maturità su una ragazza adolescente nella periferia di Londra degli anni '60 e su come la sua vita cambi con l'arrivo di un playboy quasi il doppio della sua età.Una storia di maturità su una ragazza adolescente nella periferia di Londra degli anni '60 e su come la sua vita cambi con l'arrivo di un playboy quasi il doppio della sua età.Una storia di maturità su una ragazza adolescente nella periferia di Londra degli anni '60 e su come la sua vita cambi con l'arrivo di un playboy quasi il doppio della sua età.
- Candidato a 3 Oscar
- 36 vittorie e 96 candidature totali
Kate Duchêne
- Latin Teacher
- (as Kate Duchene)
Trama
Lo sapevi?
- QuizThe creative team was initially worried about casting the 22-year-old Carey Mulligan in the role of a 16-year-old but was convinced by her screentest. Rosamund Pike reportedly really wanted the small part of Helen because "no one ever lets me be funny."
- BlooperWhen Jenny finally passes her A levels, she mentions grades. The film is set in 1961 - A level grades were first introduced in 1963. Although,when she's studying at home, it is implied that a significant amount of time passes, it is unlikely to have taken her beyond 1962 when, essentially, you either passed or failed GCE exams.
- Curiosità sui creditiThe opening credits are shown against a background of animated chalk-like drawings, all illustrating various stages and segments of "an education," although not sequentially.
- ConnessioniFeatured in The 81st Annual Academy Awards (2009)
- Colonne sonoreSmoke Without Fire
Written by Duffy and Bernard Butler
Performed by Duffy
Courtesy of A&M/Polydor Records (UK), Mercury Records (US)
Recensione in evidenza
An Education
Take a star high school senior shooting for Oxford, and add a charming man more like thirty who seduces her (and you) with his utterly kind, gentle, clever, and generous nature.
You can guess what follows. And in a way, that's the let down of the whole thing. The idea is a simple one, yet it unfolds so beautifully, with some extraordinary acting, it is quite engrossing. John Peter Sarsgaard as David, the seducer, is totally convincing, even though we know fairly early that something isn't quite what it seems. As events gradually devolve, so does his character, to a final, deflated ending. The heroine, Jenny, swept into the mess, is played with predictable delicacy by Carey Mulligan, and in a surprise she is really a great supporting role, of sorts, for Sarsgaard, even though she is the star.
Part of the appeal of the movie is the period, early 1960s, as England is finally getting out of the huge debts and doldrums of World War II and the swinging 60s are ready to fly (the Beatles are together but not well known). The old fashioned world, conservative and conventional, of Jenny and her family is dismal and yet comfortable, adorned with small worldly decorations. David brings Jenny to modern life, with its jazzy clubs and trips to Paris, and it's hard not to say his version of life is far superior. Oxford, after all, is so old-school.
It's a joy on all these levels. It doesn't quite have the naturalness it always needs, a few are scenes forced, and the plot lacks complexity (not that complexity is needed, but it needs something to layer it up). Most off-putting of all is the overly precocious Jenny, whose speeches to her schoolmistress and her teacher, and to David, sound like literature, not like a real 17 year old struggling to escape a sheltered upbringing. It doesn't ring true, and the movie depends on believability.
Take a star high school senior shooting for Oxford, and add a charming man more like thirty who seduces her (and you) with his utterly kind, gentle, clever, and generous nature.
You can guess what follows. And in a way, that's the let down of the whole thing. The idea is a simple one, yet it unfolds so beautifully, with some extraordinary acting, it is quite engrossing. John Peter Sarsgaard as David, the seducer, is totally convincing, even though we know fairly early that something isn't quite what it seems. As events gradually devolve, so does his character, to a final, deflated ending. The heroine, Jenny, swept into the mess, is played with predictable delicacy by Carey Mulligan, and in a surprise she is really a great supporting role, of sorts, for Sarsgaard, even though she is the star.
Part of the appeal of the movie is the period, early 1960s, as England is finally getting out of the huge debts and doldrums of World War II and the swinging 60s are ready to fly (the Beatles are together but not well known). The old fashioned world, conservative and conventional, of Jenny and her family is dismal and yet comfortable, adorned with small worldly decorations. David brings Jenny to modern life, with its jazzy clubs and trips to Paris, and it's hard not to say his version of life is far superior. Oxford, after all, is so old-school.
It's a joy on all these levels. It doesn't quite have the naturalness it always needs, a few are scenes forced, and the plot lacks complexity (not that complexity is needed, but it needs something to layer it up). Most off-putting of all is the overly precocious Jenny, whose speeches to her schoolmistress and her teacher, and to David, sound like literature, not like a real 17 year old struggling to escape a sheltered upbringing. It doesn't ring true, and the movie depends on believability.
- secondtake
- 9 apr 2010
- Permalink
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Bài Học Đầu Đời
- Luoghi delle riprese
- Bloomsbury Service Station - 6 Store Street, Bloomsbury, Londra, Inghilterra, Regno Unito(Jenny finds the letter)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 7.500.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 12.574.914 USD
- Fine settimana di apertura Stati Uniti e Canada
- 159.017 USD
- 11 ott 2009
- Lordo in tutto il mondo
- 26.096.852 USD
- Tempo di esecuzione1 ora 40 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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