VALUTAZIONE IMDb
7,2/10
19.602
LA TUA VALUTAZIONE
Il massacro di Montréal del 1989, durante il quale diverse studentesse di ingegneria furono assassinate da un instabile misogino.Il massacro di Montréal del 1989, durante il quale diverse studentesse di ingegneria furono assassinate da un instabile misogino.Il massacro di Montréal del 1989, durante il quale diverse studentesse di ingegneria furono assassinate da un instabile misogino.
- Premi
- 17 vittorie e 9 candidature
Natalie Hamel-Roy
- Jean-François' Mother
- (voce)
- (as Nathalie Hamel-Roy)
Trama
Lo sapevi?
- QuizDirector Denis Villeneuve was disappointed with his first two movies, Un 32 août sur terre (1998) and Maelström (2000), so he took a nine-year sabbatical as a stay-at-home dad. He vowed to return "when I was ready to make a film I could be proud of", which was Polytechnique (2009).
- Versioni alternativeIn addition to the French-Canadian language version, an English language version was also shot (back-to-back).
- ConnessioniFeatured in The Hour: Episodio #7.83 (2011)
- Colonne sonoreTainted Love
Written by Ed Cobb
Performed by Mark Arnell
Embassy Music Corporation
With permission of Music Sales Corporation
Recensione in evidenza
A tense early Denis Villenueve film based on a mass shooting at Montreal's Ecole Polytechnique in 1989. Villenueve's fictionalized account follows the killer (never named; played by actor Maxim Gaudette) and three students on the day of the massacre. The shooter was an incel-like anti-feminist who specifically targeted the female students.
POLYTECHNIQUE isn't a by the numbers school shooting account. It flits from the day of the shooting to flashbacks and even a flash-forward. It's a highly stylized, almost impressionistic presentation. The three principal students are two female roommates, Valerie (Karine Vanasee; very good) and Stephanie (Evelyne Brochu), and Valerie's male friend Jean-Francois (Sébastien Huberdea). They are fairly quickly introduced and sketched out before the main events play out.
Shooting on Black & White film gives it a stark look, but Pierre Gill's camera glides and slides along gracefully. It's composed in the very widescreen aspect ratio of 2:35 (as opposed to the standard 1:85). The combination of the movements and the elongated monochrome frame gives the whole film the added haunting dimension. The music (Benoît Charest) is similarly against type for a crime picture. Simple and plaintive.
Villenueve's treatment (he collaborated with two others on the script) isn't exploitative, but, it's still very difficult to watch at times. His almost matter of fact direction of the central sequence is shocking without showy montage. The most chilling shot is of the killer calmly reloading as his victims lie dead or dying.
It's a relief in a way that the film is only 77 minutes long, but, it also adds to the general intensity. Villenueve's next film, the brilliant Oscar Nominated INCENDIES, really put him on the map (leading to his Hollywood career (SICARIO, PRISONERS, BLADE RUNNER 2049), but POLYTECHNIQE is, in its own compressed way, a significant achievement of its own.
P.S. The French-Canadian production shot simultaneously in French and in English. I saw the English language version, but the dialogue is so relatively sparse, it doesn't appear as if seeing the Quebecois version would be much different.
POLYTECHNIQUE isn't a by the numbers school shooting account. It flits from the day of the shooting to flashbacks and even a flash-forward. It's a highly stylized, almost impressionistic presentation. The three principal students are two female roommates, Valerie (Karine Vanasee; very good) and Stephanie (Evelyne Brochu), and Valerie's male friend Jean-Francois (Sébastien Huberdea). They are fairly quickly introduced and sketched out before the main events play out.
Shooting on Black & White film gives it a stark look, but Pierre Gill's camera glides and slides along gracefully. It's composed in the very widescreen aspect ratio of 2:35 (as opposed to the standard 1:85). The combination of the movements and the elongated monochrome frame gives the whole film the added haunting dimension. The music (Benoît Charest) is similarly against type for a crime picture. Simple and plaintive.
Villenueve's treatment (he collaborated with two others on the script) isn't exploitative, but, it's still very difficult to watch at times. His almost matter of fact direction of the central sequence is shocking without showy montage. The most chilling shot is of the killer calmly reloading as his victims lie dead or dying.
It's a relief in a way that the film is only 77 minutes long, but, it also adds to the general intensity. Villenueve's next film, the brilliant Oscar Nominated INCENDIES, really put him on the map (leading to his Hollywood career (SICARIO, PRISONERS, BLADE RUNNER 2049), but POLYTECHNIQE is, in its own compressed way, a significant achievement of its own.
P.S. The French-Canadian production shot simultaneously in French and in English. I saw the English language version, but the dialogue is so relatively sparse, it doesn't appear as if seeing the Quebecois version would be much different.
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- How long is Polytechnique?Powered by Alexa
Dettagli
- Tempo di esecuzione1 ora 17 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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