It’s natural that, while you may want to stay on the cutting edge of prestige TV drama and join in all those “How great is Shogun?!” conversations of the moment, there are also times when the world makes you want to shrink down to the size of a Subbuteo player, step into a book illustration from a copy of Thumbelina you owned as a child, and go to sleep underneath a single feather inside a walnut shell.
Those walnut shell moments demand a TV accompaniment that isn’t noisy or confrontational. There should be no difficult thoughts there, just a gentle tide of ‘everything’s okay-ness’ lapping at your brain’s shore. These British TV shows all provide exactly that sense of comfort. Please recommend your own picks below.
The Good Life
Stream on: BritBox (UK & US)
Tom and Barbara, Jerry and Margo. Repeat those names as a mantra...
Those walnut shell moments demand a TV accompaniment that isn’t noisy or confrontational. There should be no difficult thoughts there, just a gentle tide of ‘everything’s okay-ness’ lapping at your brain’s shore. These British TV shows all provide exactly that sense of comfort. Please recommend your own picks below.
The Good Life
Stream on: BritBox (UK & US)
Tom and Barbara, Jerry and Margo. Repeat those names as a mantra...
- 3/14/2024
- by Louisa Mellor
- Den of Geek
This Friday, on October 13, 2023, at 9:00 Pm, ITV presents “Barbara Knox at 90.” Barbara Knox, the Coronation Street legend, will celebrate her 90th birthday on screen. Bradley Walsh will join her and has surprises planned. There will be a touching reunion with her long-time on-screen partner Thelma Barlow, known as Mavis. They used to act together in the show.
In the program, they’ll visit Blackpool Tower Ballroom, which holds special memories from Barbara’s childhood. Bradley Walsh will also talk about Barbara’s career on Coronation Street, which has been filled with love and laughter. It promises to be a memorable birthday celebration.
Tune in to ITV this Friday at 9:00 Pm to watch this special show. It’s a chance to see Barbara Knox, who’s been a part of our TV screens for a long time, as she marks her 90th birthday.
Release Date & Time: 9:00 Pm Friday...
In the program, they’ll visit Blackpool Tower Ballroom, which holds special memories from Barbara’s childhood. Bradley Walsh will also talk about Barbara’s career on Coronation Street, which has been filled with love and laughter. It promises to be a memorable birthday celebration.
Tune in to ITV this Friday at 9:00 Pm to watch this special show. It’s a chance to see Barbara Knox, who’s been a part of our TV screens for a long time, as she marks her 90th birthday.
Release Date & Time: 9:00 Pm Friday...
- 10/7/2023
- by Posts UK
- TV Everyday
Gem Wheeler Dec 21, 2016
We celebrate the work of M.R. James, whose eerie ghost stories were made into a festive tradition by the BBC...
A shadow lurking just beyond the edge of the vision. Dusty manuscripts bearing fragments of ancient testimony, conflicting and confounding. The sickening touch of a decayed hand, grasping at us from the darkness. The imagery of the ghost story may differ between cultures, but the sense of creeping dread left by the most effective tales remains universal.
See related Jonathan Creek review: The Clue Of The Savant's Thumb Alan Davies interview: Jonathan Creek, Qi, "Creek Geeks" & more... Rik Mayall interview: Jonathan Creek, Bottom, Hooligan's Island, & more... Sheridan Smith interview: Jonathan Creek & more... David Renwick interview: Jonathan Creek, One Foot In The Grave, & more...
One name stands out in the grim roster of English purveyors of the form: Montague Rhodes James, an eminent medievalist with a sideline in...
We celebrate the work of M.R. James, whose eerie ghost stories were made into a festive tradition by the BBC...
A shadow lurking just beyond the edge of the vision. Dusty manuscripts bearing fragments of ancient testimony, conflicting and confounding. The sickening touch of a decayed hand, grasping at us from the darkness. The imagery of the ghost story may differ between cultures, but the sense of creeping dread left by the most effective tales remains universal.
See related Jonathan Creek review: The Clue Of The Savant's Thumb Alan Davies interview: Jonathan Creek, Qi, "Creek Geeks" & more... Rik Mayall interview: Jonathan Creek, Bottom, Hooligan's Island, & more... Sheridan Smith interview: Jonathan Creek & more... David Renwick interview: Jonathan Creek, One Foot In The Grave, & more...
