Citadel

For now, just a big parade of shallow clichés.

Maybe it's an attempt to bring a teenage audience closer to spy genre. The intended audience would then justify the insubstantial plot, the characters' constant explanations of what's going on, the TikTok editing, and an almost cynical lack of engagement with the real world. By the way, do these plots involving nuclear artifacts still make sense? Why don't screenwriters experiment with contexts closer to the experiences of the new generations, such as pesticides, industrial secrets in medicine and food, disputes over geolocation data, etc.? Why not explicitly place industries and their business interests at the center of the story rather than these government agencies with their political overtones?

Boring.