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Nicolas Cage is one of America’s greatest movie stars, and certainly its most distinctive one. His singular genius will be the subject of a retrospective festival at Metrograph, the wonderful independent movie theater in New York City.

IndieWire reports that “Nicolas Uncaged” will present 35mm showings of 10 of Cage’s iconic films: “Adaptation,” “Bad Lieutenant: Port of Call New Orleans,” “Con Air,” “Moonstruck,” “National Treasure,” “Pig,” “Red Rock West,” “Vampire’s Kiss,” “The Wicker Man,” and “Wild at Heart.”

“Heaped with praise and panegyrics as one of the finest screen actors of his generation, pilloried and parodied as an anything-for-a-paycheck hambone with a weakness for weird wigs and prostheses, Nicolas Cage is a one-man sideshow, a mixture of Marlon Brando, Robert Mitchum, Lon Chaney, and a stick of TNT who takes back ‘serious thespian’ prestige whenever he wants to, dives into grindhouse material and Academy Award hopefuls with the same mad enthusiasm,...

Nicolas Cage’s status as a national treasure is being cemented by the Metrograph.

The New York City-based theater has announced a “Nicolas Uncaged” festival to honor the acclaimed star. The 10-film retrospective opens November 8 at Metrograph In Theater, and will feature 35mm showings of “Con Air,” “Moonstruck,” “The Wicker Man,” and “Wild at Heart.”

“Heaped with praise and panegyrics as one of the finest screen actors of his generation, pilloried and parodied as an anything-for-a-paycheck hambone with a weakness for weird wigs and prostheses, Nicolas Cage is a one-man sideshow, a mixture of Marlon Brando, Robert Mitchum, Lon Chaney, and a stick of TNT who takes back ‘serious thespian’ prestige whenever he wants to, dives into grindhouse material and Academy Award hopefuls with the same mad enthusiasm, and never seems to be having anything less than a total blast in front of the camera,” the Metrograph press statement reads.

For many cinephiles, November becomes Noirvember, a month dedicated to noir movies.

Noir is often characterized by its fatalistic outlook, highly stylized imagery, down-on-their-luck and morally ambiguous protagonists, urban settings, shadows, corruption, narration, and of course, the femme fatale. All of these elements marry well with our favorite genre: horror.

This week’s streaming picks blend noir and horror together, kicking off your #Noirvember with horror movies that bear the earmarks of a classic noir film.

Here’s where you can stream them this week.

For more Stay Home, Watch Horror picks, click here.

Angel Heart– Hoopla, Kanopy

The perfect marriage of psychological horror and noir, Angel Heart follows Harry Angel (Mickey Rourke), a private investigator that Louis Cyphre (Robert De Niro) hires to track down missing musician Johnny Favorite. Harry’s search leads him to New Orleans, where he finds voodoo, murder, love, and a deal with the devil.

Malaysian director Tsai Ming-liang might be done with his semi-retirement. “I have a strong desire to make another feature film,” he tells Variety at Ji.hlava Documentary Film Festival.

“With my actors, we’ve been working together for such a long time. Recently, they’ve been starring in other people’s films and I want them to be in my film again. I am waiting for them to reach a certain age, and we will do it again. Hopefully, I’ll live long enough to see that happen. Just one more feature film! That’s enough for me.”

His biggest concern?

“My physicality. Do I still have the energy to shoot more films? Looking back, I can see I am different now, but I also like the idea of being old and having a different energy,” says the 67-year-old, still dedicated to “making portraits” of his actors.

“I want to...

It’s shaping up to be a Huston family Christmas.

Siblings and Hollywood royalty Anjelica and Danny Huston are teaming on a new project, The Christmas Witch Trial of La Befana, a hybrid animated and live-action feature film that is currently shooting in Los Angeles and Ontario, Canada.

HighballTV confirmed the details of the film, which was written by David James Brock and HighballTV’s Melissa D’Agostino based on an idea they conceived with Matt Campagna who is also directing with D’Agostino, a frequent creative partner. Johnathan Sharp is producing.

The plot follows a peculiar court case that unspools after the children in a rural Italian village kidnap their legendary Christmas witch, played by Huston, and put her on trial in an attempt to stop her annual judgment from their lives. While casting a spell through witches, fantasy and Italian folklore, the project is said to touch on universal themes of grief,...

This article contains discussions of sexual assault.

If there's one thing Stephen King knows pretty well, it's villains. The prolific horror author has been writing basically nonstop since he released "Carrie," his debut novel, back in 1974, and his work has been endlessly adapted for both the big and small screen. In 2009, he even compiled a list of his favorite villains that he didn't create, and it's a pretty solid rundown — which certainly isn't surprising.

From literary icons to on-screen favorites to a villain with a confusingly familiar name — I'll clarify that whole thing when we arrive at that point — here are Stephen King's top ten villains of all time, whom he ranked for Entertainment Weekly at the close of the aughts. King ranked his top 10 from "least villainous" to "most villainous," apparently, so we've preserved that order here.