One name stands out in the grim roster of English purveyors of the form: Montague Rhodes James, an eminent medievalist with a sideline in...
- 12/20/2016
- Den of Geek
I've never thought what it would be like to be 76 years of age. Ideally, I'd like to be able to rely on my own limbs rather than a mobile scooter, but at the same time, I'd probably be one of those moaning old gits on the bus who shouts at anyone under the age of 40. Victor Meldrew, look out.
Of course it's feasible that by the middle of the 21st century, some bright spark might have dug out a copy of The Lazarus Experiment, scribbled down a few notes, and then decided to construct a miraculous machine that allows old fogies to shed a few years. Well, why not? 50 or so years ago, the thought of recording your favourite TV programmes seemed as likely as a hamster reciting the entire works of William Shakespeare in Cantonese.
Try and sell the idea of a Lazarus machine though, and you could end up hitting a snag.
Of course it's feasible that by the middle of the 21st century, some bright spark might have dug out a copy of The Lazarus Experiment, scribbled down a few notes, and then decided to construct a miraculous machine that allows old fogies to shed a few years. Well, why not? 50 or so years ago, the thought of recording your favourite TV programmes seemed as likely as a hamster reciting the entire works of William Shakespeare in Cantonese.
Try and sell the idea of a Lazarus machine though, and you could end up hitting a snag.
- 7/4/2011
- Shadowlocked
Coronation Street veteran Betty Driver has admitted that filming for the soap's forthcoming pantomime scenes was like a trip down memory lane. On Christmas Eve, viewers will see the actress's character Betty Williams teaming up with Weatherfield favourites like Becky McDonald (Katherine Kelly) and Sean Tully (Antony Cotton) for a production of Cinderella in the Rovers. Barmaid Betty also took to the stage for a version of Cinderella at the pub back in 1975, appearing alongside classic characters Bet Lynch (Julie Goodyear) and Mavis Riley (Thelma Barlow) among others. Like this year, she starred as the Fairy Godmother in the show. Speaking about the upcoming festive scenes in an interview with The Mirror, Driver revealed: "It took me back to when we did Cinderella in 1975. Mind you, I think my dress was a lot nicer this time around. (more)...
- 12/16/2009
- by By Daniel Kilkelly
- Digital Spy
Check out the first poster from "Is Anybody There?" starring Michael Caine, Thelma Barlow, Adam Drinkall, Anne-Marie Duff, Rosemary Harris, Garrick Harrison and Linzey Cocker. John Crowley, director of films like "Boy A" and "Intermission," helms from the writing by Peter Harness who made this his first credit at a film screenplay. See the trailer on MovieJungle.com now! What's it about? Sir Michael Caine gives one of the finest performances of his career as a retired magician who reluctantly enters a family-run old age home in John Crowley’s Is Anybody There? Set in a seaside English town circa 1987, Is Anybody There? charts the unlikely friendship that develops between Caine’s proud, acerbic old performer and the death-obsessed young son (played by Son Of Rambow’S Bill Milner) of the home’s overwhelmed owners. Written by Peter Harness, who draws from his own experience growing up in a retirement home,...
- 3/21/2009
- Upcoming-Movies.com
Check out the first poster from "Is Anybody There?" starring Michael Caine, Thelma Barlow, Adam Drinkall, Anne-Marie Duff, Rosemary Harris, Garrick Harrison and Linzey Cocker. John Crowley, director of films like "Boy A" and "Intermission," helms from the writing by Peter Harness who made this his first credit at a film screenplay. What's it about? Sir Michael Caine gives one of the finest performances of his career as a retired magician who reluctantl...
- 3/21/2009
- Upcoming-Movies.com
Check out the first poster from "Is Anybody There?" starring Michael Caine, Thelma Barlow, Adam Drinkall, Anne-Marie Duff, Rosemary Harris, Garrick Harrison and Linzey Cocker. John Crowley, director of films like "Boy A" and "Intermission," helms from the writing by Peter Harness who made this his first credit at a film screenplay. What's it about? Sir Michael Caine gives one of the finest performances of his career as a retired magician who reluctantl...
