Richard Gadd’s Baby Reindeer finds stand-up comedian Donny (Gadd) living with his ex-girlfriend’s mother (Nina Sosanya) and working at a Camden pub to supplement his failing career. When, one day, Martha (Jessica Gunning), an overweight middle-aged woman who claims to be a successful lawyer but can’t afford a cup of tea, sits down at the bar, Donny offers it to her on the house. That cup of tea will initiate a years-long “relationship” that will initially flatter Donny’s ego but later prove to be both degrading and petrifying.
The series was adapted from Gadd’s autobiographical one-man stage show of the same name, and the actor-writer lends Donny such a piercingly unique voice. Gadd narrates his own horror story with a snappy matter-of-factness, like he’s reluctant to ruminate on one stomach-churning detail for too long before moving on to the next, and a self-awareness that’s never navel-gazing.
The series was adapted from Gadd’s autobiographical one-man stage show of the same name, and the actor-writer lends Donny such a piercingly unique voice. Gadd narrates his own horror story with a snappy matter-of-factness, like he’s reluctant to ruminate on one stomach-churning detail for too long before moving on to the next, and a self-awareness that’s never navel-gazing.
- 5/2/2024
- by Amelia Stout
- Slant Magazine
There are few shows on television quite like “Baby Reindeer.” The fact that Richard Gadd’s dramatic miniseries dropped on Netflix with little to no promotion makes it feel even more distinct.
Based on Gadd’s autobiographical one-man show of the same name, the seven-episode series follows Donny Dunn, an aspiring standup comedian and current bartender who makes the grave mistake of offering a woman a cup of tea on the house. That nice gesture upends his world, as “Baby Reindeer” chronicles one woman’s growing obsession with him, the complexities of both having a stalker and being flattered by her attention, and how Donny’s view of himself came to be so low. Both unflinchingly honest and at times bizarre, the series follows in the footsteps of art such as Michaela Coel’s “I May Destroy You,” Hannah Gadsby’s “Nannette” and Abby McEnany’s “Work in Progress.”
Here...
Based on Gadd’s autobiographical one-man show of the same name, the seven-episode series follows Donny Dunn, an aspiring standup comedian and current bartender who makes the grave mistake of offering a woman a cup of tea on the house. That nice gesture upends his world, as “Baby Reindeer” chronicles one woman’s growing obsession with him, the complexities of both having a stalker and being flattered by her attention, and how Donny’s view of himself came to be so low. Both unflinchingly honest and at times bizarre, the series follows in the footsteps of art such as Michaela Coel’s “I May Destroy You,” Hannah Gadsby’s “Nannette” and Abby McEnany’s “Work in Progress.”
Here...
- 4/27/2024
- by Kayla Cobb
- The Wrap
As the calendar turns to October, BritBox is adding even more Brit hits to its platform. It’s a big month at the British entertainment streamer for fans of Olivia Colman, with the Oscar winner starring in two of the soon-to-be-available titles: the Emmy-winning serial “The Night Manager” led by Tom Hiddleston and Hugh Laurie and “Flowers,” the Channel 4 black dramedy.
Also coming to the platform are multiple North American premieres, the debut of the new BritBox series “Payback,” and more.
Check out The Streamable’s top picks for what is coming to the platform this month (and what’s already here)!
7-Day Free Trial $8.99 / month BritBox.com What are the 5 Best Shows and Movies Coming to BritBox in October 2023? “The Sixth Commandment” | Wednesday, Oct. 4
Timothy Spall and Anne Reid star as Peter Farquhar and Ann Moore-Martin in the British true-crime drama that explores their deaths and subsequent events,...
Also coming to the platform are multiple North American premieres, the debut of the new BritBox series “Payback,” and more.
Check out The Streamable’s top picks for what is coming to the platform this month (and what’s already here)!
7-Day Free Trial $8.99 / month BritBox.com What are the 5 Best Shows and Movies Coming to BritBox in October 2023? “The Sixth Commandment” | Wednesday, Oct. 4
Timothy Spall and Anne Reid star as Peter Farquhar and Ann Moore-Martin in the British true-crime drama that explores their deaths and subsequent events,...
- 10/4/2023
- by Ashley Steves
- The Streamable
Britbox's thrilling line-up of content from across the Atlantic.
The streaming service will debut The Sixth Commandment on Wednesday, October 4, 2023.
TV Fanatic scored an exclusive first look at the premiere.
The Sixth Commandment tells the story of an inspirational teacher, Peter Farquhar (Timothy Spall), and a charismatic young student, Ben Field, who meet and bond over their love of books and involvement with the Church of England.
However, their friendship soon takes a deadly turn that comes to light after Ben turns his attention to Peter's deeply religious neighbor, Ann Moore-Martin.
The result is a series of stunning revelations, culminating in a high-profile trial.
This series, written by Sarah Phelps and directed by Saul Dibb (The Salisbury Poisonings), is inspired by the critically acclaimed and BAFTA-nominated documentary Catching A Killer: A Diary From The Grave.
The cast also includes Annabel Scholey, Sheila Hancock, and Ben Bailey Smith.
The cast...
The streaming service will debut The Sixth Commandment on Wednesday, October 4, 2023.
TV Fanatic scored an exclusive first look at the premiere.
The Sixth Commandment tells the story of an inspirational teacher, Peter Farquhar (Timothy Spall), and a charismatic young student, Ben Field, who meet and bond over their love of books and involvement with the Church of England.
However, their friendship soon takes a deadly turn that comes to light after Ben turns his attention to Peter's deeply religious neighbor, Ann Moore-Martin.
The result is a series of stunning revelations, culminating in a high-profile trial.
This series, written by Sarah Phelps and directed by Saul Dibb (The Salisbury Poisonings), is inspired by the critically acclaimed and BAFTA-nominated documentary Catching A Killer: A Diary From The Grave.
The cast also includes Annabel Scholey, Sheila Hancock, and Ben Bailey Smith.
The cast...
- 10/2/2023
- by Paul Dailly
- TVfanatic
Exclusive: BritBox International is stacking the shelves with more high-profile UK drama series.
The streamer has acquired North American rights to The Sixth Commandment and U.S. rights to This England. Both series, which are based on real events, have made significant noise in the UK and their acquisition follow on from BritBox’s July captures of cop series Granite Harbour and psychological drama The Ex-Wife.