Read more: The 50 Scariest Horror Movie Monsters Ranked

Max Cady From Cape Fear...

Ahhh, fall. It’s finally here. The leaves are dropping, pumpkin spice is in the air (and everyone’s coffee), and the holidays are close enough where we’re all either rushing to get our work done before the end of the year or starting to wind down in hopes that people will soon stop bothering us. It’s a magical time, especially with new awards contenders like “Anora” and “Conclave” finally releasing to wide audiences, but let’s not forget that older films deserve some love too. Especially around Thanksgiving, a holiday specifically designed for reflection. What better way to celebrate than looking back on some classics of cinema, both the widely seen and the obscure.

While October may have provided the spooks in New York and Los Angeles repertory theaters, November aims to calm things down with light offerings for youngsters like “Willy Wonka & the Chocolate Factory,...

Hoo-ah! Actually, how about who are two acting legends you’d want to see in a boxing match? If you went with Robert Mitchum and Charles Bronson, we’d all be in for one hell of a slobberknocker. But when we think of Al Pacino squaring off against Dustin Hoffman, we might have a real demonstration of The Method on our hands — and to think it was actually proposed.

Having come up around the same time, Al Pacino and Dustin Hoffman quickly marked themselves as some of the most unique, bold talents on the screen. With that, people couldn’t help but lump them in the same class and debate over who had the upper hand — or the best right hook. As Pacino recalls in his new book Sonny Boy (which is crammed with amazing stories), “There must have been something in the air, because the comparisons were flying left and right.

Wow, Shirley MacLaine is spilling the beans about some of her famous leading men, and she’s sure as hell not holding anything back. In her latest revelation, the iconic actress tells us all about the good, the bad and the ugly of Hollywood’s leading men at the height of her fame – and guess what? She had an affair with most of them.

Shirley MacLaine Opens Up About Her Long and Successful Acting Career

Shirley MacLaine is one of the last greats still alive that acted all the way from black and white to color television, and through the years, she’s remained as open as an open book.

She’s fashionable, she’s iconic, and she’s, best of all, a nontraditional woman at a time when the word “woke” hasn’t even started stirring from slumber.

While celebrity memoirs are now becoming a trend rather than a...

The new Todd Phillips film is about a pair of Jokers and this week’s film quiz focuses on other movie duos.

They say it takes two to tango, but no one ever says it takes two to Tango And Cash. Why would they? Stupid thing to say. Anyway, October’s first big release Joker: Folie à Deux sees Joaquin Phoenix’s Joker joined by Lady Gaga’s Harley Quinn for an all-singing, all-dancing sequel – just don’t call it a musical! And as Warner Bros also announced the animated Robin movie Dynamic Duo earlier this week, we’re quizzing for two.

As always, there are three rounds and 30 questions in total. Once you’ve completed today’s film quiz, you’ll find a link to a separate post with the correct answers at the bottom of this post. This is just for fun, but please let us know how...

The loss of a loved one gives way to full-fledged lunacy in Hold Your Breath, the feature debut from directing duo Karrie Crouse and Will Joines. Set in the Oklahoma panhandle circa 1933, the film depicts the brutal dust storms that ravaged the prairie and threatened the lives of its residents during the Dust Bowl.

I’m 80 years old and this is my 60th year in the entertainment business. It’s hard to believe even as I write it. Most of my career was in public relations, working with the biggest stars of the day. There were too many secrets in Hollywood back then, but I sometimes miss the mystery of icons like Paul Newman, Robert Mitchum, Ali MacGraw, Diahann Carroll, Charlton Heston and so many others. They spoke to the audience mainly through their work and carefully controlled press to promote their latest film. That mystery allowed me to pull off one of my most unusual achievements for a client when I accompanied actress and photojournalist Gina Lollobrigida to Cuba in 1974 for an exclusive photo essay and interview with Fidel Castro. As I watched Castro playing 5 on 5 basketball in an empty arena, I asked myself how a girl from a small town in Virginia ended up here.

One of the best bits of advice any writer will give you is to make yourself familiar with as many tropes, cliches and conventions as possible. That way, you can understand how they work while also knowing just when to ignore them. One convention seen in just about all of fiction is the idea that the protagonist and antagonist must share at least one, if not many, moments together, culminating in a final altercation in which the hero emerges victorious over the villain. It's a trope so common that not only is it not questioned, it's routinely expected, so much so that when it's missing, it seems initially like it could be a mistake. Of course, there are many examples of novels, TV shows, and films where this convention is subverted or even ignored, yet it becomes more difficult to do so when an artist is working within the confines of genre.

Clint Eastwood may not hold the youthful charm he once did in the 1950s or be the leading star of Spaghetti Westerns, but the Eastwood name can never be replaced as long as Hollywood stands. The movie star and cowboy actor of the century transitioned perfectly from the old talkies to the 21st-century Oscar-winner Million Dollar Baby without breaking a sweat.