- 3/21/2009
- Upcoming-Movies.com
We have the trailer in for Big Beach and Heyday Films "Is Anybody There?" starring Michael Caine, Thelma Barlow, Adam Drinkall, Anne-Marie Duff, Rosemary Harris, Garrick Harrison and Linzey Cocker. Sir Michael Caine gives one of the finest performances of his career as a retired magician who reluctantly enters a family-run old age home in John Crowley’s Is Anybody There? Set in a seaside English town circa 1987, Is Anybody There? charts the unlikely friendship that develops between Caine’s proud, acerbic old performer and the death-obsessed young son (played by Son Of Rambow’S Bill Milner) of the home’s overwhelmed owners. Written by Peter Harness, who draws from his own experience growing up in a retirement home, Is Anybody There? brings a rich humor as well as a rigorous honesty to its portrait of different lives colliding under one roof. With a supporting cast that includes Anne-Marie Duff...
- 3/18/2009
- Upcoming-Movies.com
We have the trailer in for Big Beach and Heyday Films "Is Anybody There?" starring Michael Caine, Thelma Barlow, Adam Drinkall, Anne-Marie Duff, Rosemary Harris, Garrick Harrison and Linzey Cocker. The film sees release on April 17th in New York and Los Angeles. Sir Michael Caine gives one of the finest performances of his career as a retired magician who reluctantly enters a family-run old age home in John Crowley’s Is Anybody There? Set in a seaside English town circa 1987, Is Anybody There? charts the unlikely friendship that develops between Caine’s proud, acerbic old performer...
- 3/18/2009
- Upcoming-Movies.com
We have the trailer in for Big Beach and Heyday Films "Is Anybody There?" starring Michael Caine, Thelma Barlow, Adam Drinkall, Anne-Marie Duff, Rosemary Harris, Garrick Harrison and Linzey Cocker. The film sees release on April 17th in New York and Los Angeles. Sir Michael Caine gives one of the finest performances of his career as a retired magician who reluctantly enters a family-run old age home in John Crowley’s Is Anybody There? Set in a seaside English town circa 1987, Is Anybody There? charts the unlikely friendship that develops between Caine’s proud, acerbic old performer...
- 3/18/2009
- Upcoming-Movies.com
Thelma Barlow has lit up TV screens across the nation since 1967. Despite Les Dennis's best efforts to soil our memories, she is still best known for her career-defining role as dithering Mavis Wilton in Coronation Street. Her on-screen partnerships with Derek Wilton (Peter Baldwin) and Rita Sullivan (Barbara Knox) provided comic relief on the cobbles for 26 years. After leaving the show in 1997, she went on to land a starring role in Victoria (more)...
- 11/14/2008
- by By Alex Fletcher
- Digital Spy
Mrs. Henderson Presents
The ever-dependable Stephen Frears, who brought his "Dirty Pretty Things" to Toronto three years ago, returns with another keeper.
"Mrs. Henderson Presents", starring Judi Dench as a bored, wealthy British widow of the 1930s who buys a rundown Soho theater and shakes up the staid British establishment by introducing nudity, is an absolute delight from start to finish.
Frears, a filmmaker who never likes to repeat himself, is very much at ease delivering what will likely be his most commercially successful picture in years, complete with wittily acerbic dialogue, pitch-perfect performances and terrific production numbers. Of course all those naked women won't hurt, either.
Inhabiting a role she was born to play, Dench is the certifiably eccentric, tart-tongued Laura Henderson, a woman of considerable wealth and social stature who has just buried her husband.
Refusing to go gently into widowhood, she heeds the advice of her friend Lady Conway (Thelma Barlow) and finds herself a hobby. But needlepoint just won't cut it, so instead she decides to buy a shuttered property on Great Windmill Street in Soho with the intention of turning it into a theater.
Well aware that she's in over her head, she hires an out-of-work impresario by the name of Vivian Van Damm (Bob Hoskins, in one of his most rewarding roles in years) to get the place up and running.
These two very strong-willed individuals don't exactly get on famously, but they make a go at it and The Windmill Theatre achieves some early success.
But it proves to be short-lived. Losing great sums of money, Mrs. Henderson turns to Paris' Moulin Rouge for inspiration.
By posing naked actresses in tableaux, like living art, she's able to get around the draconian censorship laws upheld by the prudish Lord Cromer (Christopher Guest) and have a major hit on her hands.
