To mark the release of Creeping Horror on 17th April, we’ve been given a special edition Blu-ray to give away to 3 winners.
Four more tales of terror from the vaults of Universal Pictures, starring Lionel Atwill, Bela Lugosi, and Rondo Hatton.
A maniacal hunter and collector of wild animals uses them to dispose of rivals and enemies in the shockingly violent Murders in the Zoo (dir. A. Edward Sutherland, 1933). Bela Lugosi stars in a creepy tale of strange characters, secret passages and a murderer who masters the art of “mind over matter” in Night Monster (dir. Ford Beebe, 1942).
What started out as a treasure-making scheme ends up deadly for a group of people stuck in a haunted castle with a killer known as “the Phantom” in Horror Island (dir. George Waggner, 1941). And finally, Rondo Hatton is “the Creeper”, a giant of a man used as an instrument of evil...
Four more tales of terror from the vaults of Universal Pictures, starring Lionel Atwill, Bela Lugosi, and Rondo Hatton.
A maniacal hunter and collector of wild animals uses them to dispose of rivals and enemies in the shockingly violent Murders in the Zoo (dir. A. Edward Sutherland, 1933). Bela Lugosi stars in a creepy tale of strange characters, secret passages and a murderer who masters the art of “mind over matter” in Night Monster (dir. Ford Beebe, 1942).
What started out as a treasure-making scheme ends up deadly for a group of people stuck in a haunted castle with a killer known as “the Phantom” in Horror Island (dir. George Waggner, 1941). And finally, Rondo Hatton is “the Creeper”, a giant of a man used as an instrument of evil...
- 4/10/2023
- by Competitions
- HeyUGuys.co.uk
As prolific as Tim Burton is, the filmmaker has a sizeable list of unrealized projects that sound strange yet fascinating even for his off-kilter style. His abandoned works include an adaptation of the Richard Brautigan horror Western novel "The Hawkline Monster," the apocalyptic disaster film about giant dinosaurs aptly called "Dinosaurs Attack!," and, of course, the legendary and infamous Nicolas Cage-led, Kevin Smith-penned "Superman Lives." However, none of these match up to the levels of surreality as Burton's proposed musical adaptation of the 1953 3D mystery-horror classic "House of Wax," which would have starred none other than Michael Jackson.
This wasn't the first time someone tried re-visiting the story about a murderous museum sculptor, nor would it be the last. In fact, the 1953 version was a remake of a 1933 film called "Mystery of the Wax Museum," starring Lionel Atwill, who would later appear in "Son of Frankenstein," as well as Fay Wray,...
This wasn't the first time someone tried re-visiting the story about a murderous museum sculptor, nor would it be the last. In fact, the 1953 version was a remake of a 1933 film called "Mystery of the Wax Museum," starring Lionel Atwill, who would later appear in "Son of Frankenstein," as well as Fay Wray,...
- 10/24/2022
- by Andrew Housman
- Slash Film
Tim Burton has a reputation for being a rather eccentric individual, so even he will admit that it’s a “strange phenomenon” that he has had so much success working within the Hollywood studio system. But while he has had some great successes, he has also had – like any filmmaker – projects that he just couldn’t get into production. One of the most famous of those lost projects is Superman Lives, which is covered in the video embedded above. A movie Burton was going to direct with Nicolas Cage as Superman. Speaking in a masterclass at the Lumière Festival, Burton revealed (as reported by Deadline) there’s another entry on his list of lost projects that sounds quite interesting: a musical remake of House of Wax that would have starred Michael Jackson!
Here’s the passage that discusses the lost House of Wax remake:
“I have worked for several months on things that got rejected,...
Here’s the passage that discusses the lost House of Wax remake:
“I have worked for several months on things that got rejected,...
- 10/21/2022
- by Cody Hamman
- JoBlo.com
About 43 minutes into the 1933 pre-code horror classic “King Kong,” aspiring actress Ann Darrow (Fay Wray) finds herself on a remote island struggling to free herself from the two stone pillars she’s tied to as an offering for the giant ape its inhabitants worship. The trees rustle, and then we see him. Kong. The camera quickly cuts to Wray, who instantly freezes, holding in her breath as if her life depended on it. The camera zooms in on the ape’s face, his eyes growing wide, then suddenly cuts back to Wray, who lets out the most iconic blood-curdling scream in cinema history.
And thus, the scream queen was born.
“I’d become Hollywood’s scream queen without even realizing it,” Wray told journalist James Bawden in a 1989 interview. After the film wrapped, Wray recorded what she called an “Aria of Agonies” — screams and moans for the editors to use as they pleased.
And thus, the scream queen was born.
“I’d become Hollywood’s scream queen without even realizing it,” Wray told journalist James Bawden in a 1989 interview. After the film wrapped, Wray recorded what she called an “Aria of Agonies” — screams and moans for the editors to use as they pleased.
- 10/13/2022
- by Marya E. Gates
- Indiewire
Mark of the Vampire
Blu-ray
Warner Archive Collection
1935 / 1.33: 1 / 60 Min.
Starring Lionel Barrymore, Bela Lugosi
Written by Guy Endore, Bernard Schubert
Directed by Tod Browning
Tod Browning died in 1962, living long enough to see his work enjoy a resurgence on late night’s Shock Theater, a syndicated TV package featuring Universal’s classic horror films. Browning’s Dracula was one of the crown jewels of that series but if you wanted to see more of the director’s work it probably wouldn’t be on television—his most infamous films were too lurid even for the midnight hour: potboilers populated by deformed and deranged circus performers, bloodthirsty magicians, and cross-dressing ventriloquists.
1932’s Freaks was the ne plus ultra of the Browning shockers, a sawdust soap opera pitting a beautiful prima donna against unorthodox carny performers—”unorthodox” because these folks were, on the surface, strange figures whose physical abberations made them outcasts everywhere except the circus.
Blu-ray
Warner Archive Collection
1935 / 1.33: 1 / 60 Min.
Starring Lionel Barrymore, Bela Lugosi
Written by Guy Endore, Bernard Schubert
Directed by Tod Browning
Tod Browning died in 1962, living long enough to see his work enjoy a resurgence on late night’s Shock Theater, a syndicated TV package featuring Universal’s classic horror films. Browning’s Dracula was one of the crown jewels of that series but if you wanted to see more of the director’s work it probably wouldn’t be on television—his most infamous films were too lurid even for the midnight hour: potboilers populated by deformed and deranged circus performers, bloodthirsty magicians, and cross-dressing ventriloquists.
1932’s Freaks was the ne plus ultra of the Browning shockers, a sawdust soap opera pitting a beautiful prima donna against unorthodox carny performers—”unorthodox” because these folks were, on the surface, strange figures whose physical abberations made them outcasts everywhere except the circus.
- 10/11/2022
- by Charlie Largent
- Trailers from Hell
Two of the greatest and most successful horror films made in the wave that followed the successes of Dracula, Frankenstein, and Dr. Jekyll and Mr. Hyde in 1931 were virtually lost for much of the ninety years since their release. It is true that the black and white versions of Doctor X (1932) and Mystery of the Wax Museum (1933) remained in circulation in various forms for much of that time, but the original Process 2 Technicolor versions were thought to be gone forever or at least damaged beyond repair.
The films have much more than this in common. Both share much of the same talent both in front of and behind the camera as well as similarities in tone and character. They are the first horror films made in color and examples of early horror-comedies. They are also prime examples of “pre-code” horror with the most subversive moments generally used for comedic effect...
The films have much more than this in common. Both share much of the same talent both in front of and behind the camera as well as similarities in tone and character. They are the first horror films made in color and examples of early horror-comedies. They are also prime examples of “pre-code” horror with the most subversive moments generally used for comedic effect...