Clint Eastwood in the Dollars Trilogy [Credit: United Artists]

Meanwhile, the industry stepping out of its Western fixation failed to outgrow and catch up to the rapidly transforming world outside. Their inability to adapt to the changing times and customs posed a huge red flag for the industry, marking the end of an era. Gone were the days of simplicity when all that the audience was curious about was if Frank Sinatra really had connections with the mob. The 1970s were all about the neo-noir classics and action thrillers.

Frank...

“I pursued the glitz for a while. And I don’t regret it. But I know it wasn’t the real thing. It wasn’t the real thing.” This sentiment, which could almost be poetry or song lyrics, is spoken by Edna O’Brien in one of the final interviews she gave, which appears toward the end of director Sinéad O’Shea’s engaging documentary. “Glitz” is if anything an understatement: The film opens with something of a roll-call of O’Brien’s famous friends, showing the celebrated Irish author in her prime rubbing shoulders with the likes of Paul McCartney, Shirley MacLaine, Sean Connery, Jane Fonda, Judy Garland and Laurence Olivier. Indeed, she rubs more than shoulders with some of them: Romantic conquests include Robert Mitchum. Yowza.

After the razzle dazzle prologue to get newcomers interested with the promise of famous faces, the film proper begins, tracing O’Brien’s more humble roots in County Clare,...

Glen Powell is in a league of his own. Or rather, each leading man is to an extent.

Powell weighed in on a comparison between himself and fellow star Ryan Gosling after an unnamed Hollywood producer told The Wrap that Powell appeals to all genders at the box office. The producer seemingly overlooked Gosling’s diverse filmography, and marginalized both actors into gender binaries.

“Unlike an actor like Ryan Gosling whose appeal is mostly limited to female audiences, Glen appeals to both females and males,” the producer said, adding that a wide range of “audiences now go to movies to see” Powell who recently led “Twisters” and is set to star in the “Running Man” remake from Edgar Wright. The actor will also appear in college football comedy series “Chad Powers.”

Powell simply shrugged off the Gosling mention on Twitter.

“Gosling is a legend,” Powell tweeted. “I’m just Glen,...

Before Deadpool & Wolverine, Hugh Jackman starred in what he thought to be his final appearance as Wolverine in Logan. Among the Fox X-Men films, Logan stood out as a film that subverted the expectations of viewers about a superhero film. It is not surprising considering Jackman cited Clint Eastwood’s Unforgiven and Mickey Rourkle’s The Wrestler as inspirations for the film.

Hugh Jackman and Dafne Keen in Logan | 20th Century Fox

Eastwood’s 1992 film was one film from the Western genre that dared to visit themes which remained unexplored in films before that. Unforgiven was the Academy Award winner that year for Best Picture, with a Best Director win for the Dirty Harry actor.

Clint Eastwood’s Unforgiven Served as an Inspiration for Hugh Jackman’s Logan Clint Eastwood in a still from Unforgiven | Malpaso Productions

Hugh Jackman did a lot of things right in Logan, thinking that...

Is there anyone more emblematic of Hollywood than perennial movie star (& director) Clint Eastwood? With screen iconography that practically jumps out of the big screen and into real life, he has kept audiences intrigued through a myriad of genres and eras.

But he might be the quintessential masculine icon, forever etched in memory as the no-nonsense, boundary-pushing Inspector Harry Callahan, better known as Dirty Harry. Interestingly, this now-classic role was turned down by a litany of Hollywood’s who’s who, including the liberal-leaning Paul Newman.

Clint Eastwood in Dirty Harry | Credit: Warner Bros.

Then why would Eastwood dive headfirst into such a controversial role that others deemed too hot to handle? Well, he saw gold whereas others saw coal; he recognized the script’s unique flavor!

And by turning conventional wisdom on its head, Eastwood not only took a daring plunge but also set a new cinematic standard, ultimately...

Courtesy of Studiocanal

by James Cameron-wilson

Social commentary doesn’t come much stronger than in J. Lee Thompson’s 1959 drama. Here, a jittery aerial shot swoops down on the meandering Thames and the industrial, terraced sophistication of London in the 1950s. The drama, an adaptation of the play by Ted Willis, opens with a shot of an open stretch of urban wasteland, where a young thug – played by David Hemmings – runs straight into the arms of a plainclothes policeman, played by Ronald Howard (son of Leslie Howard). Allowing for the poetic licence that the teenager would have seen the cop a mile off, it is a good starting point, as the detective inspector gives a Pythonesque/Harold McMillan sermon: “you’ve never had it so good, when I was twenty years younger…” And so we cut to the bustling life of the block – or rather, the street – as it used to be,...

The devilishly charming, rugged Robert Mitchum made a name for himself with a number of classics spanning many genres, most notably noirs, westerns, war dramas and crime thrillers. But how many of his titles stand the test of time? In honor of his birthday, let’s take a look back at 20 of his greatest films, ranked worst to best.

Born in 1917 in Bridgeport, Connecticut, Mitchum cut his teeth in a number of bit parts before landing his star-making turn in “The Story of G.I. Joe” (1945), playing an army captain in WWII. The film brought him his sole Oscar nomination as Best Supporting Actor and solidified his screen persona as a world-weary, hardbitten antihero.

Mitchum found his greatest success in film noirs, where his cynical, playfully ironic demeanor proved a perfect match for the ultra-dark genre. Whether playing the hero in “Out of the Past” (1947) or the villain in “The Night of the Hunter...

On Friday nights, IndieWire After Dark takes a feature-length beat to honor fringe cinema in the streaming age.

First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.

Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.

The Pitch: Film Noir Gets so Many Studio Notes it Achieves Sentience

I’m not the most important person in the world today who loves Venn Diagrams, but “His Kind of Woman” might be best explained as something that rests at the center of a series of overlapping circles. Almost all of those circles are “Howard Hughes wanted reshoots,” to be fair, but there are a number of factors that make this tropical fever dream a fun film noir b-side, best watched with a rowdy group of friends late at night. Alcohol is optional,...

Do you relish the eerie thrill of watching creepy killers in action? Inspired by the creepy af vibes of Longlegs, we’ve curated a list of 12 of the most disturbing serial killer movies ever made. These films plunge deep into the minds of the most twisted and terrifying murderers, delivering spine-tingling suspense that will make you question the very fabric of humanity.

Serial killer movies are all about the psychological thrill, the nerve-wracking tension, and that unshakable sense of dread. We’re not just talking about gore—though there’s plenty to go around. We’re diving into the chilling calm of meticulous murderers, the grotesque enjoyment of their gruesome deeds, and the horrific genius that makes these films unforgettable. If you’re a true crime fan or just love a good scare, these movies are guaranteed to haunt your thoughts.

New Line Cinema 12. The Cell (2000)

The Cell is a...

With Richard Linklater, Edgar Wright, and Tom Cruise calling Glen Powell the modern version of an Old Hollywood leading man, it’s only fitting that Paul Schrader would chime in.

The “Oh, Canada” writer/director posted on Facebook that Powell is akin to Paul Newman, Robert Mitchum, and William Holden in terms of his star power.

“Glen Powell is a movie star in the Holden/Mitchum/Newman mold,” Schrader wrote. “Now he needs to make his ‘Hud.'”

Newman starred in the 1963 Western-tinged drama “Hud,” directed by Martin Ritt, which helped cement the rise of the antihero main characters. Newman’s titular Hud Bannon lives on his family cattle ranch in Texas and battles his nephew (Brandon de Wilde) for the affections of housekeeper Alma (Patricia Neal). Newman gave a performance as an arrogant, abusive alcoholic that earned him an Academy Award Best Actor nomination. The film went on to win Best Cinematography,...

Horror picture "Longlegs" is proving to be a surprising box office success. A lot of credit must go to indie studio Neon's marketing campaign, which was scary enough to get people paying attention, yet restrained enough to not give the whole movie away.

Starring Maika Monroe as FBI Agent Lee Harker, "Longlegs" follows the hunt for a serial killer, played by a well-disguised Nicolas Cage. Cage's killer character is mercifully kept at a distance or off-screen for most of the movie; the rare times we get an up-close look, it's like we're intruding on something devilish.

Director Osgood Perkins' previous films have felt a bit too empty for me. The procedural core of "Longlegs," though, gives the movie enough of a skeleton that I could appreciate Perkins' craftsmanship without it trying my patience. Is "Longlegs" the scariest movie ever? No, but it is the movie equivalent of a page-turner,...

Robert Towne, who won an Oscar for his Chinatown original screenplay and was nominated for his Shampoo, The Last Detail and Greystoke scripts, died Monday at his home. He was 89.

PR firm McClure & Associates announced the news on behalf of Towne’s family.

Towne also earned BAFTA, Golden Globe and WGA awards for Chinatown, the L.A.-set 1974 thriller starring Jack Nicholson and Faye Dunaway. It was one of three Writers Guild Awards he won during his career, along with Shampoo and the drama series Mad Men, on which he was a consulting producer during the final seventh season. He also was nominated for The Last Detail (1973) and Greystoke: The Legend of Tarzan, Lord of the Apes (1985). He was honored with the guild’s Laurel Award for Screenwriting Achievement in 1997.

Thoughtful and soft spoken, Towne was a perfectionist who hated studio meetings and script notes and famously would disappear for...

Some of the most memorable ventures into "The Twilight Zone" are bottle episodes in spirit if not exact definition. "The Invaders" follows a woman in a remote cabin menaced by tiny aliens. "Nothing in the Dark" features not only a young Robert Redford but also an elderly woman (Gladys Cooper) scared that death will be arriving at her door.

Cooper returned for a similar "Twilight Zone" in the show's fifth and last season: "The Night Call" Cooper plays Elva Keene, an aged widow living in a Maine cabin who is dealing with repeated phone calls that always go silent whenever she picks up. Is it just a technical error, like her nurse assures her? Or is something sinister and supernatural lurking in the phone lines?

On "The Night Call," the guest talent wasn't only in front of the camera. The episode was directed by Jacques Tourneur, one of the first...

Director Ridley Scott’s Blade Runner is considered a cult classic, and the sci-fi film recently completed 42 years since its release. The film stars Harrison Ford as Rick Deckard, and the performance remains one of the more underrated roles of the acclaimed actor. However, Ford wasn’t the first choice for the role.

One Oscar-winning actor was Ridley Scott’s first choice for Blade Runner (Credit: Warner Bros).

According to reports, one legendary Hollywood actor was initially the first choice for playing the lead role. However, the Academy Award-winning actor eventually dropped out of the film, paving the way for Ford to take it up. Nonetheless, Ford did not have a great experience working on the film. Here is how the casting of Blade Runner changed over time.

Ridley Scott Wanted to Cast Dustin Hoffman Over Harrison Ford in Blade Runner

Director Ridley Scott’s Blade Runner was adapted from...

In the "Star Trek" episode "The Galileo Seven", Spock (Leonard Nimoy), Dr. McCoy (DeForest Kelley), Lieutenant Commander Scott (James Doohan), and three specialists are assigned to take Enterprise's shuttlecraft, the Galileo, on a special survey to map the Murasaki-312 quasar. A mysterious spatial phenomenon pulls the shuttle off course, however, and it crash lands on a nearby world inhabited by vicious 10-foot-tall cavemen.

The seven people on board the Galileo have to repair their ship and find a way to contact the Enterprise through the signal-scrambling mists of the quasar. Their job is made more difficult by the attacking cavemen, who want to murder them with spears. The collected and logical Spock attempts to scare off the brutes, while his more emotional, human counterparts encourage deadly force. When two of the Galileo Seven are killed, Spock discourages a memorial service. The episode is ultimately about how Spock's logic isn't always...

Nineteen forty-seven was a crucial year for Robert Mitchum’s rising star. The enduring popular classic, of course, is Jacques Tourneur’s seminal Out of the Past, and he headlined Edward Dmytryk’s Oscar-nominated prestige thriller Crossfire. It’s in Raoul Walsh’s noirish, Freudian western Pursued, though, that we see Mitchum crossing the divide between what Hollywood expected of the young man and the godlike figure they got in return.

The performance is a total menu of Mitchum’s various modes: an uneven mix of the young, beefy neurotic with a few too many shirt buttons undone; the high-riding titan who would star in Charles Laughton’s The Night of the Hunter; and the varnished-oak elder statesman who still has a few moves left in him, in Dick Richards’s Farewell, My Lovely and Peter Yates’s The Friends of Eddie Coyle. But it’s an unevenness that’s...

The 1945 war feature “The Story of G.I. Joe”, directed by William A. Wellman, starring Oscar-nominated Robert Mitchum, has been restored and re-mastered for a new Blu-ray/DVD available July 25, 2024 from Ignite Films:

“Through the lens of ‘Pulitzer’-winning ‘Ernie Pyle’, portrayed by Burgess Meredith, witness the everyday grit and bravery of the foot soldier as they navigate the perils of combat in the Italian campaign.

“Joining him is Robert Mitchum in his breakthrough role as ‘Lieutenant Walker’, whose leadership and unwavering dedication to his men inspire hope amidst the chaos of war.

“‘The Story of G.I. Joe’ authentically portrays the camaraderie and bond between soldiers, a timeless tribute to unsung heroes who fought and bled for freedom. Experience the raw emotion and gritty realism of this war drama, beautifully restored in high definition. It’s more than a movie; it’s a testament to the triumph of the human spirit.

George P. Cosmatos' 1993 Western "Tombstone" begins in the year 1879 and ends in 1881 at the infamous Gunfight at the O.K. Corral. Said gunfight was a notably bloody shootout between the local law enforcers of Tombstone, Arizona and a local gang of criminals nicknamed the Cowboys. The law was represented by the Earp brothers Wyatt, Virgil, and James, and they have gone down as important figures in the history of the American West.

In the movie, Wyatt Earp is played by Kurt Russell, and the old lawman is depicted as a formerly violent man trying to eschew his instincts to shoot others. Wyatt hopes to be peaceful and gentle and live quietly with his common-law wife Sadie (Dana Delaney). Spoiler alert: he's not successful. Indeed, the violence is so brazenly inevitable in Westerns, one wonders why anyone even entertains the thought of giving peace a chance. The potential gunshot victims in...

We can’t get enough of John Mulaney these days.

After winning his third Emmy last year for writing his Netflix stand-up special “Baby J,” where he spoke candidly (and hilariously) about his stint in rehab for addiction, the former “Saturday Night Live” writer has risen from the ashes like a comically witty Phoenix.