While there have been other films to feature the Windmill Theatre (Rita Hayworth played a Windmill girl in the 1945 film, "Tonight and Every Night"), this is the first to tell the real-life Laura Henderson's story.
Thanks to a gorgeous script by Martin Sherman ("Bent", The Boy from Oz"), it makes for some splendid entertainment which, at the same time, doesn't shrink away from the darker impulses generated by the onset of World War II.
Sherman's words and Dench's delivery are a match made in movie heaven, while Hoskins makes for an equally committed sparring partner. There's a palpable Hepburn-Tracy vibe to their lively exchanges.
Also in their element are Guest and Barlow, while Kelly Reilly is memorable as a spunky Windmill girl and "Pop Idol" winner Will Young makes an appealing big screen debut as Bertie, the theater's resident male ingenue.
Director Frears orchestrates the film's shifting moods with a refined fluidity, a quality echoed by composer George Fenton's period arrangements and Eleanor Fazan's musical numbers.
Further setting the agreeable mood is costume designer Sandy Powell's inspired wardrobe choices and the atmospheric production design by Frears' frequent collaborator Hugo Luczyc-Wyhowski.
MRS. HENDERSON PRESENTS
The Weinstein Co.
Pathe Pictures and BBC Films present in association with Future Films Ltd, Micro-Fusion and The Weinstein Co.
A Heyman Hoskins production
Credits:
Director: Stephen Frears
Producer: Norma Heyman
Screenwriter: Martin Sherman
Executive producers: Bob Hoskins, David Aukin
Director of photography: Andrew Dunn
Production designer: Hugo Luczyc-Wyhowski
Editor: Lucia Zucchetti
Costume designer: Sandy Powell
Music: George Fenton
Cast:
Laura Henderson: Judi Dench
Vivian Van Damm: Bob Hoskins
Bertie: Will Young
Maureen: Kelly Reilly
Lady Conway: Thelma Barlow
Lord Cromer: Christopher Guest
Running time -- 103 minutes
MPAA rating: Not yet rated...
"Mrs. Henderson Presents", starring Judi Dench as a bored, wealthy British widow of the 1930s who buys a rundown Soho theater and shakes up the staid British establishment by introducing nudity, is an absolute delight from start to finish.
Frears, a filmmaker who never likes to repeat himself, is very much at ease delivering what will likely be his most commercially successful picture in years, complete with wittily acerbic dialogue, pitch-perfect performances and terrific production numbers. Of course all those naked women won't hurt, either.
Inhabiting a role she was born to play, Dench is the certifiably eccentric, tart-tongued Laura Henderson, a woman of considerable wealth and social stature who has just buried her husband.
Refusing to go gently into widowhood, she heeds the advice of her friend Lady Conway (Thelma Barlow) and finds herself a hobby. But needlepoint just won't cut it, so instead she decides to buy a shuttered property on Great Windmill Street in Soho with the intention of turning it into a theater.
Well aware that she's in over her head, she hires an out-of-work impresario by the name of Vivian Van Damm (Bob Hoskins, in one of his most rewarding roles in years) to get the place up and running.
These two very strong-willed individuals don't exactly get on famously, but they make a go at it and The Windmill Theatre achieves some early success.
But it proves to be short-lived. Losing great sums of money, Mrs. Henderson turns to Paris' Moulin Rouge for inspiration.
By posing naked actresses in tableaux, like living art, she's able to get around the draconian censorship laws upheld by the prudish Lord Cromer (Christopher Guest) and have a major hit on her hands.
While there have been other films to feature the Windmill Theatre (Rita Hayworth played a Windmill girl in the 1945 film, "Tonight and Every Night"), this is the first to tell the real-life Laura Henderson's story.
Thanks to a gorgeous script by Martin Sherman ("Bent", The Boy from Oz"), it makes for some splendid entertainment which, at the same time, doesn't shrink away from the darker impulses generated by the onset of World War II.
Sherman's words and Dench's delivery are a match made in movie heaven, while Hoskins makes for an equally committed sparring partner. There's a palpable Hepburn-Tracy vibe to their lively exchanges.
Also in their element are Guest and Barlow, while Kelly Reilly is memorable as a spunky Windmill girl and "Pop Idol" winner Will Young makes an appealing big screen debut as Bertie, the theater's resident male ingenue.