The Sixth Commandment will play as a BritBox Original. The series, written by Sarah Phelps and directed by Saul Dibb (The Salisbury Poisonings), is inspired by the BAFTA-nominated documentary Catching A Killer: A Diary From the Grave.
It follows one of the most complex criminal cases in recent British history and tells the story of inspirational teacher Peter Farquhar (Timothy Spall), and charismatic young student Ben Field (Éanna Hardwicke), who meet and bond over their love of...
The streamer has acquired North American rights to The Sixth Commandment and U.S. rights to This England. Both series, which are based on real events, have made significant noise in the UK and their acquisition follow on from BritBox’s July captures of cop series Granite Harbour and psychological drama The Ex-Wife.
The Sixth Commandment will play as a BritBox Original. The series, written by Sarah Phelps and directed by Saul Dibb (The Salisbury Poisonings), is inspired by the BAFTA-nominated documentary Catching A Killer: A Diary From the Grave.
It follows one of the most complex criminal cases in recent British history and tells the story of inspirational teacher Peter Farquhar (Timothy Spall), and charismatic young student Ben Field (Éanna Hardwicke), who meet and bond over their love of...
- 8/22/2023
- by Jesse Whittock
- Deadline Film + TV
Jane Austen completed the manuscript for “Persuasion” in 1816, the year before her death. But even then, more than 200 years ago, she anticipated the conversation Hollywood is having today, putting these words into Captain Harville’s mouth: “I do not think I ever opened a book in my life which had not something to say upon woman’s inconstancy. Songs and proverbs, all talk of woman’s fickleness. But perhaps you will say, these were all written by men.”
Anne Elliot — bright, heartbroken and, at the ripe old age of 28, facing the risk of lifelong spinsterhood — naturally agrees, not to Harville’s point that it is woman’s nature (more than man’s) to forget those they’ve loved before, but to the fact that “the pen has been in [men’s] hands,” and thus, the history of literature betrays a gender bias. Two centuries later, the world is still struggling to even that balance,...
Anne Elliot — bright, heartbroken and, at the ripe old age of 28, facing the risk of lifelong spinsterhood — naturally agrees, not to Harville’s point that it is woman’s nature (more than man’s) to forget those they’ve loved before, but to the fact that “the pen has been in [men’s] hands,” and thus, the history of literature betrays a gender bias. Two centuries later, the world is still struggling to even that balance,...
- 7/15/2022
- by Peter Debruge
- Variety Film + TV
Click here to read the full article.
Jane Austen purists will be aghast, but if you go with director Carrie Cracknell’s playful makeover of the author’s ruminative last completed novel into a buoyant Regency rom-com, you could be pleasantly surprised. Freely mixing language lifted from Austen’s prose with distinctly modern words and attitudes — this is a movie in which someone is described as “electrifying” in a pre-electric age — Persuasion is sufficiently bold and consistent with its flagrant liberties to get away with them. It also helps that the novel’s long-suffering protagonist, Anne Elliot, has been given irrepressible spirit and an irreverent sense of irony in Dakota Johnson’s incandescent performance.
It’s easy to argue that Austen’s darkest, most mature novel was never meant to be treated like Emma, but Johnson, in her most lighthearted role to date, makes us complicit in Anne’s wry...
Jane Austen purists will be aghast, but if you go with director Carrie Cracknell’s playful makeover of the author’s ruminative last completed novel into a buoyant Regency rom-com, you could be pleasantly surprised. Freely mixing language lifted from Austen’s prose with distinctly modern words and attitudes — this is a movie in which someone is described as “electrifying” in a pre-electric age — Persuasion is sufficiently bold and consistent with its flagrant liberties to get away with them. It also helps that the novel’s long-suffering protagonist, Anne Elliot, has been given irrepressible spirit and an irreverent sense of irony in Dakota Johnson’s incandescent performance.
It’s easy to argue that Austen’s darkest, most mature novel was never meant to be treated like Emma, but Johnson, in her most lighthearted role to date, makes us complicit in Anne’s wry...
- 7/8/2022
- by David Rooney
- The Hollywood Reporter - Movie News
Make no mistake: filmmaker and theater director Carrie Cracknell is a Jane Austen super-fan. Like many Brits, she spent her teenage years consuming the beloved author’s work, first at school — her first Austen, assigned by a beloved teacher: “Pride and Prejudice” — followed by a self-assigned journey through the rest of Austen’s oeuvre, plus the requisite repeated watchings of iconic cinematic adaptations. The Jennifer Ehle- and Colin Firth-starring “Pride and Prejudice” miniseries? Cracknell estimates she watched it “seven times, back to back” as a teen.
“I’ve always found the combination of this proto-feminism, of these women trying to make sense of the world that they’re trapped in, but also the romanticism and the kind of utter joy and the warmth of her storytelling, to be a really compelling combination,” Cracknell said in a recent interview with IndieWire. “It was one of the backdrops of growing up for me.
“I’ve always found the combination of this proto-feminism, of these women trying to make sense of the world that they’re trapped in, but also the romanticism and the kind of utter joy and the warmth of her storytelling, to be a really compelling combination,” Cracknell said in a recent interview with IndieWire. “It was one of the backdrops of growing up for me.
- 6/28/2022
- by Kate Erbland
- Indiewire
Thanks to shows like “Bridgerton” and “The Gilded Age” (not to mention this year’s Met Gala theme), it seems that we’re entering a bit of a Jane Austen-inspired renaissance — not that fans of the renowned novelist went anywhere. Next up on the list of Regency-era projects is Netflix’s highly anticipated cinematic adaptation of the author’s final novel, “Persuasion,” starring Dakota Johnson.
In late April, the streamer released a set of first-look photos featuring Johnson as heroine Anne Elliot, an overlooked middle daughter who is nonetheless incredibly insightful and clever — if only easily persuaded. Surrounded by her entitled and self-involved relatives, she is once again on her own when faced with the return of the dashing, self-made Captain Frederick Wentworth (Cosmo Jarvis), with whom she broke off her engagement nearly a decade prior at the behest of those around her deeming it a degrading match.
Also...
In late April, the streamer released a set of first-look photos featuring Johnson as heroine Anne Elliot, an overlooked middle daughter who is nonetheless incredibly insightful and clever — if only easily persuaded. Surrounded by her entitled and self-involved relatives, she is once again on her own when faced with the return of the dashing, self-made Captain Frederick Wentworth (Cosmo Jarvis), with whom she broke off her engagement nearly a decade prior at the behest of those around her deeming it a degrading match.
