Il film è incentrato su una caccia all'uomo indetta a livello nazionale, volta al ritrovamento di un ragazzino ribelle e dello zio adottivo scomparsi nei selvaggi boschi della Nuova Zelanda.Il film è incentrato su una caccia all'uomo indetta a livello nazionale, volta al ritrovamento di un ragazzino ribelle e dello zio adottivo scomparsi nei selvaggi boschi della Nuova Zelanda.Il film è incentrato su una caccia all'uomo indetta a livello nazionale, volta al ritrovamento di un ragazzino ribelle e dello zio adottivo scomparsi nei selvaggi boschi della Nuova Zelanda.
- Premi
- 24 vittorie e 26 candidature
Trama
Lo sapevi?
- QuizThe film was the first local feature to gross more than NZ$1 million in its opening weekend at the New Zealand box office.
- BlooperNo kiwi Hunter worth his salt would kill a pukeko for eating - they are notoriously bad eating birds, hence the cooking joke: boil a pukeko with a shoe and when the shoe is soft, throw away the bird and eat the shoe.
- Curiosità sui creditiThe credits include sections headed "Wildercrew" and "Wildercast", with the latter including the subheading "Wilderdogs".
- Colonne sonoreMakutekahu
Written by Lukasz Pawel Buda (as L. Buda), Samuel Scott (as S. Scott), and Conrad Wedde (as C. Wedde)
Native Tongue Music Publishing
Arranged by Hamish McKeich
Performed by Pepe Becker, Anna Sedcole, Phillip Collins, and Robert Oliver
Recensione in evidenza
This movie is really good - I have to say I enjoyed it and would probably see it again.
A far more developed example of what Waititi can do as a director and storyteller; the film has examples of pathos, comedy, action, drama, art film, satire, good cinematography and even a few decent VFX shots. His last film, vampire mockumentary "What We Do in the Shadows" was a lot of fun but also a narrative disappointment, despite NZ media committing to expose the film and help generate sales. Something of a misguided indulgence, "Shadows" made the mistake of letting three or four (very) minor indie celebs improvise in digital for many, many hours, then the director tried to create a concrete whole in editing and post. Didn't work. Great intro though.
Hunt for the Wilderpeople focuses on the life of Ricky Baker - a young, overweight, orphaned juvenile offender that idealizes hip hop and creates haiku poetry as a method of externalizing emotional conflict, due to the influence of counseling and therapy sessions. Stuck in New Zealand's sub-par youth welfare system (known for endless governmental restructuring with little or no substantive improvement), Ricky ends up on a rotting farm somewhere in the rural back blocks with foster parents.
The film clearly shows elements of the barren, social realist film of early 80s NZ, but with bigger, better cinematography, and Waititi's indie sense of the quirky and offbeat. "Quirky" can become a meaningless attribution in today's market of indie features where anybody and everybody can have a go at being "quirky" to make up for budget and spectacle, but this film also has real nuance and character development, and a quality cast that seem to get the idea of being a bit "quirky" and "meta" without forgetting that emotional investment is what an audience really needs to feel involved with the story. Rachel House is hilarious. So's the director in an excellent cameo.
Some of the early scenes don't read as naturally as they could, and also Tioreore Ngatai-Melbourne's mother in the film is referred to but is never actually seen for unknown reasons. In addition, New Zealanders might complain about the films location improbabilities, but that's been standard practice in US features for years. Cool movie!! Go see it!!
A far more developed example of what Waititi can do as a director and storyteller; the film has examples of pathos, comedy, action, drama, art film, satire, good cinematography and even a few decent VFX shots. His last film, vampire mockumentary "What We Do in the Shadows" was a lot of fun but also a narrative disappointment, despite NZ media committing to expose the film and help generate sales. Something of a misguided indulgence, "Shadows" made the mistake of letting three or four (very) minor indie celebs improvise in digital for many, many hours, then the director tried to create a concrete whole in editing and post. Didn't work. Great intro though.
Hunt for the Wilderpeople focuses on the life of Ricky Baker - a young, overweight, orphaned juvenile offender that idealizes hip hop and creates haiku poetry as a method of externalizing emotional conflict, due to the influence of counseling and therapy sessions. Stuck in New Zealand's sub-par youth welfare system (known for endless governmental restructuring with little or no substantive improvement), Ricky ends up on a rotting farm somewhere in the rural back blocks with foster parents.
The film clearly shows elements of the barren, social realist film of early 80s NZ, but with bigger, better cinematography, and Waititi's indie sense of the quirky and offbeat. "Quirky" can become a meaningless attribution in today's market of indie features where anybody and everybody can have a go at being "quirky" to make up for budget and spectacle, but this film also has real nuance and character development, and a quality cast that seem to get the idea of being a bit "quirky" and "meta" without forgetting that emotional investment is what an audience really needs to feel involved with the story. Rachel House is hilarious. So's the director in an excellent cameo.
Some of the early scenes don't read as naturally as they could, and also Tioreore Ngatai-Melbourne's mother in the film is referred to but is never actually seen for unknown reasons. In addition, New Zealanders might complain about the films location improbabilities, but that's been standard practice in US features for years. Cool movie!! Go see it!!
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Hunt for the Wilderpeople
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 5.205.468 USD
- Fine settimana di apertura Stati Uniti e Canada
- 78.439 USD
- 26 giu 2016
- Lordo in tutto il mondo
- 38.560.308 USD
- Tempo di esecuzione1 ora 41 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti