- Father of Catherine Spaak and Agnès Spaak. Grandfather of Sabrina Capucci and Gabriele Guidi (Catherine's children).
- Brother of the Belgian secretary of exterior.
- Member of the jury at the Cannes Film Festival in 1953.
- Abandoned his studies in law to work as secretary to Jacques Feyder in Paris.
- His father, Paul, was director of the de la Monnaie Theatre in Brussels. His brother, Paul-Henri, was a Premier of Belgium.
- Former father-in-law of Fabrizio Capucci and Johnny Dorelli.
- In 1928 he moved to Paris and took a post as secretary to the film-maker Jacques Feyder, who then asked him to work on the adaptation of a stage play for his film Les Nouveaux Messieurs. He also worked as head of publicity for the production company Albatros.
- He wrote the screenplays for Feyder's most important films of the 1930s: Le Grand Jeu, Pension Mimosas, and La Kermesse héroïque. Spaak was also in demand to work with other leading directors.
- After the war Spaak worked with new directors and in a wider range styles, and he formed a particular association with André Cayatte in a series of films set against a background of the French judicial system: Justice est faite (1950), Nous sommes tous les assassins (1951), Avant le deluge (1953), and Le Dossier noir (1955).
- He established himself, alongside Jacques Prévert and Henri Jeanson, as a leading screenwriter during one of the French cinema's richest periods.
- He also undertook some of the literary adaptations which marked the 'quality cinema' of the 1950s, including Thérèse Raquin (1953) and Crime et Châtiment (1956).
- During the 1930s he worked with Julien Duvivier on La Bandera (1935) and La Belle Équipe (1936), and with Jean Grémillon on La Petite Lise (1930) and Gueule d'amour (1937). He also collaborated with Jean Renoir on two of his major films, Les Bas Fonds (1936) and La Grande Illusion (1937). Many of these films of the 1930s are marked by a concern for realistic detail with sharply written dialogue, often pessimistic in tone, and several of them provided leading roles which were played by Jean Gabin.
- In 1949 Spaak made his only venture into directing with Le Mystère Barton, but the film met with little success.
- During the German occupation of France, Spaak chose to return to Paris and found work on a number of the wartime productions that were made there, including further films with Duvivier and Grémillon. (In Bertrand Tavernier's film Laissez-passer (2001) which gives a detailed picture of how film-making continued in occupied Paris, Spaak is portrayed in 1943 when he was working on a film for the Continental Films production company.).
- Charles Spaak continued working selectively on scenarios until the early 1970s, and he died in 1975 in Vence in the South of France.
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