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The most notorious pre-Code shocker comes to Criterion — and proves to be a superior drama with an entirely mature, sound outlook on the political issues around women’s sexuality and personal freedom. Taken from a raw novel by William Faulkner, this tale of rape and terror stars Miriam Hopkins in one of the bravest, best performances of its era. Truth-telling like this always comes at a price — Temple Drake was a prime target for the oppressive Production Code, with the result that Hopkins’ achievement was banned and unseen for over thirty-five years.

The Story of Temple Drake

Blu-ray

The Criterion Collection 1006

1933 / B&w / 1:33 Academy / 71 min. / available through The Criterion Collection / Street Date December 3, 2019 / 39.95

Starring: Miriam Hopkins, William Gargan, Jack La Rue, Florence Eldridge, Guy Standing, Irving Pichel, Jobyna Howland, William Collier Jr., Elizabeth Patterson, James Eagles, Harlan Knight, Jim Mason, Louise Beavers, Grady Sutton, Kent Taylor, John Carradine.

Cinematography:...

“You crazy rat you croaked him!” Yes, you’ve probably heard better hardboiled dialogue, but this British imitation of American gangster pictures takes the cake for screwy line deliveries. It’s derived from a book and play that’s already derived from a salacious William Faulkner story. Jack La Rue and Linden Travers try to make a kidnapper-rapist into a sympathetic, romantic figure, with marvelously awkward results. This Brit import comes with significant extras.

No Orchids for Miss Blandish

All-Region Blu-ray

Powerhouse Indicator

1948 / B&W / 1:37 Academy / 103 min. / / Street Date May 27, 2019 / available from Powerhouse Films UK / £17.00

Starring: Starring: Jack La Rue, Hugh McDermott, Linden Travers, Walter Crisham, MacDonald Parke, Danny Green, Lilli Molnar, Charles Goldner, Zoé Gail, Leslie Bradley, Richard Nielson, Michael Balfour, Frances Marsden, Sydney James.

Cinematography: Gerald Gibbs

Film Editor: Manuel del Campo

Original Music: George Melachrino

From the novel by James Hadley Chase

Written, Produced and Directed by St.

Grand action entertainment bursts forth on the high seas, showing us how much production value Golden Hollywood could lavish on an exciting, artful swashbuckler. Errol Flynn is at his glorious best, backed by greats like Flora Robson, Henry Daniell and Claude Rains in fine form. The special effects and full-sized ship sets impress in ways that computer generated images never will. And the rousing music of Erich Wolfgang Korngold seals the deal — the term ‘Timeless Classic’ was invented for marvels like this.

The Sea Hawk

Blu-ray

Warner Archive Collection

1940 / B&W / 1:37 flat Academy / 127 min. / Street Date December 18, 2018 / available through the WBshop / 21.99

Starring: Errol Flynn, Brenda Marshall, Claude Rains, Donald Crisp, Flora Robson, Alan Hale, Henry Daniell, Una O’Connor, James Stephenson, Gilbert Roland, William Lundigan, Julien Mitchell, Montagu Love, J.M. Kerrigan, David Bruce, Fritz Leiber, Francis McDonald, Pedro de Cordoba, Ian Keith, Jack La Rue, Halliwell Hobbes, Victor Varconi,...

Kino Lorber Blu-ray release.

By Nicholas Anez

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When No Orchids for Miss Blandish premiered in London in 1948, it created controversy that extended all the way to British Parliament. The Monthly Film Bulletin called the movie “the most sickening exhibition of brutality, perversion and sex ever shown on a cinema screen.” The Saturday Pictorial called it “a piece of nauseating muck.” The Observer’s reviewer wrote: “This film has all the morals of an alley cat and the sweetness of a sewer.” Some politicians were also offended. The Parliamentary Secretary to the Ministry of Food said that the film “was likely to pervert the minds of the British people.” Eventually, the British Board of Film Censors was compelled to offer an apology for approving the film’s production.

Attempts to release the movie in the United States by distributor Richard Gordon were met with...

Devotees of crime and film noir will get a kick out of this Brit attempt to capture the American style, that now comes off as screamingly funny. It was both a huge hit and a big scandal in London, 1948, where the censors came down hard on the film’s flagrant immorality and over-the-top violence. Former pre-Code second-banana thug Jack La Rue tries hard to be Humphrey Bogart. Leading lady Linden Travers’ role is as non-pc now as it was then: an heiress falls in love with the gangster, who has raped her, because she likes it. But the film’s maladroit hardboiled dialogue is hilarious fun.

