Season 6 of “Better Call Saul” is a tiny break from tradition from the start. Rather than open on Jimmy McGill (Bob Odenkirk) living out his days as an assuming Cinnabon employee in Omaha, Nebraska, the season premiere “Wine and Roses” starts on a melancholy tour through the house he left behind. There’s a glimpse of his flashy, rainbow-colored wardrobe, lavish wall art, and a general interior decor that’s far more palatial than you might expect from the Jimmy we’ve seen over the first five seasons of the AMC series.
As the camera winds its way through inside corridors and out toward the dumpster and moving van hauling everything away, the house-clearers dispatch all of Jimmy’s things with ballet-like precision. Of course, as the episode’s cinematographer Marshall Adams describes it, that’s not a coincidence at all.
“[Director] Michael [Morris] and our first Ad Rich Sickler had this...
As the camera winds its way through inside corridors and out toward the dumpster and moving van hauling everything away, the house-clearers dispatch all of Jimmy’s things with ballet-like precision. Of course, as the episode’s cinematographer Marshall Adams describes it, that’s not a coincidence at all.
“[Director] Michael [Morris] and our first Ad Rich Sickler had this...
- 4/20/2022
- by Steve Greene
- Indiewire
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