Director Frears orchestrates the film's shifting moods with a refined fluidity, a quality echoed by composer George Fenton's period arrangements and Eleanor Fazan's musical numbers.
Further setting the agreeable mood is costume designer Sandy Powell's inspired wardrobe choices and the atmospheric production design by Frears' frequent collaborator Hugo Luczyc-Wyhowski.
MRS. HENDERSON PRESENTS
The Weinstein Co.
Pathe Pictures and BBC Films present in association with Future Films Ltd, Micro-Fusion and The Weinstein Co.
A Heyman Hoskins production
Credits:
Director: Stephen Frears
Producer: Norma Heyman
Screenwriter: Martin Sherman
Executive producers: Bob Hoskins, David Aukin
Director of photography: Andrew Dunn
Production designer: Hugo Luczyc-Wyhowski
Editor: Lucia Zucchetti
Costume designer: Sandy Powell
Music: George Fenton
Cast:
Laura Henderson: Judi Dench
Vivian Van Damm: Bob Hoskins
Bertie: Will Young
Maureen: Kelly Reilly
Lady Conway: Thelma Barlow
Lord Cromer: Christopher Guest
Running time -- 103 minutes
MPAA rating: Not yet rated...
- 9/14/2005
- The Hollywood Reporter - Movie News
Mrs. Henderson Presents
The ever-dependable Stephen Frears, who brought his "Dirty Pretty Things" to Toronto three years ago, returns with another keeper.
"Mrs. Henderson Presents", starring Dame Judi Dench as a bored, wealthy British widow of the 1930s who buys a rundown Soho theater and shakes up the staid British establishment by introducing nudity, is an absolute delight from start to finish.
Frears, a filmmaker who never likes to repeat himself, is very much at ease delivering what will likely be his most commercially successful picture in years, complete with wittily acerbic dialogue, pitch-perfect performances and terrific production numbers. Of course all those naked women won't hurt, either.
Inhabiting a role she was born to play, Dench is the certifiably eccentric, tart-tongued Laura Henderson, a woman of considerable wealth and social stature who has just buried her husband.
Refusing to go gently into widowhood, she heeds the advice of her friend Lady Conway (Thelma Barlow) and finds herself a hobby. But needlepoint just won't cut it, so instead she decides to buy a shuttered property on Great Windmill Street in Soho with the intention of turning it into a theater.
Well aware that she's in over her head, she hires an out-of-work impresario by the name of Vivian Van Damm (Bob Hoskins, in one of his most rewarding roles in years) to get the place up and running.
These two very strong-willed individuals don't exactly get on famously, but they make a go at it and The Windmill Theatre achieves some early success.
But it proves to be short-lived. Losing great sums of money, Mrs. Henderson turns to Paris' Moulin Rouge for inspiration.
By posing naked actresses in tableaux, like living art, she's able to get around the draconian censorship laws upheld by the prudish Lord Cromer (Christopher Guest) and have a major hit on her hands.
While there have been other films to feature the Windmill Theatre (Rita Hayworth played a Windmill girl in the 1945 film, "Tonight and Every Night"), this is the first to tell the real-life Laura Henderson's story.
Thanks to a gorgeous script by Martin Sherman ("Bent", The Boy from Oz"), it makes for some splendid entertainment which, at the same time, doesn't shrink away from the darker impulses generated by the onset of World War II.
Sherman's words and Dame Dench's delivery are a match made in movie heaven, while Hoskins makes for an equally committed sparring partner. There's a palpable Hepburn-Tracy vibe to their lively exchanges.
Also in their element are Guest and Barlow, while Kelly Reilly is memorable as a spunky Windmill girl and "Pop Idol" winner Will Young makes an appealing big screen debut as Bertie, the theater's resident male ingenue.
Director Frears orchestrates the film's shifting moods with a refined fluidity, a quality echoed by composer George Fenton's period arrangements and Eleanor Fazan's musical numbers.
Further setting the agreeable mood is costume designer Sandy Powell's inspired wardrobe choices and the atmospheric production design by Frears' frequent collaborator Hugo Luczyc-Wyhowski.
MRS. HENDERSON PRESENTS
Miramax
Pathe Pictures and BBC Films present in association with Future Films Ltd, Micro-Fusion and The Weinstein Co.
