This madcap musical from 1935 about an American dance star visiting London swirls effortlessly back into cinemas, with classic songs from Irving Berlin
Like a Shakespearean marriage comedy with a spoonful of Feydeau farce, this madcap musical from 1935, from screenwriters Allan Scott and Dwight Taylor and director Mark Sandrich, saunters back for a re-release. It features Fred Astaire as Jerry, the American dance star visiting London, a city seen in almost surreally weird back projections – and Astaire incidentally does an intentionally terrible Cockney accent when he pretends to be a hansom cab driver. (It is one of the rare times he does not appear in faultless evening dress.) Irving Berlin’s classic songs Cheek to Cheek and Top Hat, White Tie and Tails are great, and Astaire swirls on a forward-tilting gyroscopic axis with his spindly arms and legs effortlessly orbiting him like Saturn’s moons.
Playing opposite him – and of course,...
Like a Shakespearean marriage comedy with a spoonful of Feydeau farce, this madcap musical from 1935, from screenwriters Allan Scott and Dwight Taylor and director Mark Sandrich, saunters back for a re-release. It features Fred Astaire as Jerry, the American dance star visiting London, a city seen in almost surreally weird back projections – and Astaire incidentally does an intentionally terrible Cockney accent when he pretends to be a hansom cab driver. (It is one of the rare times he does not appear in faultless evening dress.) Irving Berlin’s classic songs Cheek to Cheek and Top Hat, White Tie and Tails are great, and Astaire swirls on a forward-tilting gyroscopic axis with his spindly arms and legs effortlessly orbiting him like Saturn’s moons.
Playing opposite him – and of course,...
- 4/5/2023
- by Peter Bradshaw
- The Guardian - Film News
Hollywood’s postwar shift to social consciousness addressed familiar issues like bigotry and discrimination. On his way to making his gargantuan, serious epics, famed director George Stevens paused for this almost entirely forgotten contemplation of American anxiety in the business rat race, with a side order of alcoholism and potential adultery. Ray Milland is the troubled ad man who tries to help the drink-impaired actress, Joan Fontaine. Wife Teresa Wright waits patiently back home, but for how long? Is Stevens just dabbling in neorealistic doldrums, or did he feel the wave of dull existential despair as well? It’s one of his least-known films.
Something to Live For
All Region Blu-ray
Viavision [Imprint] #199
952 / B&w / 1:37 Academy / 89 min. / Street Date February 22, 2023 / Available from [Imprint] / au 34.95
Starring: Joan Fontaine, Ray Milland, Teresa Wright, Richard Derr, Douglas Dick, Harry Bellaver, Paul Valentine, King Donovan, Kasey Rogers, Douglas Spencer, Mari Blanchard.
Cinematography: George Barnes
Production Designer: Hal Pereira,...
Something to Live For
All Region Blu-ray
Viavision [Imprint] #199
952 / B&w / 1:37 Academy / 89 min. / Street Date February 22, 2023 / Available from [Imprint] / au 34.95
Starring: Joan Fontaine, Ray Milland, Teresa Wright, Richard Derr, Douglas Dick, Harry Bellaver, Paul Valentine, King Donovan, Kasey Rogers, Douglas Spencer, Mari Blanchard.
Cinematography: George Barnes
Production Designer: Hal Pereira,...
- 3/14/2023
- by Glenn Erickson
- Trailers from Hell
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“Pickpockets And Stool Pigeons”
By Raymond Benson
Samuel Fuller’s 1953 film noir, Pickup on South Street, was shocking in its day and still manages to deliver a punch to the gut.
In the conservative early 50s, who would have thought that Hollywood would green light a picture in which a pickpocket, a “loose” woman, and a stool pigeon are the protagonists? Film noir titles often told stories from the point of view of the criminals when they didn’t focus on cynical and hard-boiled private investigators, but Pickup attempts to make these lowlifes sympathetic. Surprisingly, the movie succeeds. While the film was not well-received upon release, the years have been kind to it. Today, Fuller’s hard-edge crime story-cum-Cold War spy thriller is considered a masterpiece of its ilk.
Sleazy Skip McCoy (Richard Widmark) is a professional pickpocket, often preying on unsuspecting women on New York subway trains.
“Pickpockets And Stool Pigeons”
By Raymond Benson
Samuel Fuller’s 1953 film noir, Pickup on South Street, was shocking in its day and still manages to deliver a punch to the gut.
In the conservative early 50s, who would have thought that Hollywood would green light a picture in which a pickpocket, a “loose” woman, and a stool pigeon are the protagonists? Film noir titles often told stories from the point of view of the criminals when they didn’t focus on cynical and hard-boiled private investigators, but Pickup attempts to make these lowlifes sympathetic. Surprisingly, the movie succeeds. While the film was not well-received upon release, the years have been kind to it. Today, Fuller’s hard-edge crime story-cum-Cold War spy thriller is considered a masterpiece of its ilk.