In the Emmy race once again this year in multiple categories, most notably for guest comedy actor for his performance in the brilliant episode “Fishes” from FX’s second season of “The Bear” and outstanding talk series for the Netflix live smash “Everybody’s in L.A.”

On this episode of the award-winning Variety Awards Circuit Podcast, Mulaney discusses his experience and perspectives on Los Angeles’ identity, his creative processes, and whether he’ll host the Oscars. Listen below!

Mulaney surprised everyone as the host of the 14th annual Governors Awards, where he killed in the...

Grace Van Dien, most well-known for her role as Chrissy Cunningham in season four of ‘Stranger Things,’ recently spoke candidly about her treatment in Hollywood on a video game streaming platform. In addition to Grace Van Dien’s acting career, she is also a Twitch Streamer known as BlueFille. This is a newer profession, in which people watch and pay people online to play video games. They can also be sponsored by companies to promote products. She later announced on her stream that she had stepped down from acting recently, due to unwanted advances from producers. She alleged that she had been asked to engage in sexual acts to get parts or keep her job. Now, she more frequently streams video games due to the protection that that gives her. According to Variety, she stated, “I get to stay inside my house and play video games and I don’t...

Is it fair to say that "Tombstone" is one of the best Westerns ever made? At the very least, it's definitely one of the best modern Westerns. Directed by George P. Cosmatos, the stylish, violent saga tells the story of Wyatt Earp and the infamous Gunfight at the O.K. Corral. Kurt Russell and his glorious mustache stars as Earp, with Val Kilmer stealing the entire movie as Earp's sickly buddy, Doc Holliday. The stacked cast also includes Sam Elliott, Bill Paxton, Powers Boothe, Michael Biehn, Dana Delany, Michael Rooker, Billy Zane, Charlton Heston, and a voice cameo from Robert Mitchum.

When you make a Western, certain accoutrements are baked into the material. We're talking pistols, cowboy boots, big ol' hats, and of course, horses. Kurt Russell sat down with Esquire for a career-spanning interview, and during the course of the conversation, the actor fondly recalled his time working with his horse on "Tombstone.

No, life isn’t always like a movie, but if you watch enough of them, you can find a film that often ties into your life.

For John on Sugar Season 1 Episode 6, it was Night of the Hunter, starring Robert Mitchum, because it’s all about betrayal.

Yes, John Sugar was betrayed, but he still has no idea why.

Now that his secret has been revealed for us all to see, we can guess that the observers are being observed and that whoever has Olivia is in a position of power.

It always comes down to power.

Why can’t it ever come down to kindness or compassion? What kind of world do we live in that when push comes to shove, only the nastiest and most self-involved have their way?

That’s probably a question for another day, but it seems like that’s also what Sugar’s kind are trying to understand.

Clockwise left to right: Get Out (Universal Pictures), This Is Spinal Tap (MGM Home Entertainment), That Thing You Do! (20th Century Studios), Lady Bird (A24)Graphic: The A.V. Club

It’s always neat when someone you’ve admired shows off a hidden talent that makes you see them in a different light.

Pop quiz: Which of these Apple TV+ shows is real? "Dear Edward," "Acapulco," "Liason," or "Swagger?" Trick question -- the answer is all of them. I'm not trying to dunk on those specific shows, just illustrating the point that since Apple TV+ is still not a super heavy hitter in the streaming game, a lot of great stuff can easily fall through the cracks. But if you like compelling television, you won't want the new series "Sugar" to fall through the cracks. 

Created by Mark Protosevich and executive produced and frequently directed by Fernando Meirelles, the series is a noir mystery starring Colin Farrell as John Sugar, a private investigator who is tasked with tracking down a missing girl in Los Angeles. You've seen that premise a thousand times in movies featuring guys like Humphrey Bogart, Robert Mitchum, and Dana Andrews. But "Sugar" not only welcomes those comparisons, it actively...

Scott Derrickson is set to adapt Davis Grubb’s novel that was turned into a classic film back in 1955. More on The Night Of The Hunter adaptation below.

While we’re still waiting for The Black Phone 2 to hit cinemas next year, director Scott Derrickson is adding another project to his growing roster of films he wants to make.

Not only is he directing the star-studded The Gorge, but Derrickson will now also reunite with his frequent collaborator, writer C Robert Cargill, to re-adapt The Night Of The Hunter. The duo previously made Sinister (2012), Sinister 2 (2015), Doctor Strange (2016) and The Black Phone (2021) together. The news of their latest project comes to us via The Hollywood Reporter.

Based on a 1953 novel by Davis Grubb, The Night Of The Hunter tells the story of Harry Powell, an ex-con who poses as a preacher as he sets out to find his old cellmate’s hidden cash.

Well, here's news you don't see every day.