A Heyman Hoskins production
Credits:
Director: Stephen Frears
Producer: Norma Heyman
Screenwriter: Martin Sherman
Executive producers: Bob Hoskins, David Aukin
Director of photography: Andrew Dunn
Production designer: Hugo Luczyc-Wyhowski
Editor: Lucia Zucchetti
Costume designer: Sandy Powell
Music: George Fenton
Cast:
Laura Henderson: Judi Dench
Vivian Van Damm: Bob Hoskins
Bertie: Will Young
Maureen: Kelly Reilly
Lady Conway: Thelma Barlow
Lord Cromer: Christopher Guest
Running time -- 103 minutes
MPAA rating: Not yet rated...
"Mrs. Henderson Presents", starring Dame Judi Dench as a bored, wealthy British widow of the 1930s who buys a rundown Soho theater and shakes up the staid British establishment by introducing nudity, is an absolute delight from start to finish.
Frears, a filmmaker who never likes to repeat himself, is very much at ease delivering what will likely be his most commercially successful picture in years, complete with wittily acerbic dialogue, pitch-perfect performances and terrific production numbers. Of course all those naked women won't hurt, either.
Inhabiting a role she was born to play, Dench is the certifiably eccentric, tart-tongued Laura Henderson, a woman of considerable wealth and social stature who has just buried her husband.
Refusing to go gently into widowhood, she heeds the advice of her friend Lady Conway (Thelma Barlow) and finds herself a hobby. But needlepoint just won't cut it, so instead she decides to buy a shuttered property on Great Windmill Street in Soho with the intention of turning it into a theater.
Well aware that she's in over her head, she hires an out-of-work impresario by the name of Vivian Van Damm (Bob Hoskins, in one of his most rewarding roles in years) to get the place up and running.
These two very strong-willed individuals don't exactly get on famously, but they make a go at it and The Windmill Theatre achieves some early success.
But it proves to be short-lived. Losing great sums of money, Mrs. Henderson turns to Paris' Moulin Rouge for inspiration.
By posing naked actresses in tableaux, like living art, she's able to get around the draconian censorship laws upheld by the prudish Lord Cromer (Christopher Guest) and have a major hit on her hands.
While there have been other films to feature the Windmill Theatre (Rita Hayworth played a Windmill girl in the 1945 film, "Tonight and Every Night"), this is the first to tell the real-life Laura Henderson's story.
Thanks to a gorgeous script by Martin Sherman ("Bent", The Boy from Oz"), it makes for some splendid entertainment which, at the same time, doesn't shrink away from the darker impulses generated by the onset of World War II.
Sherman's words and Dame Dench's delivery are a match made in movie heaven, while Hoskins makes for an equally committed sparring partner. There's a palpable Hepburn-Tracy vibe to their lively exchanges.
Also in their element are Guest and Barlow, while Kelly Reilly is memorable as a spunky Windmill girl and "Pop Idol" winner Will Young makes an appealing big screen debut as Bertie, the theater's resident male ingenue.
Director Frears orchestrates the film's shifting moods with a refined fluidity, a quality echoed by composer George Fenton's period arrangements and Eleanor Fazan's musical numbers.
Further setting the agreeable mood is costume designer Sandy Powell's inspired wardrobe choices and the atmospheric production design by Frears' frequent collaborator Hugo Luczyc-Wyhowski.
MRS. HENDERSON PRESENTS
Miramax
Pathe Pictures and BBC Films present in association with Future Films Ltd, Micro-Fusion and The Weinstein Co.
A Heyman Hoskins production
Credits:
Director: Stephen Frears
Producer: Norma Heyman
Screenwriter: Martin Sherman
Executive producers: Bob Hoskins, David Aukin
Director of photography: Andrew Dunn
Production designer: Hugo Luczyc-Wyhowski
Editor: Lucia Zucchetti
Costume designer: Sandy Powell
Music: George Fenton
Cast:
Laura Henderson: Judi Dench
Vivian Van Damm: Bob Hoskins
Bertie: Will Young
Maureen: Kelly Reilly
Lady Conway: Thelma Barlow
Lord Cromer: Christopher Guest
Running time -- 103 minutes
MPAA rating: Not yet rated...
- 9/12/2005
- The Hollywood Reporter - Movie News
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