News

Una lista de 10 películas imprescindibles de la 72ª edición del Festival. © Ssiff

Con la 72ª edición del Festival Internacional de Cine de San Sebastián ya finalizada, desde mundoCine te traemos nuestro top 10 de películas (sin orden preferente) que no te puedes perder y que se estrenarán en cines en breve:

Anora (Sean Baker)

Sean Baker le da una vuelta de tuerca al clásico cuento de Cenicienta y a la Pretty Woman de Garry Marshall, y lo hace con Anora, y su explosiva fusión de romance, comedia, thriller y drama. Una ganadora más que merecida de la Palma de Oro en Cannes y que debería, por fin, catapultar a Baker a los Oscar. Y es que Anora es un nombre que se te quedará grabado mucho tiempo después de que acabe la película, y una historia como ésta solo podía ser obra de Sean Baker. [Sigue leyendo nuestra crítica…]

Fecha de estreno. 31 de octubre de...

Zum zweiten Mal in Folge hat ein spanischer Filmemacher den Hauptpreis des San Sebastián International Film Festival gewonnen: Albert Serra erhielt die Goldene Muschel des 82. Ssiff für seine Stierkämpferdoku „Tardes de soledad“. Der Regiepreis geht an zwei Regiedebütanten.

Albert Serra mit der Goldenen Muschel (Credit: Ssiff / Jorge Fuembuena)

Das 82. San Sebastián International Film Festival hatte seinen feierlichen Abschluss mit der Verleihung der Preise, die von einer Jury um die letztjährige Goldene-Muschel-Gewinnerin, die tatsächlich aus San Sebastián stammende Jaione Camborda („O corno“), übergeben wurden (zur Jury gehörten u. a. die Filmemacher Ulrich Seidl aus Österreich und Christos Nikou aus Griechenland).

Der Dokumentarfilm „Tardes de soledad“ (Spanien-Frankreich-Portugal) unter der Regie von Albert Serragewann in diesem Jahr die Goldene Muschel als bester Film – eine nicht ganz unumstrittene Entscheidung, denn der Film spaltete die Gemüter. Die offizielle Jury vergab die Silberne Muschel für die beste Regie ex aequo an die Debütanten Laura Carreira und...

Spanish director Albert Serra’s bullfighting documentary Afternoons Of Solitude has won the Golden Shell for best film at the closing ceremony of the 72nd edition of the Spanish festival tonight (Saturday September 28).

The special jury prize was awarded to Gia Coppola’s The Last Showgirl which stars Pamela Anderson as a Vegas showgirl facing the end of her career.

’Afternoons Of Solitude’ review

The official competition jury, presided over by Spanish filmmaker Jaione Camborda – who was last year’s Golden Shell winner for The Rye Horn, also awarded top prizes to new filmmakers. The Silver Shell for best director...

Sometimes, in a closely contested festival competition, it pays to be the one thing that isn’t like the others. A starkly powerful, observational study of contemporary bullfighting, Spanish auteur Albert Serra’s “Afternoons of Solitude” was the only documentary in the main competition at this year’s San Sebastian Film Festival — and this evening won the Golden Shell for best film of the festival, beating some big-name narrative competition.

The award was presented by last year’s Golden Shell winner, Spanish filmmaker Jaione Camborda, heading a jury that also included directors Ulrich Seidl, Christos Nikou and Fran Kranz, producer Carole Scotta and Argentine journalist Leila Guerriero.

Centred on star Peruvian matador Andrés Rey Roca, “Afternoons of Solitude” is candid in its depiction of the violence of the sport, and has already proven controversial on home turf, with Spain’s animal-rights party Pacma calling for the film to be withdrawn from the festival.

San Sebastian — With its awards ceremony Saturday night, the San Sebastian Festival’s 72nd edition is heading into its final straits. Following, 10 takeaways from what looks like its biggest edition ever in star wattage, the caliber of Spanish filmmaking and the number of deals reported by Variety, set in the context of vertiginous change in international independent film and TV landscape.

