Estate, New York City. Una studentessa si innamora di un ragazzo che ha appena incontrato. Dopo che una notte di festa è andata male, lei va agli estremi per riaverlo.Estate, New York City. Una studentessa si innamora di un ragazzo che ha appena incontrato. Dopo che una notte di festa è andata male, lei va agli estremi per riaverlo.Estate, New York City. Una studentessa si innamora di un ragazzo che ha appena incontrato. Dopo che una notte di festa è andata male, lei va agli estremi per riaverlo.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 3 candidature
- Katie
- (as India Menuez)
- Carlos
- (as Charles Baboza)
- Correction's Officer
- (as Brendan Burke)
- Le Baron Bouncer
- (as Anthony Quarles)
- Pregnant Girl
- (as Kyanna Simone Simpson)
Trama
Lo sapevi?
- QuizElizabeth Wood based this film on journal entries about her own life experiences during her adolescence.
- BlooperLeah puts a cigarette in her mouth, tobacco end first, then tamps the same end down in a small pile of cocaine (to get some in the cigarette?) then puts it back into her mouth, again tobacco end first. When she removes her hand, the cigarette has reversed so that the filter end is now magically in her mouth.
This occurs at about 54 mins.
However, the cigarette is not seen to be put in her mouth. It could be flicked the right way around off screen.
- Citazioni
Leah: Yo. I was wondering if you guys know where I can get some weed or anything?
[Blue whistles]
Blue: You think we're some drug dealers or something man?
Leah: Uh... no? I just thought you guys maybe know were the hook is...
Blue: Nah, for real shorty... You can't be coming straight and ask strangers like that. Aright?
Leah: Are you serious?
Blue: Do I look serious?
[Leah walks away, Blue lights up a joint]
Blue: Hey shorty!
[Leah turns]
Blue: Don't do drugs, aright?
- Colonne sonoreCristo Redentor
Performed by Harvey Mandel
Written by Duke Pearson
Published by Gailantcy Music
Courtesy of The Estate of Duke Pearson
Courtesy of Virgin Records, Ltd., under license from Universal Music Enterprises
White Girl is unapologetically feminist, and being directed by a woman, it gets a lot of this right, Leah isn't a trope, she's not a stereotype, she's a naive young girl who makes a lot of really, really terrible decisions. But while this is the basis of her character, the protagonist, as well as the rest of the people in this film, are only explored on a surface level. Meaning that it's difficult to care about what they do, or what happens to them. Especially Leah, who knows that as a pretty white girl, there's a lot that she can get away with, and come out unharmed. And we know that too.
Not only is White Girl difficult to get pulled in to as a result of its lack of a real sense of consequence, it also seems to push us away with its sloppy attempt at shock cinema. Every other scene is someone snorting coke, getting their tits out, or puking their guts up (is there anyone in this movie who doesn't do drugs?) Some of the comments on sexuality, especially female sexuality are interesting, and there's clearly a lot to say here about the male gaze and the danger of that towards young women, but then the gratuitous sex scenes never stop in an attempt to shock us, and we lose interest.
As a drug dealer drama, and a comment on race, Wood hits all of the tropes that we'd expect. Many of the characters are stereotypes, and the writing for the male drug dealers sounds like it was written by my dad, guessing how he things a drug dealer probably talks. The attempts at making the love interest more of a love interest and less of a sex interest were hilarious at times, this movie just couldn't get the dialogue right for those characters at all, it was awkward as hell.
White Girl was summed up for me when Doug from The Hangover got cocaine snorted off his dick.
4.5/10
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 200.242 USD
- Fine settimana di apertura Stati Uniti e Canada
- 34.058 USD
- 4 set 2016
- Lordo in tutto il mondo
- 200.242 USD
- Tempo di esecuzione1 ora 28 minuti
- Colore
- Proporzioni
- 2.35 : 1