No Orchids for Miss Blandish

Blu-ray

Kl Studio Classics

1948 / B&W / 1:37 flat Academy / 103 min. / Street Date March 20, 2018 / available through Kino Lorber / 29.95

Starring: Jack La Rue, Hugh McDermott, Linden Travers, Walter Crisham, MacDonald Parke, Danny Green, Lilli Molnar, Charles Goldner, Zoë Gail, Leslie Bradley, Richard Nielson,...

Neurotic coward Eddie Cantor decides to defend an amusement park against gangsters, and nothing but fun ensues! Ethel Merman has a small role here, but we're more than entertained by Parkyakarkus, Brian Donlevy, William Frawley, Jack Larue. Plus Sally Eilers, the Goldwyn Girls and a terrific forgotten talent, billed in this movie as Rita Rio. Strike Me Pink DVD-r The Warner Archive Collection 1936 / B&W / 1:37 flat Academy / 100 min. / Street Date August 4,, 2015 / available through the WBshop / 21.99 Starring Eddie Cantor, Ethel Merman, Sally Eilers, Parkyakarkus, Rita Rio (Dona Drake), Brian Donlevy, William Frawley, Jack Larue, Gordon Jones, Helen Lowell The Goldwyn Girls. Cinematography Merritt Gerstad, Gregg Toland Film Editor Sherman Todd Original Music (Alfred Newman) Dance Director Robert Alton Special Effects Gilbert Pratt, Ray Binger, Paul Eagler Written by Francis Martin, Frank Butler, Walter Deleon from the story and novel Dreamland by Clarence Buddington Kelland Produced by Samuel Goldwyn Directed by...

Woo hoo! The pre-Code marvels return for one last go-round -- tales of sin and moral turpitude but also serious pictures about social issues that the Production Code effectively swept from Hollywood screens -- financial crimes and ethnic bigotry. Forbidden Hollywood Volume 10 Guilty Hands, The Mouthpiece, Secrets of the French Police, The Match King, Ever in My Heart DVD-r The Warner Archive Collection 1932-1934 / B&W / 1:37 flat Academy / 63, 62, 78, 85, 70 min. / Street Date October 27, 2015 / available through the WBshop / 40.99 Starring Lionel Barrymore, Kay Francis, Madge Evans; Warren William, Sidney Fox, Aline McMahon; Frank Morgan, Gwili Andre, Gregory Ratoff Rochelle Hudson; Warren William, Lili Damita, Glenda Farrell, Claire Dodd; Barbara Stanwyck, Otto Kruger, Ralph Bellamy, Ruth Donnelly. Cinematography Merritt B. Gerstad, Barney McGill; Alfred Gilks; Robert Kurrie; Written by Bayard Veiller; Joseph Jackson, Earl Baldwin, Frank J. Collins; Samuel Ornitz, Robert Tasker; Houston Branch, Sidney Sutherland, Einar Thorvaldson; Bertram Millhauser, Beulah Marie Dix.

Paul Henreid: From lighting two cigarettes and blowing smoke onto Bette Davis’ face to lighting two cigarettes while directing twin Bette Davises Paul Henreid is back as Turner Classic Movies’ Star of the Month of July 2013. TCM will be showing four movies featuring Henreid (Now, Voyager; Deception; The Madwoman of Chaillot; The Spanish Main) and one directed by him (Dead Ringer). (Photo: Paul Henreid lights two cigarettes on the set of Dead Ringer, while Bette Davis remembers the good old days.) (See also: “Paul Henreid Actor.”) Irving Rapper’s Now, Voyager (1942) was one of Bette Davis’ biggest hits, and it remains one of the best-remembered romantic movies of the studio era — a favorite among numerous women and some gay men. But why? Personally, I find Now, Voyager a major bore, made (barely) watchable only by a few of the supporting performances (Claude Rains, Best Supporting Actress Academy Award nominee...

Eleanor Parker Now on TCM Palms Springs area resident Eleanor Parker, who turns 91 next June 26, is Turner Classic Movies’ Star of the Month of June. One of the best actresses of Hollywood’s studio era, Parker isn’t nearly as well-remembered today as she should be despite three Best Actress Academy Award nominations (Caged, 1950; Detective Story, 1951; Interrupted Melody, 1955), a number of box-office and/or critical hits, and a key role in one of the biggest blockbusters of all time (The Sound of Music). Hopefully, the 34 Eleanor Parker movies TCM will be showing each Monday this month — beginning tonight — will help to introduce the actress to a broader 21st-century audience. Eleanor Parker movies "When I am spotted somewhere it means that my characterizations haven’t covered up Eleanor Parker the person. I prefer it the other way around," Parker once said. In fact, the title of Doug McClelland’s 1989 Eleanor Parker bio,...

Cinema Circus is clearly a product of the great, yet under-reported MGM peyote-poisoning of 1937—how else to explain its baffling, surreal, Technicolor, grotesque yet undeniable existence? It is a chilling documentary record of some things that were performed in front of a camera, once upon a time.

