Keith Reamer
- Editor
- Editorial Department
- Director
Keith Reamer is a New York based film editor, who has been
working in the industry for over thirty-five years.
Since graduating from the University of Bridgeport's late, lamented film program, Keith has edited over 50 features, documentaries and films for television. His credits include Eric Bross's "Ten Benny" and "Restaurant," Maggie Greenwald's "The Ballad of Little Jo," "Songcatcher," and "Sophie and the Rising Sun," Mary Harron's, "I Shot Andy Warhol," Tony Bui's "Three Seasons," John Gray's "Martin and Lewis," Jim Kohlberg's "The Music Never Stopped," Cherien Dabis's "Amreeka," as well as Hilary Brougher's "Stephanie Daley," and most recently, the documentaries, "The China Hustle," directed by Jed Rothstein, and Jeffrey Wolf's "Bill Traylor: Chasing Ghosts," among many others.
In 2009, he led an intensive feature editing workshop for the Royal Film Commission of Amman, Jordan and in the following year returned to the RFC to serve as a mentor on the RFC production, "A 7 Hour Difference."
In recent years, Keith has also had the opportunity to direct several documentaries of his own, with the most recent being, "Made a Movie, Lived to Tell," with co-director William Murray.
Since graduating from the University of Bridgeport's late, lamented film program, Keith has edited over 50 features, documentaries and films for television. His credits include Eric Bross's "Ten Benny" and "Restaurant," Maggie Greenwald's "The Ballad of Little Jo," "Songcatcher," and "Sophie and the Rising Sun," Mary Harron's, "I Shot Andy Warhol," Tony Bui's "Three Seasons," John Gray's "Martin and Lewis," Jim Kohlberg's "The Music Never Stopped," Cherien Dabis's "Amreeka," as well as Hilary Brougher's "Stephanie Daley," and most recently, the documentaries, "The China Hustle," directed by Jed Rothstein, and Jeffrey Wolf's "Bill Traylor: Chasing Ghosts," among many others.
In 2009, he led an intensive feature editing workshop for the Royal Film Commission of Amman, Jordan and in the following year returned to the RFC to serve as a mentor on the RFC production, "A 7 Hour Difference."
In recent years, Keith has also had the opportunity to direct several documentaries of his own, with the most recent being, "Made a Movie, Lived to Tell," with co-director William Murray.