Also...
- 6/15/2022
- by Natalie Oganesyan
- The Wrap
A misunderstood Dakota Johnson trapped in a tumultuous love affair? No, this isn’t the fourth “50 Shades” film
Johnson leads the latest Jane Austen adaptation of “Persuasion” for Netflix, premiering on the streamer July 15. The quiet longing of protagonist Anne Elliot will soon be known stateside, thanks to theater director Carrie Cracknell making her feature directorial debut with the Netflix film.
Cracknell famously directed Jake Gyllenhaal in Broadway’s “Seawall/A Life” and most recently Vanessa Kirby in “Julie” and also helmed 2012 short film “Nora,” commissioned by the Guardian, the Young Vic, and The Space theaters.
“Rain Man” Oscar winner Ron Bass co-wrote the “Persuasion” script with Alice Victoria Winslow.
The official Netflix logline reads: Living with her snobby family on the brink of bankruptcy, Anne Elliot (Johnson) is a non-conforming woman with modern sensibilities. When Frederick Wentworth (Cosmo Jarvis) — the dashing one she once sent away — crashes back into her life,...
Johnson leads the latest Jane Austen adaptation of “Persuasion” for Netflix, premiering on the streamer July 15. The quiet longing of protagonist Anne Elliot will soon be known stateside, thanks to theater director Carrie Cracknell making her feature directorial debut with the Netflix film.
Cracknell famously directed Jake Gyllenhaal in Broadway’s “Seawall/A Life” and most recently Vanessa Kirby in “Julie” and also helmed 2012 short film “Nora,” commissioned by the Guardian, the Young Vic, and The Space theaters.
“Rain Man” Oscar winner Ron Bass co-wrote the “Persuasion” script with Alice Victoria Winslow.
The official Netflix logline reads: Living with her snobby family on the brink of bankruptcy, Anne Elliot (Johnson) is a non-conforming woman with modern sensibilities. When Frederick Wentworth (Cosmo Jarvis) — the dashing one she once sent away — crashes back into her life,...
- 6/14/2022
- by Samantha Bergeson
- Indiewire
Veteran British actor Timothy Spall (Mr Turner) is to lead The Sixth Commandment, Sarah Phelps’ BBC factual drama about the deaths of Peter Farquhar and Ann Moore-Martin in the village of Maids Moreton, Buckinghamshire, and the extraordinary events that unfolded over the following years.
Filming has begun on the four-parter and Spall, who plays lead Farquhar, is joined by Anne Reid (Last Tango in Halifax), Éanna Hardwicke (Normal People), Annabel Scholey (The Split), Sheila Hancock (Unforgotten), Ben Bailey Smith (The Split), Conor MacNeill (Industry), Adrian Rawlins (Baptiste) and Amanda Root (Summerland).
The show from Banijay-backed Wild Mercury Productions and True Vision Productions tells the story of how the meeting of an inspirational teacher and charismatic student Ben Field (Hardwicke) set the stage for one of the most complex and confounding criminal cases in recent memory. It also focuses on how suspicions around Field’s relationship with Ann Moore-Martin (Reid), Farquhar’s deeply religious neighbor,...
Filming has begun on the four-parter and Spall, who plays lead Farquhar, is joined by Anne Reid (Last Tango in Halifax), Éanna Hardwicke (Normal People), Annabel Scholey (The Split), Sheila Hancock (Unforgotten), Ben Bailey Smith (The Split), Conor MacNeill (Industry), Adrian Rawlins (Baptiste) and Amanda Root (Summerland).
The show from Banijay-backed Wild Mercury Productions and True Vision Productions tells the story of how the meeting of an inspirational teacher and charismatic student Ben Field (Hardwicke) set the stage for one of the most complex and confounding criminal cases in recent memory. It also focuses on how suspicions around Field’s relationship with Ann Moore-Martin (Reid), Farquhar’s deeply religious neighbor,...
- 6/9/2022
- by Max Goldbart
- Deadline Film + TV
Editor’s note: British director Roger Michell died this week at the age of 65. Here, Sony Pictures Classics co-president Michael Barker, who distributed several of Michell’s films — including the upcoming “The Duke” — remembers his colleague.
Life stopped for many of us this week when writer/director Roger Michell passed away suddenly at the age of 65. He was a gentle, warm, soft-spoken, eloquent, witty, beautiful human being, in addition to being a strong, uncompromising artist of range and brilliance.
Only three weeks ago, he was in Telluride with us accompanied by Helen Mirren and producer Nicky Bentham to present his latest wonderfully rich picture, “The Duke.” He was seen zipping up and down the streets of Telluride on his rented bicycle, his fifth time there (three of them with us), introducing his film, enjoying the company of locals whose friendships he had continued with each visit, at dinners trading legendary...
Life stopped for many of us this week when writer/director Roger Michell passed away suddenly at the age of 65. He was a gentle, warm, soft-spoken, eloquent, witty, beautiful human being, in addition to being a strong, uncompromising artist of range and brilliance.
Only three weeks ago, he was in Telluride with us accompanied by Helen Mirren and producer Nicky Bentham to present his latest wonderfully rich picture, “The Duke.” He was seen zipping up and down the streets of Telluride on his rented bicycle, his fifth time there (three of them with us), introducing his film, enjoying the company of locals whose friendships he had continued with each visit, at dinners trading legendary...
- 9/25/2021
- by Michael Barker
- Indiewire
The Sister Trailer — Niall MacCormick‘s Because the Night / The Sister (2020) TV mini-series trailer has been released by Hulu and stars Russell Tovey, Bertie Carvel, Amrita Acharia, Nina Toussaint-White, Paul Bazely, Amanda Root, Fleur Keith, Ruth Horrocks, Alex Boxall, Tim Plester, and Simone Ashley. Crew Neil Cross wrote the screenplays for The Sister. [...]
Continue reading: The Sister (2020) TV Mini-series Trailer: Family-man Russell Tovey’s Life is Turned upside by A Visit From the Past [Hulu]...
Continue reading: The Sister (2020) TV Mini-series Trailer: Family-man Russell Tovey’s Life is Turned upside by A Visit From the Past [Hulu]...
- 1/9/2021
- by Rollo Tomasi
- Film-Book
Sarah Snook, the Emmy-nominated actress from HBO’s hit drama “Succession,” has signed on to star in an adaptation of Jane Austen’s final novel, “Persuasion.”