- 9/21/2022
- by Brian Keiper
- bloody-disgusting.com
The stars of the excellent new comedy doc Joy Ride discuss some of their favorite two handers with hosts Josh Olson and Joe Dante.
Show Notes: Movies Referenced In This Episode
The Graduate (1967) – Neil Labute’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review
Cocoon (1985)
Mission: Impossible III (2006)
Santa Claus Conquers The Martians (1964)
Police Academy 3: Back In Training (1986)
Crooklyn (1994)
Call Me Lucky (2015)
Shakes The Clown (1991)
A History Of Violence (2005)
You Only Live Twice (1967)
Artists And Models (1955) – Tfh’s global trailer search
Joy Ride (2021)
Joy Ride (2001)
Stay (2005)
Sleeping Dogs Lie (2006)
Capturing The Friedmans (2003)
Bela Lugosi Meets A Brooklyn Gorilla (1952) – Joe Dante’s trailer commentary, Charlie Largent’s review
Sleepless In Seattle (1993)
The Producers (1967) – Charlie Largent’s Blu-ray review
My Friend Irma Goes West (1950)
Delicate Delinquent (1957)
Keyholes Are For Peeping (1972)
The Brain That Wouldn’t Die (1962) – John Landis’s trailer commentary
Abbott And Costello Meet Frankenstein (1948) – John Landis’s trailer commentary, Charlie...
Show Notes: Movies Referenced In This Episode
The Graduate (1967) – Neil Labute’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review
Cocoon (1985)
Mission: Impossible III (2006)
Santa Claus Conquers The Martians (1964)
Police Academy 3: Back In Training (1986)
Crooklyn (1994)
Call Me Lucky (2015)
Shakes The Clown (1991)
A History Of Violence (2005)
You Only Live Twice (1967)
Artists And Models (1955) – Tfh’s global trailer search
Joy Ride (2021)
Joy Ride (2001)
Stay (2005)
Sleeping Dogs Lie (2006)
Capturing The Friedmans (2003)
Bela Lugosi Meets A Brooklyn Gorilla (1952) – Joe Dante’s trailer commentary, Charlie Largent’s review
Sleepless In Seattle (1993)
The Producers (1967) – Charlie Largent’s Blu-ray review
My Friend Irma Goes West (1950)
Delicate Delinquent (1957)
Keyholes Are For Peeping (1972)
The Brain That Wouldn’t Die (1962) – John Landis’s trailer commentary
Abbott And Costello Meet Frankenstein (1948) – John Landis’s trailer commentary, Charlie...
- 10/26/2021
- by Kris Millsap
- Trailers from Hell
Right now, the Turner Classic Movies streaming app Watch TCM is featuring two classic pre-code horror movies made by director Michael Curtiz for Warner Bros. That's right, the great "Casablanca" helmer dabbled in horror in the early 1930's when producer Darryl F. Zanuck and WB (back when it was run by the actual B's) decided to cash in on the popular horror trend kicked off by Universal Pictures' "Dracula" and "Frankenstein" in 1931. So in 1932 they hired studio journeyman Curtiz to make "Doctor X," a mad scientist-themed picture starring noted Hollywood B-movie star -- and sometimes orgy master -- Lionel Atwill ("Frankenstein Meets...
The post Doctor X is an Insane Pre-Code Technicolor Horror Blast and It's Streaming Now appeared first on /Film.
The post Doctor X is an Insane Pre-Code Technicolor Horror Blast and It's Streaming Now appeared first on /Film.
- 10/5/2021
- by Max Evry
- Slash Film
Hello again, everyone! We have a brand new assortment of horror and sci-fi Blu-ray & DVD releases coming out this week, and here’s the lowdown on what to expect. In terms of new films, Willy’s Wonderland is headed home on both Blu and DVD, the new William Friedkin doc, Leap of Faith, is being released on Blu-ray and one of my favorite films I saw last year, I Blame Society, is getting a DVD release as well.
As far as older titles go, the Warner Archive Collection is showing some love to Doctor X this week, Troma is resurrecting The Children with a brand new Blu, and Full Moon has remastered Shrunken Heads as well. Other releases for April 13th include Killer Pinata, Phobias, Virus Shark and The Slayers.
Doctor X
Is there a (mad) doctor in the house? Yes! shrieks Doctor X, filmed in rare two strip Technicolor®. An...
As far as older titles go, the Warner Archive Collection is showing some love to Doctor X this week, Troma is resurrecting The Children with a brand new Blu, and Full Moon has remastered Shrunken Heads as well. Other releases for April 13th include Killer Pinata, Phobias, Virus Shark and The Slayers.
Doctor X
Is there a (mad) doctor in the house? Yes! shrieks Doctor X, filmed in rare two strip Technicolor®. An...
- 4/13/2021
- by Heather Wixson
- DailyDead
It’s the disc everyone wants right now — vintage Hollywood horror fully restored to its amazing original Technicolor luster. A scientific investigation into some grisly Full Moon Murders culminates in a bizarre experiment in the fantastic lab of five potential mad doctors. Fay Wray and Lionel Atwill became horror stars, Lee Tracy provides the sidebar laughs, and then the unknown killer divulges his horrifying, Cronenberg-like secret: Synthetic Flesh! The Warner Archive scores with a follow up to last year’s The Mystery of the Wax Museum.
Doctor X
Blu-ray
Warner Archive Collection
1932 / Color / 1:37 Academy / 76 min. / Street Date April 13, 2021 / 21.99
Starring: Lionel Atwill, Fay Wray, Lee Tracy, Preston Foster, Arthur Edmund Carewe, Leila Bennett, Rovbert Warwixk, Thomas E. Jackson, Mae Busch, Tom Dugan, Louise Beavers.
Cinematography: Ray Rennahan, Richard Towers
Film Editor: George Amy
Art Director: Anton Grot
Special Effects: Fred Jackman Jr.
Makeup (effects): Max Factor
Written by Robert Tasker,...
Doctor X
Blu-ray
Warner Archive Collection
1932 / Color / 1:37 Academy / 76 min. / Street Date April 13, 2021 / 21.99
Starring: Lionel Atwill, Fay Wray, Lee Tracy, Preston Foster, Arthur Edmund Carewe, Leila Bennett, Rovbert Warwixk, Thomas E. Jackson, Mae Busch, Tom Dugan, Louise Beavers.
Cinematography: Ray Rennahan, Richard Towers
Film Editor: George Amy
Art Director: Anton Grot
Special Effects: Fred Jackman Jr.
Makeup (effects): Max Factor
Written by Robert Tasker,...
- 4/6/2021
- by Glenn Erickson
- Trailers from Hell
It may be a stretch to refer to Lionel Atwill as a horror icon, but damned if he wasn’t a reliable utility player in the genre through the 1930s and ’40s. As a stage-actor-turned-film-star, he seemed to be the go-to for adding a dash of British gravitas to a supporting role. In fact, he starred in every Universal-produced Frankenstein movie after Bride as different characters ranging from inspectors, doctors, and other inspectors. In fact, Mel Brooks fans will be at least tangentially aware that his work as Young Frankenstein’s one-armed Inspector Kemp being a direct parody of Atwill’s Inspector Krogh from Son of Frankenstein. Atwill also dipped his toe into the Basil Rathbone Sherlock Holmes universe, including a supporting part in Hound of the Baskervilles and even a turn as Moriarty in Sherlock Holmes and the Secret Weapon.
Like most great character actors, Atwill found his niche in supporting roles,...
Like most great character actors, Atwill found his niche in supporting roles,...
- 3/31/2021
- by Bryan Christopher
- DailyDead
Fay Wray in Doctor X (1932) will be available on Blu-ray April 13th from Warner Archive
Is there a (mad) doctor in the house? “Yes!” shrieks Doctor X, filmed in rare two-strip Technicolor®. An eminent scientist aims to solve a murder spree by re-creating the crimes in a lab filled with all the dials, gizmos, bubbling beakers and crackling electrostatic charges essential to the genre. Lionel Atwill is Doctor Xavier, pre-King Kong scream queen Fay Wray is a distressed damsel and Lee Tracy snaps newshound patter, all under the direction of renowned Michael Curtiz. The new two-color Technicolor master was restored by UCLA Film and Television Archive and The Film Foundation in association with Warner Bros. Entertainment. Funding provided by the Hobson/Lucas Foundation. Also includes the separately filmed B&w version (which has been restored and restored from its original nitrate camera negative) originally intended for small U.S. markets and International distribution,...
Is there a (mad) doctor in the house? “Yes!” shrieks Doctor X, filmed in rare two-strip Technicolor®. An eminent scientist aims to solve a murder spree by re-creating the crimes in a lab filled with all the dials, gizmos, bubbling beakers and crackling electrostatic charges essential to the genre. Lionel Atwill is Doctor Xavier, pre-King Kong scream queen Fay Wray is a distressed damsel and Lee Tracy snaps newshound patter, all under the direction of renowned Michael Curtiz. The new two-color Technicolor master was restored by UCLA Film and Television Archive and The Film Foundation in association with Warner Bros. Entertainment. Funding provided by the Hobson/Lucas Foundation. Also includes the separately filmed B&w version (which has been restored and restored from its original nitrate camera negative) originally intended for small U.S. markets and International distribution,...
- 3/18/2021
- by Tom Stockman
- WeAreMovieGeeks.com
One of the lesser lights in the Screen Gems Shock TV package that helped initiate the Monster Kid boom in the late 50s. These lurid, cheap but slickly produced double feature items, usually running between 60 and 75 minutes, were ideal for programming in 90 minute time slots with commercials. At least this one has the redoubtable Lionel Atwill, always a top contender for the title of Hollywood’s Maddest Doctor, in fine villainous form.
The post The Mad Doctor of Market Street appeared first on Trailers From Hell.
The post The Mad Doctor of Market Street appeared first on Trailers From Hell.
- 11/13/2020
- by TFH Team
- Trailers from Hell
Pairing wine with movies! See the trailers and hear the fascinating commentary for these movies and many more at Trailers From Hell. If the pandemic has turned your household roles upside down and inside out, don’t get mad. Get mad, mad, mad, mad. For the soul of the country, y’all.
Of course, it was possible for anxiety to back up on you even in 1970. Diary of a Mad Housewife has Carrie Snodgress in the titular role. She can’t get satisfaction in her marriage, in her affair or in her therapy group. It sounds like a job for Calgon, but life has gotten so bad for her that even a long, hot soak won’t fix it.
Surely a Mad Housewife wine will pair with this film like it was born to do so. It is a “mommy wine” aimed at a broader spectrum of women who are...
Of course, it was possible for anxiety to back up on you even in 1970. Diary of a Mad Housewife has Carrie Snodgress in the titular role. She can’t get satisfaction in her marriage, in her affair or in her therapy group. It sounds like a job for Calgon, but life has gotten so bad for her that even a long, hot soak won’t fix it.
Surely a Mad Housewife wine will pair with this film like it was born to do so. It is a “mommy wine” aimed at a broader spectrum of women who are...
- 11/11/2020
- by Randy Fuller
- Trailers from Hell
The Ape
Blu ray
Kino Lorber
1940 / 62 min. / 1:33:1
Starring Boris Karloff, Maris Wrixon
Cinematography by Harry Neumann
Directed by William Nigh
William Nigh directed over 40 silent films before he signed on for The Ape, which might account for this 1940 film looking far older than its release date—the staging is rudimentary and the dialog so simple that intertitles would convey the action with all its meaning intact. Curt Siodmak’s storyline could have been plucked from a different era too—in particular 1931’s City Lights in which a flower girl regains her sight thanks to Chaplin’s perennial outcast, the little tramp. In The Ape the misfit is Boris Karloff as a scientist who helps a lame girl to walk—and though this low budget melodrama can’t compete with Chaplin’s sentimental masterpiece, like many silent era films, it has its own unvarnished appeal.
Karloff plays Dr. Adrian,...
Blu ray
Kino Lorber
1940 / 62 min. / 1:33:1
Starring Boris Karloff, Maris Wrixon
Cinematography by Harry Neumann
Directed by William Nigh
William Nigh directed over 40 silent films before he signed on for The Ape, which might account for this 1940 film looking far older than its release date—the staging is rudimentary and the dialog so simple that intertitles would convey the action with all its meaning intact. Curt Siodmak’s storyline could have been plucked from a different era too—in particular 1931’s City Lights in which a flower girl regains her sight thanks to Chaplin’s perennial outcast, the little tramp. In The Ape the misfit is Boris Karloff as a scientist who helps a lame girl to walk—and though this low budget melodrama can’t compete with Chaplin’s sentimental masterpiece, like many silent era films, it has its own unvarnished appeal.
Karloff plays Dr. Adrian,...
- 10/20/2020
- by Charlie Largent
- Trailers from Hell
Fay Wray and Lionel Atwill in The Mystery Of The Wax Museum Available on Blu-ray From Warner Archive
Fay Wray and Lionel Atwill in The Mystery Of The Wax Museum is available on Blu-ray From Warner Archive. Ordering info can be found Here. This is a new, restored version of the film that was shot in the early Two-Color Technicolor process.Here is a video of the Before and After restoration courtesy of the UCLA Film and Television Archive.
Bodies are mysteriously disappearing all over town, and a new wax museum has just opened. Is there a connection? But of course! In this horror classic, Fay Wray (King Kong) stars as the intended next victim of a mad wax sculptor obsessed with her resemblance to one of his prior creations. Glenda Farrell plays a quintessential wisecracking newspaper reporter, and noted actor Lionel Atwill is the deranged artist who loses his studio to a fire set by his partner. Filmed in the early Two-Color Technicolor® process, The Mystery of the Wax Museum...
Bodies are mysteriously disappearing all over town, and a new wax museum has just opened. Is there a connection? But of course! In this horror classic, Fay Wray (King Kong) stars as the intended next victim of a mad wax sculptor obsessed with her resemblance to one of his prior creations. Glenda Farrell plays a quintessential wisecracking newspaper reporter, and noted actor Lionel Atwill is the deranged artist who loses his studio to a fire set by his partner. Filmed in the early Two-Color Technicolor® process, The Mystery of the Wax Museum...
- 5/20/2020
- by Tom Stockman
- WeAreMovieGeeks.com
For this week’s Blu-ray and DVD releases, we have an eclectic group of titles making their way home on Tuesday. If you missed Blumhouse’s Fantasy Island in theaters, you can finally catch up with it on either Blu or DVD, and for those of you Idle Hands fans out there, you’re definitely going to want to grab a copy of Scream Factory’s Collector’s Edition release this week, too.
Mondo Macabro is celebrating Satanico Pandemonium with a brand new 4K transfer of the film, and the Warner Archives Collection strikes gold yet again with their Blu for The Mystery of the Wax Museum.
Other home media releases for May 12th include You Die, A Nun’s Curse, Evil Little Things, The Voices (2020), and Weird Fiction.
Blumhouse’s Fantasy Island
In Blumhouse’s Fantasy Island, the enigmatic Mr. Roarke (Michael Peña) makes the secret dreams of his lucky guests come true...
Mondo Macabro is celebrating Satanico Pandemonium with a brand new 4K transfer of the film, and the Warner Archives Collection strikes gold yet again with their Blu for The Mystery of the Wax Museum.
Other home media releases for May 12th include You Die, A Nun’s Curse, Evil Little Things, The Voices (2020), and Weird Fiction.
Blumhouse’s Fantasy Island
In Blumhouse’s Fantasy Island, the enigmatic Mr. Roarke (Michael Peña) makes the secret dreams of his lucky guests come true...
- 5/12/2020
- by Heather Wixson
- DailyDead
The last “official” appearance by a 52 year-old Boris Karloff as the Frankenstein monster gives this 1939 entry a melancholy tone that’s dispelled whenever Lionel Atwill and Bela Lugosi appear as the one-armed Inspector Krogh and the double-dealing Ygor. Basil Rathbone stars as the unflappable Wolf von Frankenstein though the notion of giving life to the comatose monster makes him as excitable as his old man. The impressively lofty sets were designed by Jack Otterson.
The post Son of Frankenstein appeared first on Trailers From Hell.
The post Son of Frankenstein appeared first on Trailers From Hell.
- 5/11/2020
- by Charlie Largent
- Trailers from Hell
Talk about a worthy title for restoration — somebody up there likes us. Digital tools and film preservation expertise have advanced far enough to revive this marvelous pre-Code comedy-shocker in a form that showcases its wild designs and stylized 2-color Technicolor sheen. Director Michael Curtiz’s adept direction highlights Glenda Farrell’s racy dialogue delivery as well as the spooky, expressionist horrors in Lionel Atwill’s haunted ‘waxitorium.’ To top it off we have fabulous Fay Wray, the talkies’ original scream queen, shrieking her way into the horror hall of fame in the tradition of The Phantom of the Opera. Plus — for once the Warner Archive adds some fine new added value extras.
Mystery of the Wax Museum
Blu-ray
Warner Archive Collection
1933 / Color / 1:37 Academy / 77 min. / Street Date May 12, 2020 / available through the WBshop / 21.99
Starring: Lionel Atwill, Fay Wray, Glenda Farrell, Frank McHugh, Allen Vincent, Gavin Gordon, Arthur Edmund Carewe.
Cinematography: Ray Rennahan...
Mystery of the Wax Museum
Blu-ray
Warner Archive Collection
1933 / Color / 1:37 Academy / 77 min. / Street Date May 12, 2020 / available through the WBshop / 21.99
Starring: Lionel Atwill, Fay Wray, Glenda Farrell, Frank McHugh, Allen Vincent, Gavin Gordon, Arthur Edmund Carewe.
Cinematography: Ray Rennahan...
- 5/9/2020
- by Glenn Erickson
- Trailers from Hell
With so many folks out there looking for ways to keep themselves entertained at home right now, perhaps this new batch of home media releases might have something to offer you this week. If you missed it in theaters last year, the controversial Black Christmas remake hits both Blu-ray and DVD this Tuesday, and Scream Factory has put together a fourth volume in their Universal Horror Collection series, which looks like a must-own for all classic genre fans out there.
Also headed to Blu this week is The Nines, which is one of my favorite underseen films from Ryan Reynolds, as well as Cannibal Apocalypse, featuring John Saxon. We also have Glenn Danzig’s Verotika coming out on Tuesday and if you need something to keep the kiddos busy, Jumanji: The Next Level should do the trick.
Other releases for March 17th include Uncaged, By Day’s End, Witch Hunters,...
Also headed to Blu this week is The Nines, which is one of my favorite underseen films from Ryan Reynolds, as well as Cannibal Apocalypse, featuring John Saxon. We also have Glenn Danzig’s Verotika coming out on Tuesday and if you need something to keep the kiddos busy, Jumanji: The Next Level should do the trick.
Other releases for March 17th include Uncaged, By Day’s End, Witch Hunters,...
- 3/17/2020
- by Heather Wixson
- DailyDead
Last year Scream Factory gave classic horror fans the gift of three volumes (featuring 12 films overall) of their Universal Horror Collection, and they're extending that collection into the new year with the Universal Horror Collection Volume 4.
Coming out on March 17th from Scream Factory, the Universal Horror Collection Volume 4 features Night Key (1937), Night Monster (1942), The Climax (1944), and House of Horrors (1946).
We have a look at the cover art and the full release details below, including the complete list of special features for the new release:
Press Release: Universal Horror Collection Volume 4 screams to life on March 17 from Scream Factory! Special features include new 2K scans, new audio commentaries, a new featurette, and much more.
Volume 4 includes four tales of terror from the archives of Universal Pictures, the true home of classic horror. This collection includes such horror stars as Boris Karloff, Bela Lugosi, Lionel Atwill, and Rondo Hatton. Boris...
Coming out on March 17th from Scream Factory, the Universal Horror Collection Volume 4 features Night Key (1937), Night Monster (1942), The Climax (1944), and House of Horrors (1946).
We have a look at the cover art and the full release details below, including the complete list of special features for the new release:
Press Release: Universal Horror Collection Volume 4 screams to life on March 17 from Scream Factory! Special features include new 2K scans, new audio commentaries, a new featurette, and much more.
Volume 4 includes four tales of terror from the archives of Universal Pictures, the true home of classic horror. This collection includes such horror stars as Boris Karloff, Bela Lugosi, Lionel Atwill, and Rondo Hatton. Boris...
- 2/11/2020
- by Derek Anderson
- DailyDead
Hey, did you know that Tod Browning made a vampire movie in the 1930s? And that it starred Bela Lugosi as the titular vampire? And that said vampire was doggedly pursued by a professor with knowledge of vampires that stretched credibility? Oh, and did you know that I’m not talking about Dracula?
Since you’ve read the title above, I’m guessing I didn’t just make your head explode. But you can see where I’m going with this. The similarities between Browning’s quintessential vampire film and his 1935 not-so-quintessential vampire film Mark of the Vampire would make it seem like the latter is a pretty blatant attempt by MGM to cash in on his bloodsucker success. But is that indeed the case?
Well, let’s look at the premise for Mark of the Vampire. Although set in “modern day” early 20th century, the setting certainly looks familiar.
Since you’ve read the title above, I’m guessing I didn’t just make your head explode. But you can see where I’m going with this. The similarities between Browning’s quintessential vampire film and his 1935 not-so-quintessential vampire film Mark of the Vampire would make it seem like the latter is a pretty blatant attempt by MGM to cash in on his bloodsucker success. But is that indeed the case?
Well, let’s look at the premise for Mark of the Vampire. Although set in “modern day” early 20th century, the setting certainly looks familiar.
- 7/31/2019
- by Bryan Christopher
- DailyDead
July 23rd is playing host to an excellent variety of home media releases for films both new and old. In terms of recent titles, Alita: Battle Angel, Hellboy (2019), and Critters Attack! are all hitting a variety of formats this Tuesday, and for those of you who grew up during the heyday of John Hughes, Arrow Video’s special edition release of Weird Science looks to be yet another home run collection from the distributor.
Criterion is showing some love to Michael Radford’s 1984 adaptation this week (which unfortunately feels super timely these days), Scream Factory has put together another Universal Horror Collection box set, and if you happen to dig psychological thrillers from the ’90s, Pacific Heights hits Blu-ray on Tuesday as well.
Other Blu-ray and DVD releases for July 23rd include Master Z: Ip Man Legacy, Assimilate and Rock, Paper, Scissors.
1984: The Criterion Collection
This masterly adaptation of...
Criterion is showing some love to Michael Radford’s 1984 adaptation this week (which unfortunately feels super timely these days), Scream Factory has put together another Universal Horror Collection box set, and if you happen to dig psychological thrillers from the ’90s, Pacific Heights hits Blu-ray on Tuesday as well.
Other Blu-ray and DVD releases for July 23rd include Master Z: Ip Man Legacy, Assimilate and Rock, Paper, Scissors.
1984: The Criterion Collection
This masterly adaptation of...
- 7/23/2019
- by Heather Wixson
- DailyDead
Following their June 18th Blu-ray release of Universal Horror Collection Volume 1, Scream Factory has even more classic, high-definition horror titles in store for viewers this summer with their July 23rd release of Universal Horror Collection Volume 2, and we've been provided with the full release details for the new set that includes Murders in the Zoo, The Mad Ghoul, The Mad Doctor of Market Street, and The Strange Case of Doctor Rx.
Press Release: Los Angeles, CA – A collection of mad doctors and murderous fiends want to go home with you… Universal Horror Collection Volume 2 is coming to Blu-ray on July 23 from Scream Factory. The collection is loaded with extras, including new commentaries, and a new featurette.
Undertake four tales of terror from the archives of Universal Pictures, the home of classic horror! This collection includes such horror stars as Lionel Atwill, George Zucco, David Bruce and Evelyn Ankers. A maniacal...
Press Release: Los Angeles, CA – A collection of mad doctors and murderous fiends want to go home with you… Universal Horror Collection Volume 2 is coming to Blu-ray on July 23 from Scream Factory. The collection is loaded with extras, including new commentaries, and a new featurette.
Undertake four tales of terror from the archives of Universal Pictures, the home of classic horror! This collection includes such horror stars as Lionel Atwill, George Zucco, David Bruce and Evelyn Ankers. A maniacal...
- 6/24/2019
- by Derek Anderson
- DailyDead
It may not be summer yet, but Scream Factory is heating up their release calendar with three new Blu-ray announcements for July: the Hammer horror films Lust for a Vampire and The Reptile, as well as Universal Horror Collection Volume 2.
Lust for a Vampire Blu-ray: "More vampire action (courtesy of Hammer Films) is on the way this Summer in the form of Lust For A Vampire on Blu-ray! Release date is July 30th.
A mysterious man performs the rites of black magic ... bringing the notorious female vampire Carmilla Karnstein back to life. Looking to quench her bloodlust for the fairer sex, she enrolls at an exclusive girl's school as the young debutante Mircalla (Yutte Stensgaard), and begins to feast on her fellow students as well as indulging in her unholy desires for a teacher ... With the death toll mounting at both the school and the nearby village, can anyone stop Carmilla's evil ways?...
Lust for a Vampire Blu-ray: "More vampire action (courtesy of Hammer Films) is on the way this Summer in the form of Lust For A Vampire on Blu-ray! Release date is July 30th.
A mysterious man performs the rites of black magic ... bringing the notorious female vampire Carmilla Karnstein back to life. Looking to quench her bloodlust for the fairer sex, she enrolls at an exclusive girl's school as the young debutante Mircalla (Yutte Stensgaard), and begins to feast on her fellow students as well as indulging in her unholy desires for a teacher ... With the death toll mounting at both the school and the nearby village, can anyone stop Carmilla's evil ways?...
- 4/4/2019
- by Derek Anderson
- DailyDead
Michael Curtiz’ perversely entertaining pre-code thriller would have been a perfect fit for Weird Tales Magazine. Lee Tracy plays a pushy reporter tracking down the so-called “Moon Killer”, Fay Wray is the soon-to-be damsel in distress and Lionel Atwill plays her father, the titular Doctor Xavier. The eleventh hour unveiling of the killer, bathed in eerie two-strip Technicolor, is the stuff of nightmares.
The post Doctor X appeared first on Trailers From Hell.
The post Doctor X appeared first on Trailers From Hell.
- 10/29/2018
- by Charlie Largent
- Trailers from Hell
Delirious silver-screen glamour never disappoints! Marlene Dietrich’s six Paramount pictures for Josef von Sternberg arrive in a beautifully annotated disc set. The most creative director-muse relationship of the 1930s created an all-conquering German siren-goddess, a screen icon vom kopf bis fuss.
Dietrich & von Sternberg in Hollywood
Blu-ray
Morocco, Dishonored, Shanghai Express, Blonde Venus, The Scarlet Empress, The Devil is a Woman
The Criterion Collection 930
1930-1035 / B&W / 1:19 Movietone (2), 1:37 flat Academy (3) / 542 min. / available through The Criterion Collection / Street Date July 3, 2018 / 124.95
Starring: Marlene Dietrich, Gary Cooper, Victor McLaglen, Clive Brook, Herbert Marshall, Cary Grant, Sam Jaffe, Lionel Atwill, Cesar Romero.
Directed by Josef von Sternberg
Dietrich & von Sternberg in Hollywood assembles a package we’ve long desired, a quality set of the duo’s highly artistic Paramount pictures from the first half of the 1930s. The Scarlet Empress arrived in a sub-par Criterion disc early in 2001, and three more...
Dietrich & von Sternberg in Hollywood
Blu-ray
Morocco, Dishonored, Shanghai Express, Blonde Venus, The Scarlet Empress, The Devil is a Woman
The Criterion Collection 930
1930-1035 / B&W / 1:19 Movietone (2), 1:37 flat Academy (3) / 542 min. / available through The Criterion Collection / Street Date July 3, 2018 / 124.95
Starring: Marlene Dietrich, Gary Cooper, Victor McLaglen, Clive Brook, Herbert Marshall, Cary Grant, Sam Jaffe, Lionel Atwill, Cesar Romero.
Directed by Josef von Sternberg
Dietrich & von Sternberg in Hollywood assembles a package we’ve long desired, a quality set of the duo’s highly artistic Paramount pictures from the first half of the 1930s. The Scarlet Empress arrived in a sub-par Criterion disc early in 2001, and three more...
- 6/30/2018
- by Glenn Erickson
- Trailers from Hell
By Hank Reineke
Though heavyweights Columbia and Universal produced as many serials as Republic Pictures from 1929-1956, the latter studio is generally best known for its exciting sound-era chapter-plays. Universal and the less widely known Mascot Pictures were in the game the earliest; both studios began releasing their sound serials in 1929. Mascot would only last six years or so. Universal – choosing to concentrate exclusively on the production of feature films – effectively got out of the serial business in 1946. Republic and Columbia hung on to the production of chapter-plays the longest; they released their final serials in 1955 and 1956, respectively.
Republic wasn’t only a serials factory. The studio was in the low budget feature filmmaking business as well, busily churning out a dizzying array of westerns, adventure pictures, and mysteries. They would test the box-office potentials of the horror film market during the 1940s with limited success. As a second-tier “Poverty Row” studio,...
Though heavyweights Columbia and Universal produced as many serials as Republic Pictures from 1929-1956, the latter studio is generally best known for its exciting sound-era chapter-plays. Universal and the less widely known Mascot Pictures were in the game the earliest; both studios began releasing their sound serials in 1929. Mascot would only last six years or so. Universal – choosing to concentrate exclusively on the production of feature films – effectively got out of the serial business in 1946. Republic and Columbia hung on to the production of chapter-plays the longest; they released their final serials in 1955 and 1956, respectively.
Republic wasn’t only a serials factory. The studio was in the low budget feature filmmaking business as well, busily churning out a dizzying array of westerns, adventure pictures, and mysteries. They would test the box-office potentials of the horror film market during the 1940s with limited success. As a second-tier “Poverty Row” studio,...
- 9/4/2017
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Desert Nights with John Gilbert and Mary Nolan: Enjoyable Sahara-set adventure – which happened to be Gilbert's last silent film – dares to ask the age-old philosophical question, “Is there honor among thieves?” John Gilbert late silent adventure 'Desert Nights' asks a question for the ages: Is there honor among thieves? The Metro-Goldwyn-Mayer release Desert Nights arrived in theaters at the tail end of the silent era. By 1929, audiences wanted lots of singing and dancing – talkies! And they might have been impatient to hear John Gilbert's speaking voice. I can't tell whether sound would have improved it or not, but Desert Nights has a lot of title cards filled with dialogue. Directed by the prolific William Nigh,[1] the film tells the story of diamond thieves who get stranded in the Sahara and almost die of thirst. (At first, Desert Nights' was appropriately titled Thirst.) Cinematographer James Wong Howe perfectly captures the hot, dry...
- 8/7/2017
- by Danny Fortune
- Alt Film Guide
One of the quirks of Il Cinema Ritrovato, Bologna's annual jamboree celebrating restored or rediscovered movies, is that expensive products of the Hollywood studio system can be just as obscure and hard-to-see as low-budget oddities, foreign arthouse affairs and forgotten silents from a hundred years ago. Dave Kehr's retrospective of neglected items from Universal's vaults demonstrates this clearly.James Whale always liked to say By Candlelight was his favorite of his own films, bypassing the more celebrated Frankenstein films. It's a romantic comedy of confused identities and it's no surprise that P.G. Wodehouse had a hand in the stage source.But in this movie, when a butler impersonates his master in order to seduce a wealthy lady who turns out to be a maid impersonating her mistress, all the irony of Wodehouse's inversion of traditional ideas about class has gone. All right, so George Orwell argued persuasively that Wodehouse...
- 7/6/2017
- MUBI
Another impressive horror restoration! Majestic Pictures pulls together a great cast, including Fay Wray and Lionel Atwill, for a smart gothic horror outing complete with squeaky bats, a flipped-out village idiot (Dwight Frye!), a crazed mad scientist (the worst kind) and a lynch mob with torches that have been hand-tinted in color. Melvyn Douglas is the debonair flatfoot assigned to solve a series of vampire killings.
The Vampire Bat
Blu-ray
The Film Detective
1933 / B&W with part-tinted scene / 1:37 Academy / 83 min. / Street Date April 25, 2017 / 19.99
Starring: Lionel Atwill, Fay Wray, Melvyn Douglas, Maude Eburne, George E. Stone, Dwight Frye, Robert Frazer, Rita Carlyle, Lionel Belmore, William V. Mong, Stella Adams, Harrison Greene.
Cinematography: Ira H. Morgan
Film Editor: Otis Garrett
Written by Edward T. Lowe Jr.
Produced by Phil Goldstone
Directed by Frank Strayer
Hollywood horror was a hot trend in 1932: with the arrival of Frankenstein and Dracula the horror field boomed.
The Vampire Bat
Blu-ray
The Film Detective
1933 / B&W with part-tinted scene / 1:37 Academy / 83 min. / Street Date April 25, 2017 / 19.99
Starring: Lionel Atwill, Fay Wray, Melvyn Douglas, Maude Eburne, George E. Stone, Dwight Frye, Robert Frazer, Rita Carlyle, Lionel Belmore, William V. Mong, Stella Adams, Harrison Greene.
Cinematography: Ira H. Morgan
Film Editor: Otis Garrett
Written by Edward T. Lowe Jr.
Produced by Phil Goldstone
Directed by Frank Strayer
Hollywood horror was a hot trend in 1932: with the arrival of Frankenstein and Dracula the horror field boomed.
- 4/1/2017
- by Glenn Erickson
- Trailers from Hell
Jim Knipfel Oct 17, 2018
After all these years, Al Adamson’s cult classic Dracula vs. Frankenstein still doesn’t make a damn lick of sense!
Growing up in Wisconsin in the early '70s, I would get home from school, drop my bag, park myself in front of the TV and tune in The Early Show. Every weekday between three and five-thirty, a local station aired sometimes shockingly uncut films, and it was there my cinematic education began. I don’t know who was programming The Early Show, but I would like to shake his hand. The focus was decidedly on genre films,especially horror and recent drive-in hits. Along with scattered Westerns, war movies and mysteries, there were regular week-long Toho and Hammer fests, without a single stupid musical or romantic comedy tossed in to muck things up.
It was through The Early Show that I was introduced to Roger Corman,...
After all these years, Al Adamson’s cult classic Dracula vs. Frankenstein still doesn’t make a damn lick of sense!
Growing up in Wisconsin in the early '70s, I would get home from school, drop my bag, park myself in front of the TV and tune in The Early Show. Every weekday between three and five-thirty, a local station aired sometimes shockingly uncut films, and it was there my cinematic education began. I don’t know who was programming The Early Show, but I would like to shake his hand. The focus was decidedly on genre films,especially horror and recent drive-in hits. Along with scattered Westerns, war movies and mysteries, there were regular week-long Toho and Hammer fests, without a single stupid musical or romantic comedy tossed in to muck things up.
It was through The Early Show that I was introduced to Roger Corman,...
- 10/25/2016
- Den of Geek
Jim Knipfel Oct 17, 2018
After all these years, Al Adamson’s cult classic Dracula vs. Frankenstein still doesn’t make a damn lick of sense!
Growing up in Wisconsin in the early '70s, I would get home from school, drop my bag, park myself in front of the TV and tune in The Early Show. Every weekday between three and five-thirty, a local station aired sometimes shockingly uncut films, and it was there my cinematic education began. I don’t know who was programming The Early Show, but I would like to shake his hand. The focus was decidedly on genre films,especially horror and recent drive-in hits. Along with scattered Westerns, war movies and mysteries, there were regular week-long Toho and Hammer fests, without a single stupid musical or romantic comedy tossed in to muck things up.
It was through The Early Show that I was introduced to Roger Corman,...
After all these years, Al Adamson’s cult classic Dracula vs. Frankenstein still doesn’t make a damn lick of sense!
Growing up in Wisconsin in the early '70s, I would get home from school, drop my bag, park myself in front of the TV and tune in The Early Show. Every weekday between three and five-thirty, a local station aired sometimes shockingly uncut films, and it was there my cinematic education began. I don’t know who was programming The Early Show, but I would like to shake his hand. The focus was decidedly on genre films,especially horror and recent drive-in hits. Along with scattered Westerns, war movies and mysteries, there were regular week-long Toho and Hammer fests, without a single stupid musical or romantic comedy tossed in to muck things up.
It was through The Early Show that I was introduced to Roger Corman,...
- 10/25/2016
- Den of Geek
Vin Scully, the voice of the Dodgers, is calling it a career this weekend after 67 years in the booth. If you will indulge me, I’d like to tell you about one of my favorite moments from Scully behind the microphone, and about one night at Dodger Stadium that will make me miss him even more.
But first, a little background. I was never a big baseball guy growing up, even though I played a couple of seasons on a local Little League team. (Our squad was called the Firemen.) During those days, when I wasn’t playing the game, either in Little League or somewhere on my grandma’s farm with my cousins, the presence of a baseball broadcast usually meant that something I’d rather have been watching on TV was unavailable to see because someone else wanted to watch the damn game. (I tried to sit down,...
But first, a little background. I was never a big baseball guy growing up, even though I played a couple of seasons on a local Little League team. (Our squad was called the Firemen.) During those days, when I wasn’t playing the game, either in Little League or somewhere on my grandma’s farm with my cousins, the presence of a baseball broadcast usually meant that something I’d rather have been watching on TV was unavailable to see because someone else wanted to watch the damn game. (I tried to sit down,...
- 10/1/2016
- by Dennis Cozzalio
- Trailers from Hell
Pico Iyer considers how his view of Akira Kurosawa’s Ikiru (1952) has evolved over the years. Also in today's roundup: Remembering Chantal Akerman and Natalie Cole, Kenji Mizoguchi in New York, short pieces on Lionel Atwill and Zasu Pitts, Wim Wenders in Austin, Sergei Eisenstein in London, a video essay on Bong Joon-ho's Memories of Murder, Alejandro González Iñárritu and Michael Mann discuss The Revenant—and we have a fresh round, and quite a huge one it is, too, of best-of-2015 lists. » - David Hudson...
- 1/4/2016
- Keyframe
Pico Iyer considers how his view of Akira Kurosawa’s Ikiru (1952) has evolved over the years. Also in today's roundup: Remembering Chantal Akerman and Natalie Cole, Kenji Mizoguchi in New York, short pieces on Lionel Atwill and Zasu Pitts, Wim Wenders in Austin, Sergei Eisenstein in London, a video essay on Bong Joon-ho's Memories of Murder, Alejandro González Iñárritu and Michael Mann discuss The Revenant—and we have a fresh round, and quite a huge one it is, too, of best-of-2015 lists. » - David Hudson...
- 1/4/2016
- Fandor: Keyframe
Lady in the Death House
Written by Harry O. Hoyt
Directed by Steve Sekely
U.S.A., 1944
Surrounded by friends and colleagues and sharing drinks, psychologist and criminologist Charles Finch (Lionel Atwill) shares his thoughts on a recent adventure that involved two lovers, the brilliant Dr. Dwight ‘Brad’ Bradley and state attorney’s secretary, Mary Kirk Logan (Jean Parker). The two met at a party one night but, unbeknownst to most, Mary and her younger sister Suzy (Marcia Mae Jones) owe a gangster a lot of money in a dirty blackmailing scheme. On the night when the thug comes to Mary’s apartment for a large payment, he is somehow murdered by a nasty thump on the head, despite that Mary had locked herself in her room. Now the dishevelled woman is guilty of killing the loan shark and awaiting the electric chair…with Brad being the state executioner! Finch...
Written by Harry O. Hoyt
Directed by Steve Sekely
U.S.A., 1944
Surrounded by friends and colleagues and sharing drinks, psychologist and criminologist Charles Finch (Lionel Atwill) shares his thoughts on a recent adventure that involved two lovers, the brilliant Dr. Dwight ‘Brad’ Bradley and state attorney’s secretary, Mary Kirk Logan (Jean Parker). The two met at a party one night but, unbeknownst to most, Mary and her younger sister Suzy (Marcia Mae Jones) owe a gangster a lot of money in a dirty blackmailing scheme. On the night when the thug comes to Mary’s apartment for a large payment, he is somehow murdered by a nasty thump on the head, despite that Mary had locked herself in her room. Now the dishevelled woman is guilty of killing the loan shark and awaiting the electric chair…with Brad being the state executioner! Finch...
- 11/13/2015
- by Edgar Chaput
- SoundOnSight
Top Ten Scream Queens: Barbara Steele, who both emitted screams and made others do same, is in a category of her own. Top Ten Scream Queens Halloween is over until next year, but the equally bewitching Day of the Dead is just around the corner. So, dead or alive, here's my revised and expanded list of cinema's Top Ten Scream Queens. This highly personal compilation is based on how memorable – as opposed to how loud or how frequent – were the screams. That's the key reason you won't find listed below actresses featured in gory slasher films. After all, the screams – and just about everything else in such movies – are as meaningless as their plots. You also won't find any screaming guys (i.e., Scream Kings) on the list below even though I've got absolutely nothing against guys who scream in horror, whether in movies or in life. There are...
- 11/2/2015
- by Andre Soares
- Alt Film Guide
Over at my other haunt, Sergio Leone and the Infield Fly Rule, there is currently posted, in honor of Halloween week, what I think are two very special treats (and possibly tricks). The first is a very challenging frame grab quiz in which readers are asked to guess the titles of 31 movies based on eerie images that may or may not be so easy to identify. The other is a special edition of the traditional interview-type quiz I occasionally come up devoted entirely to the harrowing world of horror. It features the usual batch of questions for which there are no wrong answers, only your answers, which makes it much more fun to fill out and especially to read. As usual, it’s taking me a while to get around to submitting my own answers to the quiz, but in the creeping shadow of the approaching holiday I thought I...
- 10/30/2015
- by Dennis Cozzalio
- Trailers from Hell
Starting off this morning's round-up is Frankenstein Day of the Beast release details for the U.S. and Canada. Also: a new variant for The Walking Dead #1, Kids of Horror photo gallery, Son of Frankenstein screening details, and photos from the 8 Films to Die For premiere.
Frankenstein Day of the Beast: Press Release: "Sgl Entertainment is pleased to announce that they just have signed a 6 picture movie deal with the Legendary Horror Filmmaker Ricardo Islas. As part of the Deal, the first release of many will be Frankenstein Day Of The Beast to be Unleashed on Blu-ray, DVD and VOD in the U.S. and Canada. The award-winning film had previously been released in Germany and Japan but will now be Available in North America via Sgl Entertainment along with their partners Mvd and Indie Rights.
In a foggy winter morning, a raft brings a priest to an isolated island.
Frankenstein Day of the Beast: Press Release: "Sgl Entertainment is pleased to announce that they just have signed a 6 picture movie deal with the Legendary Horror Filmmaker Ricardo Islas. As part of the Deal, the first release of many will be Frankenstein Day Of The Beast to be Unleashed on Blu-ray, DVD and VOD in the U.S. and Canada. The award-winning film had previously been released in Germany and Japan but will now be Available in North America via Sgl Entertainment along with their partners Mvd and Indie Rights.
In a foggy winter morning, a raft brings a priest to an isolated island.
- 10/22/2015
- by Tamika Jones
- DailyDead
Virginia Bruce: MGM actress ca. 1935. Virginia Bruce movies on TCM: Actress was the cherry on 'The Great Ziegfeld' wedding cake Unfortunately, Turner Classic Movies has chosen not to feature any non-Hollywood stars – or any out-and-out silent film stars – in its 2015 “Summer Under the Stars” series.* On the other hand, TCM has come up with several unusual inclusions, e.g., Lee J. Cobb, Warren Oates, Mae Clarke, and today, Aug. 25, Virginia Bruce. A second-rank MGM leading lady in the 1930s, the Minneapolis-born Virginia Bruce is little remembered today despite her more than 70 feature films in a career that spanned two decades, from the dawn of the talkie era to the dawn of the TV era, in addition to a handful of comebacks going all the way to 1981 – the dawn of the personal computer era. Career highlights were few and not all that bright. Examples range from playing the...
- 8/26/2015
- by Andre Soares
- Alt Film Guide
Olivia de Havilland on Turner Classic Movies: Your chance to watch 'The Adventures of Robin Hood' for the 384th time Olivia de Havilland is Turner Classic Movies' “Summer Under the Stars” star today, Aug. 2, '15. The two-time Best Actress Oscar winner (To Each His Own, 1946; The Heiress, 1949) whose steely determination helped to change the way studios handled their contract players turned 99 last July 1. Unfortunately, TCM isn't showing any de Havilland movie rarities, e.g., Universal's cool thriller The Dark Mirror (1946), the Paramount comedy The Well-Groomed Bride (1947), or Terence Young's British-made That Lady (1955), with de Havilland as eye-patch-wearing Spanish princess Ana de Mendoza. On the other hand, you'll be able to catch for the 384th time a demure Olivia de Havilland being romanced by a dashing Errol Flynn in The Adventures of Robin Hood, as TCM shows this 1938 period adventure classic just about every month. But who's complaining? One the...
- 8/3/2015
- by Andre Soares
- Alt Film Guide
Olivia de Havilland picture U.S. labor history-making 'Gone with the Wind' star and two-time Best Actress winner Olivia de Havilland turns 99 (This Olivia de Havilland article is currently being revised and expanded.) Two-time Best Actress Academy Award winner Olivia de Havilland, the only surviving major Gone with the Wind cast member and oldest surviving Oscar winner, is turning 99 years old today, July 1.[1] Also known for her widely publicized feud with sister Joan Fontaine and for her eight movies with Errol Flynn, de Havilland should be remembered as well for having made Hollywood labor history. This particular history has nothing to do with de Havilland's films, her two Oscars, Gone with the Wind, Joan Fontaine, or Errol Flynn. Instead, history was made as a result of a legal fight: after winning a lawsuit against Warner Bros. in the mid-'40s, Olivia de Havilland put an end to treacherous...