Director Scott Derrickson and screenwriter C. Robert Cargill, the same horror filmmaking duo that gave us "Sinister" (read /Film's oral history here) and "The Black Phone," have confirmed their next project: "The Night of the Hunter," adapted from the 1953 novel by Davis Grubb. The project is being developed at Universal.

"The Night of the Hunter" follows Harry Powell, a faux-preacher, and misogynistic serial killer, in the 1930s Ohio River Valley. After Powell is arrested for stealing a car (from one of his brides-turned-victims), his cellmate is Ben Harper, who's on death row for armed robbery/homicide. Harper hid the stolen money in his daughter Pearl's doll, intending it to be her and his son John's birthright, and took that secret to his grave. Once Powell is walking free, however, he makes his way to the Harper family, seducing Ben's widow Willa so...

Scott Derrickson is set to direct a new adaptation of Davis Grubb’s classic 1953 crime novel, The Night of the Hunter.

The Night of the Hunter tells the twisted story of Harry Powell, a serial killer who poses as a preacher and marries a widow in order to get his hands on her deceased husband’s hidden fortune. Unfortunately, Powell’s new stepchildren, John and Pearl, grow suspicious and quickly become his targets. The novel was previously adapted in 1955 with Robert Mitchum starring as Powell and delivering one of his very best performances. Although the film is now considered to be one of the best of all time (and one of my personal favourites), it received negative reviews upon its release. Acclaimed actor Charles Laughton made his directorial debut with the film, but he took the failure personally and never directed another movie again.

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The classic 1955 movie The Night of the Hunter was adapted from Davis Grubb’s same-titled novel, and we’ve learned tonight that a brand new adaptation is now in the works.

THR reports this afternoon that Scott Derrickson will be directing the new take on The Night of the Hunter, with C. Robert Cargill (Sinister) writing.

Derrickson will write the script alongside Cargill, the report adds.

Cargill previews on the platform formerly known as Twitter tonight, “For those unfamiliar, Night of the Hunter was based on a novel that was *Much Darker* than the 1950s would allow. Very excited about this project and thrilled we can finally talk about it.”

The Night of the Hunter follows a religious fanatic, con man and murderer who marries a widow, knowing that her deceased husband had hid $10,000 from authorities following a bank robbery. The widow’s young children are reluctant to tell him...

Scott Derrickson and C. Robert Cargill, the terrorific team behind horror hits Sinister and The Black Phone, are going noir.

Universal has tapped Derrickson to direct an adaptation of The Night of the Hunter, the acclaimed 1953 crime novel by Davis Grubb that was previously turned into a 1955 thriller starring Robert Mitchum.

Derrickson will write the script with Cargill, his frequent collaborator who also worked with him on Marvel Studios entry Doctor Strange.

Peter Gethers will produce through his KramMar Delicious Mystery Productions, and Amy Pascal will produce through her Pascal Pictures first-look deal with Universal Pictures. 

Hunter told the story of Harry Powell, a murderous ex-con who takes up the identity of a preacher in order to do his misdeeds. While in prison, a cellmate slated for execution tells Powell that he hid stolen cash with his kids. Upon his release, Powell finds the widow, woos her and marries her,...

Scott Derrickson has been set to direct an adaptation of Davis Grubb’s classic 1953 novel The Night of the Hunter for Universal Pictures, working from his script written with C. Robert Cargill, his longtime collaborator on The Black Phone, Doctor Strange and other projects.

Peter Gethers will produce through his KramMar Delicious Mystery Productions, alongside Amy Pascal, whose Pascal Pictures has a first-look deal with the studio.

The Night of the Hunter revolves around Harry Powell, a serial killer posing as a preacher, who marries a widow solely to gain access to her deceased husband’s hidden fortune. Powell’s stepchildren, John and Pearl, become the targets of his relentless pursuit as he seeks the money hidden by their father.

An instant bestseller and finalist for the National Book Award, The Night of the Hunter was the first of Grubb’s 10 novels. Previously, the book was adapted into a classic film,...

Joe Camp, the writer, director and producer who taught that old dog Hollywood new tricks about animal movies as the creative force behind the 1974 franchise-spawning Benji, has died. He was 84.

Camp died Friday morning at his home in Bell Buckle, Tennessee, following a long illness, his son, filmmaker Brandon Camp, told The Hollywood Reporter.

Camp also directed and co-wrote the comedies Hawmps! (1976), about the U.S. Cavalry replacing horses with camels in the 1850s, and The Double McGuffin (1979), which revolved around kids trying to thwart a terrorist (Ernest Borgnine) and featured lots of in-jokes about Hitchcock movies.

Other than serving as an extra on the Robert Mitchum-starring Home From the Hill (1960), Camp had no Hollywood experience when he raised about $500,000 to make Benji, a story about a stray mixed breed — not a fancy pure breed like Lassie! — who helps rescue two youngsters from kidnappers.

Crucial to the movie’s success,...

A movie marathon with our favorite auteurs? Where do we sign up?