The movie, from Searchlight Pictures, will be directed by Mahalia Belo. Published in 1817 after Austen’s death, “Persuasion” centers on Anne Elliot, a 27-year-old whose family moves to lower their expenses. In the meantime, they rent their home to an Admiral and his wife. The wife’s brother, a Navy captain, had been engaged to Anne Elliot (who will be portrayed by Snook), but they have had no contact in more than seven years when they meet again.
Jessica Swale, whose credits include “Summerland,” will pen the screenplay.
Alison Own and Debra Hayward are producing the film through their Monumental Pictures banner. BBC Films is co-financing the drama. Katie Goodson-Thomas is overseeing the project for the studio, as well ass Pete Spencer and manager Apolline Berty.
The movie, from Searchlight Pictures, will be directed by Mahalia Belo. Published in 1817 after Austen’s death, “Persuasion” centers on Anne Elliot, a 27-year-old whose family moves to lower their expenses. In the meantime, they rent their home to an Admiral and his wife. The wife’s brother, a Navy captain, had been engaged to Anne Elliot (who will be portrayed by Snook), but they have had no contact in more than seven years when they meet again.
Jessica Swale, whose credits include “Summerland,” will pen the screenplay.
Alison Own and Debra Hayward are producing the film through their Monumental Pictures banner. BBC Films is co-financing the drama. Katie Goodson-Thomas is overseeing the project for the studio, as well ass Pete Spencer and manager Apolline Berty.
- 9/15/2020
- by Dave McNary
- Variety Film + TV
Summerland IFC Films Reviewed for Shockya.com & BigAppleReviews.net linked from Rotten Tomatoes by: Harvey Karten Director: Jessica Swale Screenwriter: Jessica Swale Cast: Gemma Arterton, Lucas Bond, Gugu Mbatha-Raw, Penelope Wilton, Siân Phillips, Tom Courtenay, Amanda Root Screened at: Critics’ link, NYC, 7/22/20 Opens: July 31, 2020 If you’re a fan of World War 2 movies […]
The post Summerland Movie Review appeared first on Shockya.com.
The post Summerland Movie Review appeared first on Shockya.com.
- 7/26/2020
- by Harvey Karten
- ShockYa
"Here we are. So I say, 'make the most of it!'" IFC Films has unveiled an official trailer for an indie drama titled Summerland, which is of course being released this summer (because how could you release a film called Summerland at any other time other than the summer?!). Set during World War II in the UK, the film is about a lonely writer who must care for a young boy evacuated from London. She slowly begins to form a bond with him, while reminiscing about her own life and long lost lover. Gemma Arterton stars as Alice, joined by Gugu Mbatha-Raw, Penelope Wilton, Amanda Root, Siân Phillips, Dixie Egerickx, and Tom Courtenay. Described as an "intensely emotional story of love's endurance in trying times." It looks like a good tearjerker, and a film about how tough it is for everyone during wartime. View the trailer below. Here's the...
- 5/26/2020
- by Alex Billington
- firstshowing.net
Europe’s Largest Indian Film Festival returns to Birmingham again this year for the third year in the row. Sister to the Bagri Foundation London Indian Film Festival, (Liff), Birmingham Indian Film Festival will run from Friday 23 June until Sunday 2 July 2017. This year’s festival promises to be one of the best showcasing 11 Independent Films, 2 Music Documentaries and a host of talent over 10 days in 3 cinemas!
Cary Rajinder Sawhney, Liff & Biff Director, says: “We are delighted to bring Birmingham audiences a carefully curated selection of the very best new Indian and South Asian independent cinema; all films are English subtitled, offering a rare window into over a billion South Asian lives. This year’s selection includes premieres of new comedies, gripping thrillers, shocking horror and insightful true-life documentaries as well as bringing together UK previews of major award-winning films from the world’s greatest film festivals.”
The festival opens on Friday 23 June at Cineworld Birmingham,...
Cary Rajinder Sawhney, Liff & Biff Director, says: “We are delighted to bring Birmingham audiences a carefully curated selection of the very best new Indian and South Asian independent cinema; all films are English subtitled, offering a rare window into over a billion South Asian lives. This year’s selection includes premieres of new comedies, gripping thrillers, shocking horror and insightful true-life documentaries as well as bringing together UK previews of major award-winning films from the world’s greatest film festivals.”
The festival opens on Friday 23 June at Cineworld Birmingham,...
- 6/15/2017
- by Stacey Yount
- Bollyspice
Fresh from impressing audiences with the debut of its trailer at Cannes Film Festival, the award-winning historical biopic, The Black Prince, will be opening the 8th edition of The Bagri Foundation London Indian Film Festival, at the BFI London Southbank on 22nd June 2017 and 3rd edition of The Bagri Foundation Birmingham Indian Film Festival at Cineworld Birmingham on 23rd June 2017, Europe’s largest Indian film festival.
Releasing worldwide in cinemas on 21st July 2017, The Black Prince tells the little known, yet powerful story of the Last King of Punjab, Maharajah Duleep Singh. The film cornerstones his relationship with Queen Victoria and the long and often difficult battle he faced to regain his identity, faith and the Kingdom taken from his grasp as a child.
Sponsored by the Bagri Foundation with support from Grange Hotels, Sun Mark Ltd, and funded by the BFI’s National Lottery Film Festivals Fund, The Bagri...
Releasing worldwide in cinemas on 21st July 2017, The Black Prince tells the little known, yet powerful story of the Last King of Punjab, Maharajah Duleep Singh. The film cornerstones his relationship with Queen Victoria and the long and often difficult battle he faced to regain his identity, faith and the Kingdom taken from his grasp as a child.
Sponsored by the Bagri Foundation with support from Grange Hotels, Sun Mark Ltd, and funded by the BFI’s National Lottery Film Festivals Fund, The Bagri...
- 6/14/2017
- by Stacey Yount
- Bollyspice
As we told you the renowned London Indian Film Festival is back for another year with a new and exciting selection of fabulous cutting-edge films that reaffirm the festival’s position as the ‘punk-rock of Indian cinema’. With films that range from subjects covering stories of gangsters, comedy themes, horror elements, thrillers, immigration and diaspora issues, environment, economics, religion, politics, and the lives of Indian royalty this year’s festival that runs from 22-29 June is not to be missed.