- 7/2/2015
- by Andre Soares
- Alt Film Guide
'Pirates of the Caribbean: The Curse of the Black Pearl': Johnny Depp as Capt. Jack Sparrow. 'Pirates of the Caribbean: The Curse of the Black Pearl' review: Mostly an enjoyable romp (Oscar Movie Series) Pirate movies were a Hollywood staple for about three decades, from the mid-'20s (The Sea Hawk, The Black Pirate) to the mid-to-late '50s (Moonfleet, The Buccaneer), when the genre, by then mostly relegated to B films, began to die down. Sporadic resurrections in the '80s and '90s turned out to be critical and commercial bombs (Pirates, Cutthroat Island), something that didn't bode well for the Walt Disney Company's $140 million-budgeted film "adaptation" of one of their theme-park rides. But Neptune's mood has apparently improved with the arrival of the new century. He smiled – grinned would be a more appropriate word – on the Gore Verbinski-directed Pirates of the Caribbean: The Curse of the Black Pearl,...
- 6/29/2015
- by Andre Soares
- Alt Film Guide
Don Kaye Jan 13, 2020
Universal's Son of Frankenstein capped off the first great movie trilogy after the first two great James Whale movies.
On Jan. 13, 1939, Universal Pictures released Son of Frankenstein, the follow-up to 1931’s Frankenstein and 1935’s Bride of Frankenstein. Bride itself was an unprecedented event: the first major sequel to a horror film, it not only continued the story established in the first movie but expanded upon it with more characters and an even richer storyline. Sequels were considered for a long time by studios as quick cash grabs, usually done on the cheap and often lacking the qualities that made the original film a success. The idea of a sequel continuing the story, with the same kind of production values, storytelling, and craft, was almost unheard of when director James Whale made Bride; a third film created with the same care hardly seemed possible.
And yet Son of Frankenstein...
Universal's Son of Frankenstein capped off the first great movie trilogy after the first two great James Whale movies.
On Jan. 13, 1939, Universal Pictures released Son of Frankenstein, the follow-up to 1931’s Frankenstein and 1935’s Bride of Frankenstein. Bride itself was an unprecedented event: the first major sequel to a horror film, it not only continued the story established in the first movie but expanded upon it with more characters and an even richer storyline. Sequels were considered for a long time by studios as quick cash grabs, usually done on the cheap and often lacking the qualities that made the original film a success. The idea of a sequel continuing the story, with the same kind of production values, storytelling, and craft, was almost unheard of when director James Whale made Bride; a third film created with the same care hardly seemed possible.
And yet Son of Frankenstein...
- 1/13/2015
- Den of Geek
Well, the big day is finally here! After leading the Avengers in stopping an alien invasion Summer before last, our favorite shield-slinger returns to the multiplexes in an all new solo adventure (well, he’s got some help from the Black Widow and the high-flyin’ Falcon)! Before you head out, you may want to brush up on all things Steve Rogers (don’t worry, this won’t be on the final!)! Have fun and buy bonds!
Read my original review of Captain America Here.
Here’s my original article that ran on Wamg before Captain America: The First Avenger was released in 2011.
The very first appearance of the sentinel of liberty.
Okay fellow movie geeks! Ready for a bit of pop culture history? Before you head out to the multiplex this weekend to see Paramount’s Captain America: The First Avenger, let’s get better acquainted with the story of this star-spangled superhero.
Read my original review of Captain America Here.
Here’s my original article that ran on Wamg before Captain America: The First Avenger was released in 2011.
The very first appearance of the sentinel of liberty.
Okay fellow movie geeks! Ready for a bit of pop culture history? Before you head out to the multiplex this weekend to see Paramount’s Captain America: The First Avenger, let’s get better acquainted with the story of this star-spangled superhero.
- 4/4/2014
- by Jim Batts
- WeAreMovieGeeks.com
The New Beverly Cinema in Los Angeles is presenting a double feature of Son of Frankenstein (1939) and House of Frankenstein (1944) this coming Sunday and Monday.
Son of Frankenstein was directed by Rowland V. Lee and stars Basil Rathbone, Boris Karloff, Béla Lugosi, Lionel Atwill, Josephine Hutchinson, and Donnie Dunagan. Projected on 35mm film.
House of Frankenstein was directed by Erle C. Kenton and stars Boris Karloff, Lon Chaney Jr., John Carradine, J. … Continue reading →
Horrornews.net...
Son of Frankenstein was directed by Rowland V. Lee and stars Basil Rathbone, Boris Karloff, Béla Lugosi, Lionel Atwill, Josephine Hutchinson, and Donnie Dunagan. Projected on 35mm film.
House of Frankenstein was directed by Erle C. Kenton and stars Boris Karloff, Lon Chaney Jr., John Carradine, J. … Continue reading →
Horrornews.net...
- 1/17/2014
- by Jonathan Stryker
- Horror News
Welcome back to The Stack! This week we're dividing the show into two separate episodes so I can finally catch up from Fantastic Fest. Look for October 8 releases to be covered on Wednesday October 9. In the mean time enjoy this reminder of what hit home entertainment October 1. Highlights for me were the final emergence of House of Wax (1955) on 3D Blu-ray. It has all the awesome extras the outstanding DVD did including the 1933 version of Mystery of the Wax Museum starring Lionel Atwill. Thanks Warner Bros. The Croods surprised me by being one of the best animated films of the year. Funny, heartwarming and absolutely gorgeous to look at. Thanks Dreamworks. Lastly the 1925 anti-war effort The Big Parade is beautifully...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 10/8/2013
- Screen Anarchy
Glenda Farrell: Actress has her ‘Summer Under the Stars’ day Scene-stealer Glenda Farrell is Turner Classic Movies’ "Summer Under the Stars" star today, August 29, 2013. A reliable — and very busy — Warner Bros. contract player in the ’30s, the sharp, energetic, fast-talking blonde actress was featured in more than fifty films at the studio from 1931 to 1939. Note: This particular Glenda Farrell has nothing in common with the One Tree Hill character played by Amber Wallace in the television series. The Glenda Farrell / One Tree Hill name connection seems to have been a mere coincidence. (Photo: Glenda Farrell as Torchy Blane in Smart Blonde.) Back to Warners’ Glenda Farrell: TCM is currently showing Torchy Runs for Mayor (1939), one of the seven B movies starring Farrell as intrepid reporter Torchy Blane. Major suspense: Will Torchy win the election? She should. No city would ever go bankrupt with Torchy at the helm. Glenda Farrell...
- 8/30/2013
- by Andre Soares
- Alt Film Guide
Mary Boland movies: Scene-stealing actress has her ‘Summer Under the Stars’ day on TCM Turner Classic Movies will dedicate the next 24 hours, Sunday, August 4, 2013, not to Lana Turner, Lauren Bacall, Katharine Hepburn, Ginger Rogers, Esther Williams, or Bette Davis — TCM’s frequent Warner Bros., MGM, and/or Rko stars — but to the marvelous scene-stealer Mary Boland. A stage actress who was featured in a handful of movies in the 1910s, Boland came into her own as a stellar film supporting player in the early ’30s, initially at Paramount and later at most other Hollywood studios. First, the bad news: TCM’s "Summer Under the Stars" Mary Boland Day will feature only two movies from Boland’s Paramount period: the 1935 Best Picture Academy Award nominee Ruggles of Red Gap, which TCM has shown before, and one TCM premiere. So, no rarities like Secrets of a Secretary, Mama Loves Papa, Melody in Spring,...
- 8/4/2013
- by Andre Soares
- Alt Film Guide
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