Turner Classic Movies’ latest limited series “Two for One” features curated double features coupled with commentary from select guest programmers like Martin Scorsese, Paul Thomas Anderson, Steven Spielberg, Spike Lee, and more. The upcoming TCM series is hosted by Ben Mankiewicz, who will interview each director about why they chose to highlight their two chosen films.

“Two for One” will feature 12 nights of double features, beginning April 6. With the logline “two films, one filmmaker, countless perspectives,” the series is set to span all of cinematic history. Directors will offer commentary on the double feature’s cultural significance, its influence on other films, behind-the-scenes stories, and their own personal reflections.

Martin Scorsese kicks off the show with a conversation comparing “Blood on the Moon” and “One Touch of Venus.” The following week, actress/director Olivia Wilde picks “Auntie Mame” and 1976 documentary “Grey Gardens.

Turner Classic Movies have announced a new limited series, Two for One, that will feature 12 nights of double features curated by some of the most celebrated filmmakers in Hollywood beginning April 6. TCM Primetime Host Ben Mankiewicz will be joined by each director, including Paul Thomas Anderson, Steven Spielberg, Martin Scorsese, Todd Haynes, Spike Lee, Nicole Holofcener, and Rian Johnson, to introduce the two films they chose. They will offer commentary on the double feature’s cultural significance, its influence on other films, behind-the-scenes stories, and their own personal reflections.

“This was such an eclectic group of filmmakers to sit down with, which was invigorating, from Martin Scorsese talking about a Robert Mitchum western, to Spike Lee discussing Elia Kazan, to Olivia Wilde’s breakdown of Rosalind Russell in Auntie Mame,” said Ben Mankiewicz. “In these double features, these 12 directors lead us on an insider’s journey through cinematic history.”

See...

The dystopian sci-fi film "Logan's Run" is set in a supposedly idyllic future society where residents above 30 mysteriously disappear. The hedonistic metropolis is enclosed by a dome, and those who choose to explore the world outside — and the secrets that it holds — are labeled "runners." Michael York stars in the film as the titular protagonist, an undercover police officer who infiltrates the runners only to find that he, too, opposes the laws that he once worked to uphold and helps them lead an uprising.

"Logan's Run" was nominated for its cinematography and set decoration in the 1977 Academy Awards. It even received a special achievement award for its visual effects. The futuristic set and costume design were almost identical to the smash-hit sci-fi adventure film "Star Wars: Episode IV -- A New Hope," which was released the following year. It's possible that "Star Wars" even drew inspiration from the 1976 film. However,...

If Valentine cards are too lame and saccharine for your taste, then maybe you need something a little more hard-boiled for this lovers’ holiday. Perhaps, “What do I call you besides stupid?” or “We go together like guns and ammunition” are more in line with the romantic sentiments you’d like to express to your gumshoe or femme fatale. If that’s the case, then here are some lethally attractive film noir romances with the cynical bite your cold heart craves.

Marriage vows state, “till death do us part.” But in noir, that death is very rarely of natural causes. I mean, there’s a reason women in noir are referred to as femme fatales – they can be deadly.

Here’s a list of the 10 best classic American films noir to celebrate with on Valentine’s Day.

Spoiler Alert: If you haven’t already figured it out, I will be...

Emerald Fennell is sharing one of her favorite “complicated” sexy onscreen relationships ever, and it’s none other than the dark, obsessive dynamic found in Martin Scorsese’s “Cape Fear.” During Turner Classic Movie’s “Talking Pictures: A Movie Memories Podcast,” hosted by Ben Mankiewicz, “Saltburn” filmmaker Fennell revealed her twisted love for Robert De Niro and Juliette Lewis’ onscreen relationship in Scorsese’s 1991 film.

While Fennell noted that the 1962 original starring Robert Mitchum is her preferred iteration of the story (both films were adaptations of 1957 book “The Executioners” by John D. Macdonald), she cited the scene in Scorsese’s feature in which De Niro’s character stalks Lewis at her high school as a favorite.

“I was obsessed with the remake, because the scene where Robert De Niro comes to the high school to seduce Juliette Lewis, it’s one of the sexiest things I’ve ever seen, which is very complicated,...

Ian McShane is 81, but you’d never know it watching him in “American Star.”

Also a producer of director Gonzalo López-Gallego’s new film, the English actor plays Wilson, a seasoned assassin who visits the Canary Islands’ Fuerteventura for a job, but instead unexpectedly becomes involved in the life of a French expatriate (Nora Arnezeder) and the lonely child of a vacationing couple (Oscar Coleman). From the first scene, McShane dances across the screen with the same effortlessness of a performer a quarter of his age, as his character reckons with an escalating series of disruptions to a sequence of events whose outcome is inevitable: someone dying of a bullet from his gun.

Though he’s been working in film, TV and theater for more than six decades, McShane has become well known in America largely in the last two, playing mentors and authority figures on series like “Deadwood” and “American Gods,...