Becky Bentham
- Music Department
- Executive
Becky Bentham has been working in the music industry since 1987 at PRS.
She then worked as post production co-ordinator for Goldcrest Films and
Roger Cherrills facilities before managing post production audio
studios in Sydney (Australia).
From 1993-2002 Becky worked as a Film Music Supervisor and Composer Agent at Air-Edel Associates, working closely with composers, directors, and producers handling all aspects of music production - from briefing, composer placement, budgeting, booking musicians, studios and technical equipment, organising creative teams (orchestrators, conductors, programmers, copyists, music editors, engineers etc.), to copyright clearance, negotiation of composer/artist contracts, through to final delivery of music. In May 2002 Becky Bentham and Karen Elliott opened a new Composer Agency and Music Supervision Company, 'Hothouse Music', representing composers such as Hans Zimmer, Anne Dudley, Michael Kamen, Mark Isham, Rupert Gregson-Williams and Christopher Gunning.
From 1993-2002 Becky worked as a Film Music Supervisor and Composer Agent at Air-Edel Associates, working closely with composers, directors, and producers handling all aspects of music production - from briefing, composer placement, budgeting, booking musicians, studios and technical equipment, organising creative teams (orchestrators, conductors, programmers, copyists, music editors, engineers etc.), to copyright clearance, negotiation of composer/artist contracts, through to final delivery of music. In May 2002 Becky Bentham and Karen Elliott opened a new Composer Agency and Music Supervision Company, 'Hothouse Music', representing composers such as Hans Zimmer, Anne Dudley, Michael Kamen, Mark Isham, Rupert Gregson-Williams and Christopher Gunning.