Check out this totally cool trailer (created by Parag Sankhe) to get an idea for what is in store for you! It has some amazing clips of the films that you must see!
The Black Prince opens the festival on 22nd June at the BFI Southbank with the red carpet premiere of the historical epic. The screening will also include a Q and A with the cast and director. Directed by Kavi Raz,...
Check out this totally cool trailer (created by Parag Sankhe) to get an idea for what is in store for you! It has some amazing clips of the films that you must see!
The Black Prince opens the festival on 22nd June at the BFI Southbank with the red carpet premiere of the historical epic. The screening will also include a Q and A with the cast and director. Directed by Kavi Raz,...
- 6/3/2017
- by Stacey Yount
- Bollyspice
The annual Cannes Film Festival played host to the official unveiling of the eagerly awaited trailer of Brillstein Entertainment Partner’s (Academy Award winning film 12 Years A Slave) latest biopic The Black Prince. Media from around the globe descended upon the India Pavilion to catch a glimpse of the award winning movie, directed by Hollywood filmmaker Kavi Raz, as it prepares to take the big screen by storm when it releases worldwide on 21st July 2017.
Journalists and photographers sat in awe as the trailer powerfully encapsulated the enthralling tale of the Last King of Punjab, Maharajah Duleep Singh and the constant battle he faced to regain his identity, faith and essentially the Kingdom taken from his grasp by the British.
The film follows the story of the last Sikh Maharaja — the son of the powerful ruler Ranjit Singh — who was placed on the throne at the age of 5, after the death of his father.
Journalists and photographers sat in awe as the trailer powerfully encapsulated the enthralling tale of the Last King of Punjab, Maharajah Duleep Singh and the constant battle he faced to regain his identity, faith and essentially the Kingdom taken from his grasp by the British.
The film follows the story of the last Sikh Maharaja — the son of the powerful ruler Ranjit Singh — who was placed on the throne at the age of 5, after the death of his father.
- 5/22/2017
- by Stacey Yount
- Bollyspice
The Black Prince, an historical drama based upon the true story of Maharajah Duleep Singh, the boy who became king of Punjab shortly before it was annexed to the British empire, was awarded the Special Jury Remi Award today at the 50th annual WorldFest International Film Festival in Houston. The event’s Gold Remi was also awarded to the film’s Natalie O’Connor for achievement in Art Direction.
Majarajah Duleep Singh was exiled by the British to a privileged life in England when he was only 15 years old, and was shortly thereafter converted to Christianity. Reuniting with his long-lost mother after more than a decade, Duleep begins a daring journey of self-discovery in order to reclaim his faith and the kingdom that is rightfully his. His struggle inspired Sikhs to continue their fight for freedom until India regained its independence from British Imperialism in 1947, and the Sikh kingdom was divided into India and Pakistan.
Majarajah Duleep Singh was exiled by the British to a privileged life in England when he was only 15 years old, and was shortly thereafter converted to Christianity. Reuniting with his long-lost mother after more than a decade, Duleep begins a daring journey of self-discovery in order to reclaim his faith and the kingdom that is rightfully his. His struggle inspired Sikhs to continue their fight for freedom until India regained its independence from British Imperialism in 1947, and the Sikh kingdom was divided into India and Pakistan.
- 5/2/2017
- by Press Releases
- Bollyspice
The first look poster of the historic film biopic on the poignant life story of the last King of Punjab – Maharajah Duleep Singh – also known as The Black Prince, has created a wave of excitement, as it promises a spectacular storyline into the life and legacy of the Maharajah in exile in the UK.
Produced by Brillstein Entertainment (Academy Award winning film 12 Years A Slave), The Black Prince, a period drama written and directed by Hollywood filmmaker Kavi Raz and filmed widely across the UK and India, carefully captures the tragic, yet fascinating true story and legacy of Maharajah Duleep Singh, providing a visual narrative of one of India’s most noble kings, and his fragile relationship with, Queen Victoria, who was Godmother to his children.
Acclaimed singer-poet Satinder Sartaaj marks his acting debut in The Black Prince, essaying the character of Maharajah Duleep Singh. He is joined by an...
Produced by Brillstein Entertainment (Academy Award winning film 12 Years A Slave), The Black Prince, a period drama written and directed by Hollywood filmmaker Kavi Raz and filmed widely across the UK and India, carefully captures the tragic, yet fascinating true story and legacy of Maharajah Duleep Singh, providing a visual narrative of one of India’s most noble kings, and his fragile relationship with, Queen Victoria, who was Godmother to his children.
Acclaimed singer-poet Satinder Sartaaj marks his acting debut in The Black Prince, essaying the character of Maharajah Duleep Singh. He is joined by an...
- 3/21/2017
- by Press Releases
- Bollyspice
For all those who saw the Akshay Kumar starrer smash hit film Baby, must have definitely noticed the work of actress Madhurima Tuli, who played Akshay's wife in the film. Despite her short role in the film, Madhurima managed to make her mark in the film. And now, she will be seen in the Hollywood flick The Black Prince, which stars Amanda Root, Jason Flemyng and Keith Duffy. Besides them, the cast also has Shabana Azmi and Sartaaj Singh (who plays the title role in the film which is based on the life of Maharaja Duleep Singh, the last Sikh Maharaja). Speaking about her role, Madhurima said that the film will see her playing the part of young Shabana Azmi and will be appearing in the flashback scenes. For the role, she had to learn to speak chaste Punjabi. In the same breath, Madhurima added that, since Shabana and she...
- 3/28/2015
- by Bollywood Hungama News Network
- BollywoodHungama
Acclaimed actress Shabana Azmi has joined the cast of Hollywood’s The Black Prince, a film telling the tragic yet fascinating true story of Maharaja Duleep Singh the last King of the Sikh Empire in Punjab. Son of the powerful ruler Ranjit Singh, he was born in 1838 and placed on the throne at the age of 5 after the death of his father. In 1849, when Punjab was annexed to British India, the young prince was removed from the throne and eventually sent off to England. His attempts to return to India and reclaim his kingdom were thwarted by the British. He ended up a pauper, dying alone in a Paris hotel in 1893.
Co-produced by Brillstein Entertainment Partners executive Jai Khanna, the drama will be directed by Kavi Raz and features the acting debut of acclaimed singer-poet Satinder Sartaaj.
One of the most highly respected actresses in India, Shabana Azmi has appeared...