San Sebastian 2024: The Stars Align

Johnny Depp visited kids in a San Sebastian hospital dressed as Jack Sparrow; Javier Bardem teared up remembering his mother, the exemplary Pilar Bardem; Pedro Almodóvar remembered back 44 years to his first San Sebastian, performing at disco Ku and ending up on the beach at 8 in the morning. Cate Blanchett, accepting her Donostia Award, praised the “uncertainty which drives me.”

Never before have so many stars descended on San Sebastian. Why? “I think two factors are at play,” San Sebastian Film Festival director José Luis Rebordinos told Variety.

San Sebastian — Is this the San Sebastián Catalan Film Festival? Always boasting a sterling presence at San Sebastián, Catalonia has a massive 27 titles this year, counting five projects in doc forum Lau Haizetara and including four of the five Spanish movies in main Competition and 10 in Made in Spain. Following a break-down of major section titles:

Main Competition

“Afternoons of Solitude,” (Andergraun Films, Ideale Audience, Lacima Producciones)

Albert Serra’s not at all obvious follow-up to Cannes competition player “Pacifiction,” a portrait of star bullfighter Andrés Roca Rey at work. The results remain to be seen. Serra has shot the disc feature “with respect and innocence, without prejudice nor provocation,” he tells Spain’s ABC Cultural.

“Glimmers,” (Inicia Films, Mod Producciones, Misent Producciones)

The latest from Pilar Palomero. A top-notch Spanish cast led by Patricia López Arnaíz and Antonio de la Torre drive the tale of a woman asked by...

This year’s San Sebastian International Film Festival will feature the most eye-catching list of international superstars it has ever hosted, including A-list actors such as Cate Blanchett and Javier Bardem – who will both receive Donostia career achievement awards, Andrew Garfield, Pamela Anderson, Tilda Swinton and Lupita Nyong’o and filmmakers like local legend Pedro Almodovar – another Donostia award recipient, Adam Elliot, Gia Coppola, Mike Leigh and Walter Salles.

Other international actors who have confirmed they will attend this year’s festival include Monica Bellucci, Jamie Campbell Bower, Johnny Depp, Isabelle Huppert, Noémie Merlant, Ángela Molina, Franco Nero, Charlotte Rampling and Will Sharpe, among others.

Normally, many directors attend San Sebastian with their latest films, but the number of titles from consecrated directors at this year’s festival has increased noticeably. Filmmakers bringing their latest to this year’s festival include Jacques Audiard, Sean Baker, Edward Berger, Leos Carax, Costa-Gavras, Audrey Diwan,...

La sección oficial a competición del Ssiff se llena de grandes nombres. © 72Ssiff

Hace unas semanas se dieron a conocer los títulos españoles que competirán por la Concha de Oro en la 72ª edición del Festival de Cine de San Sebastián, que se celebrará del 20 al 28 de septiembre. Éstos son Soy Nevenka, de Icíar Bollaín, El llanto de Pedro Martín-Calero, Los destellos, de Pilar Palomero, y Tardes de soledad, de Albert Serra.

Hoy se han anunciado títulos restantes de la sección oficial a competición del festival, los cuales acompañarán a Bollaín, Martín-Calero, Palomero y Serra en la contienda por el prestigioso galardón. Entre los títulos más destacados encontramos Cónclave, The End, Hard Truths y The Last Showgirl.

Cónclave, de Edward Berger, director de Sin novedad en el frente, se presenta como un fuerte contendiente a la Concha de Oro. Este film tendrá su premiere mundial en el Festival de Cine...

Edward Berger, Mike Leigh and Joshua Oppenheimer titles have joined the competition line-up at the San Sebastian International Film Festival.

Berger heads to San Sebastian with Toronto premiere Conclave, starring Ralph Fiennes, about a cardinal who is tasked following the Pope’s sudden death with supervising the conclave from which his successor will be chosen.

Mike Leigh is appearing in official selection for the first time, with UK-Spain co-production Hard Truths, another Toronto world premiere, starring Marianne Jean-Baptiste and Michele Austin. Leigh portrays the everyday life of a London family, addressing such issues as family relations, mourning and mental health.