Sleazy Skip McCoy (Richard Widmark) is a professional pickpocket, often preying on unsuspecting women on New York subway trains.
- 7/1/2021
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Yes, it is a perfect title for a horror picture, but it belongs to an early film noir -- or as we discover, a murder thriller that previews the classic '40s noir visual look. Victor Mature is the man on the spot for a killing, Betty Grable and Carole Landis are a pair of sisters in danger, and Laird Cregar is the creepiest police detective in the history of the force. I Wake Up Screaming Blu-ray Kl Studio Classics 1941 / B&W / 1:37 flat Academy / 82 min. / Street Date November 1, 2016 / available through Kino Lorber / 29.95 Starring Betty Grable, Victor Mature, Carole Landis, Laird Cregar, William Gargan, Alan Mowbray, Allyn Joslyn, Elisha Cook Jr. Cinematography Edward Cronjager Art Direction Richard Day, Nathan Juran Film Editor Robert L. Simpson Original Music Cyril J. Mockridge, Harold Barlow Written by Dwight Taylor from the novel by Steve Fisher Directed by H. Bruce Humberstone
Reviewed by Glenn Erickson
My,...
Reviewed by Glenn Erickson
My,...
- 10/29/2016
- by Glenn Erickson
- Trailers from Hell
Killer Greek scenery in CinemaScope graces Jean Negulesco's relaxed thriller about art theft in the Aegean. But viewers are more likely to remember Sophia Loren's sexy wet diving costume that insured that her American debut didn't go unnoticed. Boy on a Dolphin Blu-ray Kl Studio Classics 1957 / Color / 2:35 widescreen / 111 min. / Street Date October 25, 2016 / available through Kino Lorber / 29.95 Starring Alan Ladd, Clifton Webb, Sophia Loren, Alexis Minotis, Jorge Mistral, Laurence Naismith, Piero Giagnoni, Gertrude Flynn, Marni Nixon (voice), Scilla Gabel (Loren underwater). Cinematography Milton R. Krasner Film Editor William Mace Original Music Hugo Friedhofer Written by Ivan Moffat, Dwight Taylor from the novel by David Divine Produced by Samuel G. Engel Directed by Jean Negulesco
Reviewed by Glenn Erickson
Back when working on extras for The Guns of Navarone we saw documentation showing that Columbia Pictures had to jump through a lot of hoops with the Greek Royal Family...
Reviewed by Glenn Erickson
Back when working on extras for The Guns of Navarone we saw documentation showing that Columbia Pictures had to jump through a lot of hoops with the Greek Royal Family...
- 10/22/2016
- by Glenn Erickson
- Trailers from Hell
Teresa Wright and Matt Damon in 'The Rainmaker' Teresa Wright: From Marlon Brando to Matt Damon (See preceding post: "Teresa Wright vs. Samuel Goldwyn: Nasty Falling Out.") "I'd rather have luck than brains!" Teresa Wright was quoted as saying in the early 1950s. That's understandable, considering her post-Samuel Goldwyn choice of movie roles, some of which may have seemed promising on paper.[1] Wright was Marlon Brando's first Hollywood leading lady, but that didn't help her to bounce back following the very public spat with her former boss. After all, The Men was released before Elia Kazan's film version of A Streetcar Named Desire turned Brando into a major international star. Chances are that good film offers were scarce. After Wright's brief 1950 comeback, for the third time in less than a decade she would be gone from the big screen for more than a year.
- 3/11/2015
- by Andre Soares
- Alt Film Guide
Los Angeles — A pig-tailed girl whose favorite accessory is a pink stethoscope has become a symbol of pride and hope for black women in medicine and the daughters they want to inspire.
Doc McStuffins, the African-American title character of an animated TV series for children, dreams of becoming an M.D. and, for now, runs a cheerful home clinic for stuffed animals and dolls.
"I haven't lost a toy yet!" Doc exclaims as she hugs a blue dinosaur in need of attention.
For Dr. Myiesha Taylor, who watches Disney Channel's "Doc McStuffins" with her 4-year-old, Hana, the show sends a much-needed message to minority girls about how big their ambitions can be.
"It's so nice to see this child of color in a starring role, not just in the supporting cast. It's all about her," Taylor said. "And she's an aspiring intellectual professional, not a singer or dancer or athlete.
Doc McStuffins, the African-American title character of an animated TV series for children, dreams of becoming an M.D. and, for now, runs a cheerful home clinic for stuffed animals and dolls.
"I haven't lost a toy yet!" Doc exclaims as she hugs a blue dinosaur in need of attention.
For Dr. Myiesha Taylor, who watches Disney Channel's "Doc McStuffins" with her 4-year-old, Hana, the show sends a much-needed message to minority girls about how big their ambitions can be.
"It's so nice to see this child of color in a starring role, not just in the supporting cast. It's all about her," Taylor said. "And she's an aspiring intellectual professional, not a singer or dancer or athlete.
- 6/12/2012
- by AP
- Aol TV.
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