A man in a gruesome Joe E. Brown mask is helped from his leering false-face, revealing another leering false face, that of Lee Tracy, who attempts to justify what we are about to see as the realisation of a long-cherished dream, although the exorcism of a recurring nightmare would be at least as plausible.

Big top performers will trot out their tricks in brief visual bits, watched by earnestly faking-it movie "stars," few now recalled in the contemporary pantheon: Olsen & Johnson, the Ritz Brothers, Leo Carillo...

Meanwhile, more hideous outsized masks are sported, embodying movie stars too authentically famous to be roped into...

Part of a series by David Cairns on forgotten pre-Code films.

No Christmas movie is complete without the prospect of a suicidal plunge into icy waters... festive!

Yes, 1935 was the year after the Production Code came in. But these are the Daft Days, between Christmas and New Year, when nothing really matters. Besides, this is a film worth writing about, it has a seasonal hook, is full of early thirties atmosphere, social concerns, and a little suggestiveness, and anyway, it's a remarkable fact about pre-Code cinema that virtually none of them take any interest in Christmas.

They do, however, take a good bit of interest in the winter, since winter is something that has to be prepared for if it's to be survived. Thus comedy relief Vince Barnett in The Girl in 419 (1933) spends most of his scenes talking about the fur coat he's going to buy for his sweetie once he's saved enough money,...

Each year New York residents can look forward to two essential series programmed at the Film Forum, noirs and pre-Coders (that is, films made before the strict enforcing of the Motion Picture Production Code). These near-annual retrospective traditions are refreshed and re-varied and re-repeated for neophytes and cinephiles alike, giving all the chance to see and see again great film on film. Many titles in this year's Essential Pre-Codeseries, running an epic July 15 - August 11, are old favorites and some ache to be new discoveries; all in all there are far too many racy, slipshod, patter-filled celluloid splendors to be covered by one critic alone. Faced with such a bounty, I've enlisted the kind help of some friends and colleagues, asking them to sent in short pieces on their favorites in an incomplete but also in-progress survey and guide to one of the summer's most sought-after series. In this entry: what's playing Friday,...

William Gargan, Miriam Hopkins, Jack La Rue in Stephen Roberts' The Story of Temple Drake Cinefest 2011, a four-day festival of rare American films, kicked off earlier today in Syracuse, NY. According to organizers, Cinefest features "great films … from the vaults of the world's greatest libraries and obscure specialties we are noted for from private collectors!" [Cinefest 2011 schedule.] Among the highlights at this year's Cinefest are the East Coast premiere of the Museum of Modern Art's restored print of the racy pre-Code Miriam Hopkins vehicle The Story of Temple Drake (1933), based on William Faulkner's Sanctuary; the Dolores Costello vehicle Glorious Betsy (1928), which earned Anthony Coldeway an Academy Award nomination for Best Adaptation; and Norman Taurog's The Phantom President (1932), a comedy musical starring Broadway legend George M. Cohan (James Cagney won an Oscar for playing him in Yankee Doodle Dandy), Claudette Colbert, and Jimmy Durante. Also, Joe May's [...]...

We at Mubi think that celebrating the films of 2010 should be a celebration of film viewing in 2010.  Since all film and video is "old" one way or another, we present Out of a Past, a small (re-) collection of some of our favorite of 2010's retrospective viewings.

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Always on Sunday (Ken Russell, 1965), pictured above

Always on Sunday is one of Ken Russell's early British television films, most of which were portraits of artists. It was customary for years for Russell's haters to praise these unavailable films and bemoan the director's decline into heavy-handed vulgarity. It turns out that they were half right: the TV work is excellent, and tends to be more muted than the gaudy features that followed, no doubt in part due to BBC censorship. But the critics were wrong to miss the nuances, and genius, of Russell's blockbuster marathons of bad taste and joyous camp, and...

Jean-Paul Belmondo, Jean Seberg in Jean-Luc Godard’s Breathless (top); Ginger Rogers, Fred Astaire in Mark Sandrich’s Top Hat (upper middle); Steve Sekely’s Day of the Triffids (lower middle); Jack La Rue (right) in No Orchids for Miss Blandish (bottom) Screened last night at the TCM Classic Film Festival, currently taking place at Mann’s Chinese Theatre in Hollywood, was a new restoration of the George Cukor-directed, Judy Garland-James Mason version of A Star Is Born (1954), among other features. Present at the A Star Is Born screening was Lorna Luft, Garland’s daughter with Sid Luft. Among the other film personalities attending the various screenings were Betty Garrett, one of the stars of the Gene Kelly-Stanley Donen musical On the [...]...