Das San Sebastián International Film Festival hat sein Programm für die 72. Ausgabe bekannt gegeben. Aus deutscher Sicht der größte Name: Edward Bergers „Conclave“ wird auf dem spanischen A-Festival seine Europapremiere im Wettbewerb feiern. Weitere bekannte Namen sind Gia Coppola, Mike Leigh, François Ozon und Costa-Gavras.

Ralph Fiennes als Kardinal Lawrence in Edward Bergers „Conclave“ (Credits: Focus Features)

Schon in den letzten Jahren hat sich immer mehr angedeutet, dass das spanische A-Festival wieder an Bedeutung zunimmt. Für die 72. Ausgabe des San Sebastián International Film Festival, die vom 20. bis 28. September stattfindet, kann der langjährige Festivalchef José Luis Rebordinos auf eine Selektion mit überaus namhaften Filmemacher:innen zugreifen. Bereits bekannt war Audrey Diwans „Emmanuelle“ mit Noémie Merlant als Eröffnungsfilm. Dazu gesellt sich im Wettbewerb als aus deutscher Sicht wichtigster Name Edward Berger mit seiner Robert-Harris-Verfilmung „Conclave“ mit Ralph Fiennes, der nach Auftritten in Telluride und Toronto in der baskischen Küstenstadt seine Europapremiere haben wird.

The San Sebastián Film Festival has revealed a bumper Official Selection for its latest edition, which will unfold from September 20 — 28.

The festival, which is celebrating its 72nd edition, will screen new films from established filmmakers such as Edward Berger, Gia Coppola, Costa-Gavras, Kiyoshi Kurosawa, Mike Leigh, Diego Lerman, Joshua Oppenheimer, and François Ozon alongside works from new filmmakers including Laura Carreira and Xin Huo.

Coppola’s The Last Showgirl heads to San Sebastián following a debut in Toronto. The film stars Pamela Anderson, Jamie Lee Curtis, and Dave Bautista. The film’s plot follows a seasoned showgirl who must plan for her future when her show closes after a 30-year run. Also heading to Spain from The Six is Mike Leigh’s Hard Truths, starring Marianne Jean-Baptiste and Michele Austin. The British-Spanish production is said to portray the everyday life of a London family, addressing such issues as family relations,...

Las tres películas preseleccionadas se conocerán el 4 de septiembre.

La Academia de Cine ha fijado el 18 de septiembre como la fecha en la que se anunciará la película que representará a España en los Premios Oscar 2025.

Antes de esta selección final, los académicos participarán en una primera ronda de votación que se llevará a cabo del 27 de agosto al 2 de septiembre. Posteriormente, el 4 de septiembre, la Academia revelará los tres filmes preseleccionados por sus miembros. De estos tres candidatos, se elegirá la película final tras una segunda ronda de votación que se celebrará del 9 al 16 de septiembre.

Este año hay muchas opciones, entre ellas, “La Casa” de Álex Montoya, galardonada en el Festival de Málaga; “Segundo Premio” de Isaki Lacuesta y Fernando Navarro, ganadora de la Biznaga de Oro; “La Estrella Azul” de Javier Macipe, proyectada en el pasado Festival de San Sebastián; “Volveréis”, de Jonás Trueba, ganadora de la...

La cineasta de ‘Las Niñas’ y ‘La Maternal’ presenta su nuevo largometraje protagonizado por Patricia López Arnaiz y Antonio De la Torre. © Caramel Films

Tras el anuncio de que competirá por la Concha de Oro en la 72 edición del Festival de San Sebastián, se han hecho públicos el primer tráiler y póster de “Los Destellos”, el tercer largometraje de la cineasta aragonesa Pilar Palomero basado en el relato “Un Corazón Demasiado Grande”, de Eider Rodríguez.

En “Los Destellos”, la vida de Isabel da un inesperado giro el día que su hija Madalen le pide que visite regularmente a Ramón, que está enfermo. Tras quince años alejada de su exmarido, un hombre al que ve como un extraño pese a que fueron familia durante años, Isabel comienza a reavivar resentimientos que creía haber superado. Sin embargo, al acompañar a Ramón en su momento más vulnerable, Isabel podrá ver con otros ojos...

