VALUTAZIONE IMDb
7,5/10
86.810
LA TUA VALUTAZIONE
Oscar Grant III, 22 anni, residente nella Bay Area, incrocia la sua strada con amici, nemici, familiari e sconosciuti l'ultimo giorno del 2008.Oscar Grant III, 22 anni, residente nella Bay Area, incrocia la sua strada con amici, nemici, familiari e sconosciuti l'ultimo giorno del 2008.Oscar Grant III, 22 anni, residente nella Bay Area, incrocia la sua strada con amici, nemici, familiari e sconosciuti l'ultimo giorno del 2008.
- Regia
- Sceneggiatura
- Star
- Premi
- 36 vittorie e 58 candidature
Marjorie Crump-Shears
- Grandma Bonnie
- (as Marjorie Shears)
Bianca Rodriguez III
- Vanessa
- (as Bianca Rodriguez)
Kenny Grimm
- Jason
- (as Kenny Griffin)
Tommy Wright
- Tim
- (as Thomas Wright)
Trama
Lo sapevi?
- QuizAfter funding fell through, Octavia Spencer offered to forgo her salary to help Ryan Coogler keep to his budget.
- BlooperWhen Oscar's mother visits him in prison, the text on-screen reads "New Year's 2007." Oscar mentions seeing WALL·E (2008) with his daughter. That film was released in June 2008.
- Citazioni
Oscar Grant: You shot me. I got a daughter...
- ConnessioniFeatured in Maltin on Movies: Pacific Rim (2013)
Recensione in evidenza
I don't usually bother writing reviews, but this is a good little film that I feel has been unfairly maligned by a few uninformed reviewers here, so I'll add my two cents:
Fruitvale Station is a solid film, well paced and edited, with a strong lead performance by Michael B. Jordan and some standout work by Octavia Spencer. The sound design is particularly noteworthy. The cinema verite camera-work (No, "M. Brand," the visual style here was a choice; well made student films, even cheap ones, generally look better than this) left me underwhelmed for most of the film (and honestly, the mistimed focus pulls were pretty distracting) but paid off big time in the Fruitvale sequence. There the cinematography, editing, sound design, and score combined to create the most gripping ten minutes of film I've seen in a year. I'd recommend Fruitvale on the strength of this sequence alone.
Ryan Coogler admittedly takes some dramatic license with the story. Some of it (the Katie character) works, some (the bit with the dog) comes off heavy-handed. None of it gave me any reason to question the film's "fidelity" to the facts. The unfettered access to Oscar's family, legal documents from the criminal and civil case (including all the video taken on the scene), and the tacit approval of BART (They were allowed to film on the actual BART platform and in their cars!) gives me no reason to believe this film takes any more narrative license with the facts of the Fruitvale incident than many documentaries would.
The film is not perfect. Some of the performances are subpar, some of the improvised dialogue bumps, and the day-in-the-life conceit, while not ignoring Oscar's spotty past, does paint him in an unrealistically rosy light. But by and large this is a moving, gripping, at times infuriating film that will stick with you after the credits roll. Congratulations to Coogler and his team.
**As for the troll who called this film "socially irresponsible," your opinion and the reasoning behind it are so abhorrent I struggle to imagine any person, no matter how ignorant or loathsome they might be, taking you seriously.
Fruitvale Station is a solid film, well paced and edited, with a strong lead performance by Michael B. Jordan and some standout work by Octavia Spencer. The sound design is particularly noteworthy. The cinema verite camera-work (No, "M. Brand," the visual style here was a choice; well made student films, even cheap ones, generally look better than this) left me underwhelmed for most of the film (and honestly, the mistimed focus pulls were pretty distracting) but paid off big time in the Fruitvale sequence. There the cinematography, editing, sound design, and score combined to create the most gripping ten minutes of film I've seen in a year. I'd recommend Fruitvale on the strength of this sequence alone.
Ryan Coogler admittedly takes some dramatic license with the story. Some of it (the Katie character) works, some (the bit with the dog) comes off heavy-handed. None of it gave me any reason to question the film's "fidelity" to the facts. The unfettered access to Oscar's family, legal documents from the criminal and civil case (including all the video taken on the scene), and the tacit approval of BART (They were allowed to film on the actual BART platform and in their cars!) gives me no reason to believe this film takes any more narrative license with the facts of the Fruitvale incident than many documentaries would.
The film is not perfect. Some of the performances are subpar, some of the improvised dialogue bumps, and the day-in-the-life conceit, while not ignoring Oscar's spotty past, does paint him in an unrealistically rosy light. But by and large this is a moving, gripping, at times infuriating film that will stick with you after the credits roll. Congratulations to Coogler and his team.
**As for the troll who called this film "socially irresponsible," your opinion and the reasoning behind it are so abhorrent I struggle to imagine any person, no matter how ignorant or loathsome they might be, taking you seriously.
- harris1078
- 28 giu 2013
- Permalink
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- How long is Fruitvale Station?Powered by Alexa
Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Fruitvale Station
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 900.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 16.101.339 USD
- Fine settimana di apertura Stati Uniti e Canada
- 386.291 USD
- 14 lug 2013
- Lordo in tutto il mondo
- 17.385.830 USD
- Tempo di esecuzione1 ora 25 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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Divario superiore
By what name was Prossima fermata Fruitvale Station (2013) officially released in India in English?
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