Co-produced by Brillstein Entertainment Partners executive Jai Khanna, the drama will be directed by Kavi Raz and features the acting debut of acclaimed singer-poet Satinder Sartaaj.
One of the most highly respected actresses in India, Shabana Azmi has appeared...
- 10/11/2014
- by Stacey Yount
- Bollyspice
EastEnders actress Hetti Bywater will appear in an episode of Death in Paradise.
The actress will make her first TV appearance since leaving the BBC One soap as Lucy Beale in the upcoming fourth series of the crime drama starring Kris Marshall.
Will Mellor, Outnumbered star Tyger Drew-Honey, Strictly Come Dancing runner-up Natalie Gumede and Downton Abbey's Amy Nuttall will also make appearances.
Filming has begun in Guadeloupe for the fourth series, with Sara Martins and Danny John-Jules also returning as Camille and Dwayne.
However, Gary Carr has reportedly left the show as Fidel, after the character left Saint Marie for a new job, and will be replaced by Josephine Jobert as Florence Cassell. Don Warrington is expected to play a larger role as Commander Selwyn.
Other guest stars will include Rosie Cavaliero, Simon Day, Leo Staar, Don Gilet, Katarina Cas, William Ash, David Bamber, Claire Goose, Sharon D Clarke,...
The actress will make her first TV appearance since leaving the BBC One soap as Lucy Beale in the upcoming fourth series of the crime drama starring Kris Marshall.
Will Mellor, Outnumbered star Tyger Drew-Honey, Strictly Come Dancing runner-up Natalie Gumede and Downton Abbey's Amy Nuttall will also make appearances.
Filming has begun in Guadeloupe for the fourth series, with Sara Martins and Danny John-Jules also returning as Camille and Dwayne.
However, Gary Carr has reportedly left the show as Fidel, after the character left Saint Marie for a new job, and will be replaced by Josephine Jobert as Florence Cassell. Don Warrington is expected to play a larger role as Commander Selwyn.
Other guest stars will include Rosie Cavaliero, Simon Day, Leo Staar, Don Gilet, Katarina Cas, William Ash, David Bamber, Claire Goose, Sharon D Clarke,...
- 7/14/2014
- Digital Spy
Forget Oscar-tipped films and lush BBC dramatisations – the Lizzie Bennet Diaries is an addictive bi-weekly retelling of Pride and Prejudice for the web generation
Jane Austen has been providing us with Sunday-evening viewing fodder ever since someone had the ratings-winning idea of putting gowns and tight breeches on primetime TV. But as Elizabeth Bennet and Fitzwilliam Darcy celebrate their 200th anniversary of appearing in print, the best Austen adaptation around at the moment isn't an Oscar-tipped film or a lush BBC dramatisation – it's a series of 10-minute YouTube videos, with accompanying in-character tweets. And it's modern-day. And American.
The Lizzie Bennet Diaries calls itself an "innovative, original episodic video and social media series produced for the web". Actually, it's an addictive bi-weekly retelling of Pride and Prejudice, in which Darcy is a hipster, Lizzie is a beleaguered grad student and her mother is just as desperate to get her married off as in the original.
Jane Austen has been providing us with Sunday-evening viewing fodder ever since someone had the ratings-winning idea of putting gowns and tight breeches on primetime TV. But as Elizabeth Bennet and Fitzwilliam Darcy celebrate their 200th anniversary of appearing in print, the best Austen adaptation around at the moment isn't an Oscar-tipped film or a lush BBC dramatisation – it's a series of 10-minute YouTube videos, with accompanying in-character tweets. And it's modern-day. And American.
The Lizzie Bennet Diaries calls itself an "innovative, original episodic video and social media series produced for the web". Actually, it's an addictive bi-weekly retelling of Pride and Prejudice, in which Darcy is a hipster, Lizzie is a beleaguered grad student and her mother is just as desperate to get her married off as in the original.
- 1/28/2013
- by Kaite Welsh
- The Guardian - Film News
Louisa Mellor Aug 1, 2016
With Steven Spielberg's The Bfg in cinemas, we look back at the 1989 Cosgrove Hall adaptation feat. David Jason…
On Christmas day 1989, ITV premiered the most charming child abduction story ever told: Cosgrove Hall’s animated adaptation of Roald Dahl’s The Bfg.
Directed by Brian Cosgrove, co-founder of the UK animation studio behind The Wind In The Willows, Danger Mouse, Count Duckula and a whole raft of the sort of kids’ TV that thirty-somethings still get excited about in pubs, The Bfg was, and is, a lovely thing.
Imaginative, funny, and just on the trippy side of weird, the film tells Roald Dahl’s story of orphan Sophie and the titular Big Friendly Giant’s scheme to stop bigger, much less-friendly giants from roaming the globe and gobbling up human beans. But before Cosgrove and co-producer Mark Hall could relay that tale, they had their own...
With Steven Spielberg's The Bfg in cinemas, we look back at the 1989 Cosgrove Hall adaptation feat. David Jason…
On Christmas day 1989, ITV premiered the most charming child abduction story ever told: Cosgrove Hall’s animated adaptation of Roald Dahl’s The Bfg.
Directed by Brian Cosgrove, co-founder of the UK animation studio behind The Wind In The Willows, Danger Mouse, Count Duckula and a whole raft of the sort of kids’ TV that thirty-somethings still get excited about in pubs, The Bfg was, and is, a lovely thing.
Imaginative, funny, and just on the trippy side of weird, the film tells Roald Dahl’s story of orphan Sophie and the titular Big Friendly Giant’s scheme to stop bigger, much less-friendly giants from roaming the globe and gobbling up human beans. But before Cosgrove and co-producer Mark Hall could relay that tale, they had their own...
- 9/12/2012
- Den of Geek
Despite a note-perfect performance by Meryl Streep, the Margaret Thatcher biopic lacks much cutting edge
Poor Margaret Thatcher: her transformation into biopic drag queen is now complete. Daringly, screenwriter Abi Morgan and director Phyllida Lloyd have made a movie about Baroness Thatcher's flashback-riddled dementia while their subject is still alive. Britain's most important and controversial postwar prime minister has been recast – rather like Judi Dench's Iris Murdoch 10 years ago – into a bewildered old lady cherished in dramatic terms for her poignant vulnerability and decline, rather than for the mature achievements of her pomp. And, like the screen Iris, she is paired off with kindly Jim Broadbent.