Projects from Albert Serra and Iciar Bollain are among the 12 Spanish features selected for the 2024 San Sebastian International Film Festival (Ssiff), taking place from September 20-28.

Serra will compete for the first time in San Sebastian’s official section with bullfighting documentary Tardes De Soledad. His previous films include Locarno winner The Story Of My Death and 2022 Cannes premiere Pacifiction.

Competing in the main section for the fifth time is Iciar Bollain with I’m Nevenka, about a town councillor who reports abuse by the major. Mireia Oriol and Urko Olazabal star.

Also selected are Pedro Martín-Calero’s directorial debut The Wailing,...

Danis Tanović’s ‘My Late Summer’ To Open Sarajevo

Bosnian director Danis Tanović’s My Late Summer will open the 30th Sarajevo Film Festival this August. The film is billed as a comedy-drama about a young woman Maja who comes to a remote island to solve an issue of family inheritance. In a whirlwind of new emotions and through a series of unpredictable situations, she will finally face questions from her past. The search for inheritance becomes a search for her own identity, but also for forgiveness. Tanovic is one of Bosnia and Herzegovina most acclaimed directors. He broke out internationally with his Bosnia War inspired No Man’s Land which clinched the Oscar and Golden Globe for best foreign language film in 2002. He has also won the Berlinale’s Silver Bear for An Episode in the Life of an Iron Picker (2013) and Death in Sarajevo (2016). My Late Summer is produced...

Cuatro películas españolas en la competición.

Hoy se han dado a conocer las películas españolas que formarán parte de la programación de la 72ª edición del Festival de Cine de San Sebastián, que se celebrará del 20 al 28 de septiembre.

Cuatro películas españolas formarán parte de la competición por la Concha de Oro del Festival: “Soy Nevenka”, “El Llanto”, “Los Destellos” y “Tardes de Soledad”.

© 72Ssiff

Icíar Bollaín, conocida por su película “Maixabel”, presentará “Soy Nevenka”, que será su quinta participación en la Sección Oficial. Protagonizada por Mireia Oriol y Urko Olazabal, se basa en la historia real de Nevenka Fernández, una concejala que pagó un alto precio por atreverse a denunciar el acoso del alcalde de Ponferrada. Una historia que convirtió a su protagonista en una pionera del movimiento #metoo al llevar por primera vez a un político influyente ante los tribunales por acoso sexual y laboral.

© 72Ssiff

En su ópera prima,...

The San Sebastian Film Festival, the biggest film event in the Spanish-speaking world, has unveiled a packed lineup of Spanish titles that is strong on women auteurs, led by Iciar Bollaín, Pilar Palomero, Paula Ortiz and Alauda Ruiz de Azua, who are now stepping up in scale or industry backing as big SVOD players – Movistar Plus+, Prime Video – move into the production of Spanish movies aimed at theatrical release or back their original series.

Vying in main competition, Bollaín’s “I Am Nevenka” looks like the first film to see the light of day from six auteur event movies co-produced by Movistar Plus+ and directed by leading cinematographic talent such as Rodrigo Sorogoyen and Alberto Fernández.

Also selected are two leading lights of a younger generation of women directors which have galvanised Spanish arthouse but are now looking for broader audiences.

Goya and San Sebastian winner Pilar Palomero competes in main competition with “Glimmers,...

Catalan films routinely punch above their weight at high-profile international festivals: Think 2022 Berlin Golden Bear winner “Alcarràs.” That trend looks primed to continue in 2024.

Catalan auteur Albert Serra will debut “Afternoons of Solitude,” co-produced by Catalan companies Andergraun Films and Lacima, with Ideale Audience and Tardes de Soledad.

A fall fest bet, “They Will Be Dust,” from Carlos Marqués- Marcet, is produced by Catalonia’s Lastor Media alongside Chile’s Alina Film and Kino Produzioni in Italy.

Few regions boast a lineup of female filmmakers as impressive as Catalonia. This year, new films from Goya Award winners Pilar Palomero (“Glimmers”) and Belén Funes (“The Turtles”) are strong contenders for festival recognition.

