- Born
- Died
- Birth nameRobert Charles Duran Mitchum
- Nicknames
- Mitch
- Old Rumple Eyes
- Bob
- Height6′ 0½″ (1.84 m)
- Robert Mitchum was an underrated American leading man of enormous ability, who sublimated his talents beneath an air of disinterest. He was born in Bridgeport, Connecticut, to Ann Harriet (Gunderson), a Norwegian immigrant, and James Thomas Mitchum, a shipyard/railroad worker. His father died in a train accident when he was two, and Robert and his siblings (including brother John Mitchum, later also an actor) were raised by his mother and stepfather (a British army major) in Connecticut, New York, and Delaware. An early contempt for authority led to discipline problems, and Mitchum spent good portions of his teen years adventuring on the open road. He later claimed that on one of these trips, at the age of 14, he was charged with vagrancy and sentenced to a Georgia chain gang, from which he escaped. Working a wide variety of jobs (including ghostwriter for astrologist Carroll Righter), Mitchum discovered acting in a Long Beach, California, amateur theater company. He worked at Lockheed Aircraft, where job stress caused him to suffer temporary blindness. About this time he began to obtain small roles in films, appearing in dozens within a very brief time. In 1945, he was cast as Lt. Walker in Story of G.I. Joe (1945) and received an Oscar nomination as Best Supporting Actor. His star ascended rapidly, and he became an icon of 1940s film noir, though equally adept at westerns and romantic dramas. His apparently lazy style and seen-it-all demeanor proved highly attractive to men and women, and by the 1950s, he was a true superstar despite a brief prison term for marijuana usage in 1949, which seemed to enhance rather than diminish his "bad boy" appeal. Though seemingly dismissive of "art," he worked in tremendously artistically thoughtful projects such as Charles Laughton's The Night of the Hunter (1955) and even co-wrote and composed an oratorio produced at the Hollywood Bowl by Orson Welles. A master of accents and seemingly unconcerned about his star image, he played in both forgettable and unforgettable films with unswerving nonchalance, leading many to overlook the prodigious talent he can bring to a project that he finds compelling. He moved into television in the 1980s as his film opportunities diminished, winning new fans with The Winds of War (1983) and War and Remembrance (1988). His sons James Mitchum and Christopher Mitchum are actors, as is his grandson Bentley Mitchum. His last film was James Dean: Race with Destiny (1997) with Casper Van Dien as James Dean.- IMDb Mini Biography By: Jim Beaver < jumblejim@prodigy.net>
- SpouseDorothy Mitchum(March 15, 1940 - July 1, 1997) (his death, 3 children)
- Children
- ParentsJames Thomas MitchumHarry Anniette Gunderson
- RelativesJohn Mitchum(Sibling)Carrie Mitchum(Grandchild)Bentley Mitchum(Grandchild)Allexanne Mitchum(Great Grandchild)Carrington Mitchum(Great Grandchild)Price Mitchum(Grandchild)Julie Mitchum(Sibling)Cappy Van Dien(Great Grandchild)Grace Van Dien(Great Grandchild)Ariella Lauren(Niece or Nephew)
- On and off-screen, he was known for his facade of cool, sleepy-eyed indifference
- Deep, commanding, yet lively voice
- Dimpled chin
- Often played loners and drifters
- Known for almost never rehearsing his lines
- While at RKO Radio Pictures, Mitchum became the first male movie star to refuse to shave his chest for shirtless roles. In order to avoid that, he allowed himself to develop a pot belly to avoid having to take his shirt off at all.
- He claimed his famous eyes were the result of a combination of injuries from his boxing days and chronic insomnia, which he suffered from throughout his life.
- Turned down the lead role of Gen. George S. Patton in Patton (1970), allegedly because he believed he would ruin the film due to his indifference. During a Turner Classic Movies interview with Robert Osborne, Mitchum said that he knew the movie could be a great one due to the script, but that the studio would want to concentrate on battles and tanks moving around on screen rather than on the character of Patton. Mitchum believed that with himself in the role, the movie would turn out mediocre; what was needed was a passionate actor who would fight his corner to keep the focus on Patton, an actor like George C. Scott, whom Mitchum recommended to the producers.
- Though respectful of Robert De Niro's talent, Mitchum was amused by the young Method actor's habit of remaining in character all day as film studio chief Monroe Stahr during the filming of The Last Tycoon (1976). Mitchum gave De Niro the nickname "Kid Monroe", and made many jokes about him with the older actors on the set like Ray Milland and Dana Andrews.
- Turned down the role that eventually went to Tony Curtis in The Defiant Ones (1958). Mitchum, a real-life veteran of a Southern chain gang, did not believe the premise that a black man and a white man would be chained together and said that such a thing would never happen in the South. Over the years, this reason was corrupted to the point where many people now believe Mitchum turned down the role because he did not want to be chained to a black man, an absolute falsehood. Curtis repeated the inaccurate story in his autobiography, but later recanted after Mitchum's real reason was explained to him.
- The only difference between me and my fellow actors is that I've spent more time in jail.
- I gave up being serious about making pictures around the time I made a film with Greer Garson and she took a hundred and twenty-five takes to say no.
- I started out to be a sex fiend but couldn't pass the physical.
- Movies bore me; especially my own.
- I've still got the same attitude I had when I started. I haven't changed anything but my underwear.
- War and Remembrance (1988) - $1,000,000
- The Winds of War (1983) - $1,250,000
- The Agency (1981) - $500,000
- Ryan's Daughter (1970) - $870,000
- Young Billy Young (1969) - $200,000 + 20% of gross
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