Margaret is played with cunning and gusto by Meryl Streep, and it is a pious critical convention to praise performances like these on the grounds that they go beyond mere impersonation. I'm not entirely certain that Streep does go beyond mere impersonation,...
Poor Margaret Thatcher: her transformation into biopic drag queen is now complete. Daringly, screenwriter Abi Morgan and director Phyllida Lloyd have made a movie about Baroness Thatcher's flashback-riddled dementia while their subject is still alive. Britain's most important and controversial postwar prime minister has been recast – rather like Judi Dench's Iris Murdoch 10 years ago – into a bewildered old lady cherished in dramatic terms for her poignant vulnerability and decline, rather than for the mature achievements of her pomp. And, like the screen Iris, she is paired off with kindly Jim Broadbent.
Margaret is played with cunning and gusto by Meryl Streep, and it is a pious critical convention to praise performances like these on the grounds that they go beyond mere impersonation. I'm not entirely certain that Streep does go beyond mere impersonation,...
- 1/6/2012
- by Peter Bradshaw
- The Guardian - Film News
Back in 1989, now defunct children's TV animation studio Cosgrove Hall made a film version of The Bfg, starring David Jason as the Big Friendly Giant himself and Amanda Root as Sophie, the miniature-by-comparison herione.It arrived on TV screens on Christmas Day that year, and now, 22 years later, Et writer Melissa Mathison, veteran super producer Frank Marshall and Dreamworks itself are planning on making a live-action version. Mathison, as you might have guessed, is on writing duties, but no director or actors have been announced, though we're sure the rumours will start flying about the internet soon enough.It seems like a sensible move from Dreamworks, with Dahl stories proving to be a rich vein for directors over the years, from Nic Roeg's The Witches to Wes Anderson's Fantastic Mr. Fox and Henry Selick's James And The Giant Peach.And as it's live action, we're interested to...
- 9/27/2011
- EmpireOnline
According to internet reports, DreamWorks has picked up movie rights to author Roald Dahl's 1982 children's book "The Bfg" ('Big Friendly Giant') for producers Kathleen Kennedy and Frank Marshall.
Melissa Mathison ("E.T.") will write the screenplay :
"...when 'Sophie' cannot fall asleep during the 'witching hour', she looks out her bedroom window and sees a giant down the street. When the giant notices her, he reaches through the window, then carries her away to his home in 'Giant Country'.
"Once there, he reveals he is the world's only benevolent giant, operating in the strictest secrecy, collecting good dreams he later distributes to children.
"With his immense ears he can also hear dreams and their contents.
"When he catches a nightmare, he either explodes it, or uses it to start fights among the other giants, who periodically enter the human world to steal and eat 'human beans'.
"Sophie and the Bfg...
Melissa Mathison ("E.T.") will write the screenplay :
"...when 'Sophie' cannot fall asleep during the 'witching hour', she looks out her bedroom window and sees a giant down the street. When the giant notices her, he reaches through the window, then carries her away to his home in 'Giant Country'.
"Once there, he reveals he is the world's only benevolent giant, operating in the strictest secrecy, collecting good dreams he later distributes to children.
"With his immense ears he can also hear dreams and their contents.
"When he catches a nightmare, he either explodes it, or uses it to start fights among the other giants, who periodically enter the human world to steal and eat 'human beans'.
"Sophie and the Bfg...
- 9/26/2011
- by Michael Stevens
- SneakPeek
We start the Top 7. You finish the Top 10.
With Harry Potter and the Half-Blood Prince opening last week, I thought I’d take a look back at my favorite book to film adaptions. This means I had to have read the book and seen the film, so I can’t weigh in on The Thin Man, though it’s one of my favorite films. I also steered clear of The Prestige because though I’ve read and enjoyed both, they’re so dissimilar it doesn’t really feel like a true adaption. Sorry, no Harry Potter film has made the list. I haven’t felt that any of the films have lived up to the books, even the most recent. But with Julie and Julia and one of my favorite books, The Time Traveler’s Wife coming out next month maybe it will change in the future.
7. Battle Royale
Book by Koushun Takami,...
With Harry Potter and the Half-Blood Prince opening last week, I thought I’d take a look back at my favorite book to film adaptions. This means I had to have read the book and seen the film, so I can’t weigh in on The Thin Man, though it’s one of my favorite films. I also steered clear of The Prestige because though I’ve read and enjoyed both, they’re so dissimilar it doesn’t really feel like a true adaption. Sorry, no Harry Potter film has made the list. I haven’t felt that any of the films have lived up to the books, even the most recent. But with Julie and Julia and one of my favorite books, The Time Traveler’s Wife coming out next month maybe it will change in the future.
7. Battle Royale
Book by Koushun Takami,...
- 7/23/2009
- by Megan Lehar
- The Scorecard Review
Based on a recommendation by the Occ Executive Committee, Special Achievement Awards will be given to David Alvarez, Trent Kowalik, and Kiril Kulish for their performances in "Billy Elliot the Musical" and an Outstanding Ensemble Performance Award will be bestowed to the full cast of "The Norman Conquests" (Amelia Bullmore, Jessica Hynes, Stephen Mangan, Ben Miles, Paul Ritter and Amanda Root).
- 4/20/2009
- BroadwayWorld.com
Film Review: runs 9/27
Published posthumously, Jane Austen s novel Persuasion was written as the author s health deteriorated in 1815-16. She died a year later at 42, unmarried and still a virgin, with many interpreting the book as semiautobiographical. It rates as the most problematic Austen work to adapt into a feature, with a largely passive heroine and subtle story line about the participants in a courtship that ended badly meeting years later.
It s not hard to see why there was only one other significant attempt to film the book, in 1971 by Granada Television. But to one s complete delight, this latest English production of Persuasion, directed by Roger Michellcq ( The Buddha of Suburbia ) is spectacularly successful in every way. With more Austen adaptations due soon, Persuasion sets the standard and may be hard to beat artistically.
Perfectly cast and paced swiftly, and yet remarkably faithful to Austen, the Sony Pictures Classics release is one of the season s best offerings. A crowded marketplace and lack of stars means the word must get out via word-of-mouth and reviews, both of which should be smashing.
Although this is Amanda Root's first lead role in a feature, she is outstanding as Anne Elliot, the quiet, intelligent, but often overlooked daughter of proud but financially and socially shaky Sir Walter Elliot (Corin Redgrave), a widower forced to rent out the family estate. With few lines of dialogue in the film's first half, the fantastically expressive Root draws one into the poignant and delicately mannered drama.