With the backing of Catalonia’s Minority Co-Production Fund, four international co-prods are poised to make a significant impact on this year’s festival circuit. Keep an eye out for Javier Rebollo’s “Close to the Sultan”, Calia Atan...

Over the last seven years or so, the ever more capitalized Catalan industry, much based in capital Barcelona, has driven into domestic co-production with other parts of Spain. One result: an exciting new generation of young directors and producers, often women, which have scored a Berlin Golden Bear (Carla Simon’s “Alcarràs”) and best lead performance.

The Catalan film-tv industry is now, however, in the throes of a gathering industry makeover which is showing its first fruits. One driver, as so often in Europe, is public sector funding.

In 2019, total allocated Catalan government audiovisual funding stood at €12.6 million ($13.7 million). It rose to €40.8 million ($44.5 million) in 2022 and will rise again to an estimated €50 million ($54.5 million) in 2024, if the Catalan Parliament approves the budget, says Edgar Garcia, director of the governmental culture industry unit Icec.

In response to ramped-up funding, Catalonia industry has grown vibrantly. 130 execs and talent, representing 80 companies, attend 2024’s Berlin Film Market.

“Do Not Expect Too Much From the End of the World,” from Romania’s Radu Jude, added to its ever larger silverware collection, winning the top Albar Award at Spain’s Gijón Festival.

Gijón’s big win join not only a Special Jury Prize at August’s Locarno Film Festival, where the film was the most talked about – one of Jude’s aims– and lauded of competition titles among reviewers, plus a Chicago Silver Hugo best performance nod (Ilinca Manolache) in October and a Lisbon Fest Jury Prize late last month.

Over 61 editions, and most especially when José Luis Cienfuegos, now Valladolid chief, took over its reins in 1995, the Gijón-Xijón Film Festival (Ficx) has carved out an identity as highlighting edgier international auteurs and indie fare, moving into promoting often more singular movies from a burgeoning new generation of Spanish filmmakers, greeted with enthusiasm by discerning and predominantly YA audiences...

High-flying Madrid-based Caballo Films, behind Rodrigo Sorogoyen’s “The Beasts” and “Riot Police” and Borja Soler’s “The Route,” has put into development a fiction series adaptation of Mabel Lozano’s prized same-titled non-fiction work.

Shaping up as a deep drill-down into the growth of prostitution in Spain into large-scale organized crime, “El Proxeneta” packs a powerful talent package of creator-writers Isabel Peña, co-writer of Rodrigo Sorogoyen’s “As Bestas” and “Riot Police,” and Eduardo Villanueva, a co-scribe on “Riot Police” and producer on “Stockholm.”

Pilar Palomero, a Spanish Academy Goya best picture winner for “Schoolgirls,” will direct the series, her first TV work beyond one episode of “Venga Juan.”

“Pilar was always on our minds for this project, given her talent, and we wanted a female gaze behind all the key points of creative responsibility,” said Villanueva.

“El Proxeneta” is co-produced by Lozano’s label Mafalda Entertainment.

“My commitment...

Martinessi’s debut The Heiresses won the Silver Bear at the Berlinale in 2018.

Narciso, the second feature from Paraguay’s Marcelo Martinessi, has attracted a crop of new co-producers: Spain’s Bteam Prods, Portugal’s Oublaum, Brazil’s Esquina Films and Uruguay’s Mutante Cine.

Martinessi’s debut The Heiresses won the Silver Bear at the Berlinale in 2018.

The four companies will team with the same production team that backed The Heiresses on Narciso; Paraguay’s La Babosa Films, Germany’s Pandora Filmproduktions and France’s La Fábrica Nocturna Prods.

France’s Luxbox handles international sales.

Based on the novel...

Segundo Premio will tell the story of influential rock indie group Los Planetas.

Catalan director Isaki Lacuesta, a double Golden Shell winner at San Sebastian for Between Two Waters (2018) and The Double Steps (2011), is set to start shooting his new feature, musical Segundo Premio (English working title: Saturn Return).