As the film progresses and Anne comes closer to her true love, naval hero Capt. Frederick Wentworth (Ciaran Hinds), it's wonderful watching her character transform from a pale, defeated spinster-in-the-making to a passionately aroused, assertive woman able to determine her own fate.
Years before the film's 1814 setting in post-Battle-of-Trafalgar England, Anne broke off her engagement to Wentworth under the ``persuasion'' of the family's cautious adviser, Lady Russell (Susan Fleetwood). But she never recovered from the disappointment; he sought escape in the navy.
Playwright Nick Dear's screenplay thrusts one into the narrative quickly, and introduces the many characters with relative ease. From Anne's younger married sister Mary (Sophie Thompson) and gossipy friend Mrs. Smith (Helen Schlesinger) to the worldly couple Mrs. Croft (Fiona Shaw) and her husband (John Woodvine), the admiral who inadvertently brings Wentworth back into Anne's life, it's a lively mix of personalities that navigate the story's deceptively choppy narrative.
One of the most pleasing aspects of the film is the unglamorous approach to the characters, with little makeup for the women and a leading man who is not a lantern-jawed poster boy. Indeed, Hinds (``Circle of Friends'') is compelling as Root, excellently conveying the jilted suitor's simmering desire to rekindle romance and genuine anguish when it looks as if Anne's scheming cousin (Samuel West) might have the upper hand.
The re-creation of the times is worth the price of admission, including Alexander Byrne's lived-in costumes and the many sets and locations used by production designers William Dudley and Brian Sykes. Cinematographer John Daly's roving camera is well-suited to the film's energetic approach, which helps bring Austen's brilliant, timeless story to life in a fashion one previously could only dream was possible.
PERSUASION
Sony Pictures Classics
BBC Films, WGBH/Mobil Masterpiece Theatre,
Millesime Prods. present
Director: Roger Michell
Producer: Fiona Finlay
Screenplay: Nick Dear
Based on the novel by: Jane Austen
Exec producers: George Faber, Rebecca Eaton
Director of photography: John Daly
Editor: Kate Evans
Music: Jeremy Sams
Production designers: William Dudley,
Brian SykesCostume designer: Alexandra Byrne
Associate producer: Margot Hayhoe
Color/stereo
Cast:
Anne Elliot: Amanda Root
Capt. Wentworth: Ciaran Hinds
Lady Russell: Susan Fleetwood
Sir Walter Elliot: Corin Redgrave
Mrs. Croft: Fiona Shaw
Adm. Croft: John Woodvine
Mary Musgrove: Sophie Thompson
Running time -- 107 minutes
MPAA Rating: PG
(c) The Hollywood Reporter...
It s not hard to see why there was only one other significant attempt to film the book, in 1971 by Granada Television. But to one s complete delight, this latest English production of Persuasion, directed by Roger Michellcq ( The Buddha of Suburbia ) is spectacularly successful in every way. With more Austen adaptations due soon, Persuasion sets the standard and may be hard to beat artistically.
Perfectly cast and paced swiftly, and yet remarkably faithful to Austen, the Sony Pictures Classics release is one of the season s best offerings. A crowded marketplace and lack of stars means the word must get out via word-of-mouth and reviews, both of which should be smashing.
Although this is Amanda Root's first lead role in a feature, she is outstanding as Anne Elliot, the quiet, intelligent, but often overlooked daughter of proud but financially and socially shaky Sir Walter Elliot (Corin Redgrave), a widower forced to rent out the family estate. With few lines of dialogue in the film's first half, the fantastically expressive Root draws one into the poignant and delicately mannered drama.
As the film progresses and Anne comes closer to her true love, naval hero Capt. Frederick Wentworth (Ciaran Hinds), it's wonderful watching her character transform from a pale, defeated spinster-in-the-making to a passionately aroused, assertive woman able to determine her own fate.
Years before the film's 1814 setting in post-Battle-of-Trafalgar England, Anne broke off her engagement to Wentworth under the ``persuasion'' of the family's cautious adviser, Lady Russell (Susan Fleetwood). But she never recovered from the disappointment; he sought escape in the navy.
Playwright Nick Dear's screenplay thrusts one into the narrative quickly, and introduces the many characters with relative ease. From Anne's younger married sister Mary (Sophie Thompson) and gossipy friend Mrs. Smith (Helen Schlesinger) to the worldly couple Mrs. Croft (Fiona Shaw) and her husband (John Woodvine), the admiral who inadvertently brings Wentworth back into Anne's life, it's a lively mix of personalities that navigate the story's deceptively choppy narrative.
One of the most pleasing aspects of the film is the unglamorous approach to the characters, with little makeup for the women and a leading man who is not a lantern-jawed poster boy. Indeed, Hinds (``Circle of Friends'') is compelling as Root, excellently conveying the jilted suitor's simmering desire to rekindle romance and genuine anguish when it looks as if Anne's scheming cousin (Samuel West) might have the upper hand.
The re-creation of the times is worth the price of admission, including Alexander Byrne's lived-in costumes and the many sets and locations used by production designers William Dudley and Brian Sykes. Cinematographer John Daly's roving camera is well-suited to the film's energetic approach, which helps bring Austen's brilliant, timeless story to life in a fashion one previously could only dream was possible.
PERSUASION
Sony Pictures Classics
BBC Films, WGBH/Mobil Masterpiece Theatre,
Millesime Prods. present
Director: Roger Michell
Producer: Fiona Finlay
Screenplay: Nick Dear
Based on the novel by: Jane Austen
Exec producers: George Faber, Rebecca Eaton
Director of photography: John Daly
Editor: Kate Evans
Music: Jeremy Sams
Production designers: William Dudley,
Brian SykesCostume designer: Alexandra Byrne
Associate producer: Margot Hayhoe
Color/stereo
Cast:
Anne Elliot: Amanda Root
Capt. Wentworth: Ciaran Hinds
Lady Russell: Susan Fleetwood
Sir Walter Elliot: Corin Redgrave
Mrs. Croft: Fiona Shaw
Adm. Croft: John Woodvine
Mary Musgrove: Sophie Thompson
Running time -- 107 minutes
MPAA Rating: PG
(c) The Hollywood Reporter...
- 9/27/1995
- The Hollywood Reporter - Movie News
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