The film is a co-production between La Terraza Films, Áralan Films, Ikiru Films and BTeam prods from Spain and France’s Capricci Films.

Although is not a biopic, Segundo Premio will tell the story of Los Planetas, an influential Spanish indie rock group. It will depict “a very special period of...

Segundo Premio will tell the story of influential rock indie group Los Planetas.

Catalan director Isaki Lacuesta, a double Golden Shell winner at San Sebastian for Between Two Waters (2018) and The Double Steps (2011), is set to start shooting his new feature, musical Segundo Premio (English working title: Saturn Return).

The film is a co-production between La Terraza Films, Áralan Films, Ikiru Films and BTeam prods from Spain and France’s Capricci Films.

Although is not a biopic, Segundo Premio will tell the story of Los Planetas, an influential Spanish indie rock group. It will depict “a very special period of...

“Los pequeños amores,” the latest film from Celia Rico who made a splash at the 2018 San Sebastian Festival with “Journey to a Mother’s Room,” has been acquired for international sales by Spain-based Latido Films.

Produced by Barcelona-based Arcadia Motion Pictures, which co-produced Rodrigo Sorogoyen’s 2023 Goya winner and box office breakout “The Beasts, and France’s Noodles Production, Rico’s second feature is set in a bucolic countryside. It weighs in as a mother-daughter two-hander sparked after strongly independent mother Ani falls over walking the dog and is forced to use a wheelchair to get around.

Daughter Teresa cuts short a vacation to come to her side, their co-habitation grating and revealing multiple – sometime generational – differences as the film peels back the layers of their relation, exposing both women’s ambitions and fears.

Adriana Azores plays Ani, María Vázquez is Teresa.

“There are several reasons Latido had to be involved...

Spain has found a place on the global film industry’s radar as an attractive market for co-producing projects, boosted by its bigger-than-ever-public-sector funding.

The trend comes in a moment of maturity for its audiovisual industry, with competitive tax incentives and the emergence of fresh talent, often female, whether directors or producers. Unlike U.S. indie producers, hard hit by streamers pulling back, European counterparts still have public sector financing.

But to make movies of any artistic ambition, which might justify that funding and break out to foreign sales and a theatrical release, producers are looking overseas more and to other parts of Spain for production partners.

Co-production is booming. Only last year, Spain co-produced 70 films, beating its average production for the period 2018-2022 of 256 titles, according to Spanish film agency Icaa.

Icaa’s selective aid for movie production reached €20 million (21.48 million). Of that, a minimum 5 went to support minority co-productions.

Rodrigo Sorogoyen’s take on a western wins nine prizes, but none for Carla Simon’s Berlinale winner

Rodrigo Sorogoyen’s The Beasts scored big at the 37th edition of the Spanish Film Academy Goya awards held on Saturday in Seville, scooping major prizes including best film and best director.

The ceremony celebrated a year hailed as one of the strongest for Spanish cinema in recent memory. However, one of Spain’s most high-profile films on the international stage, Carla Simon’s Berlinale Golden Bear winner Alcarras, left the Goyas empty-handed despite 11 nominations.

The Beasts, which debuted in Cannes in the Premieres section,...

Sorogoyen’s take on a western wins nine prizes, but none for Carla Simon’s Berlinale winner

Rodrigo Sorogoyen’s The Beasts scored big at the 37th edition of the Spanish Film Academy Goya awards held on Saturday in Seville, scooping major prizes including best film and best director.

The ceremony celebrated a year hailed as one of the strongest for Spanish cinema in recent memory. However, one of Spain’s most high-profile films on the international stage, Carla Simon’s Berlinale Golden Bear winner Alcarras, left the Goyas empty-handed despite 11 nominations.

The Beasts, which debuted in Cannes in the Premieres section,...

Paris-based Luxbox has pounced on international rights to “20,000 Species of Bees,” one of Spain’s most anticipated feature debuts in 2023.

Distributor of “Holy Spider” and San Sebastian winner “The Kings of the World,” BTeam Pictures will handle the film’s release in Spain.

The latest movie in a growing canon of titles from young Spanish directors that have a grounded sense of place while dealing in large universal issues – think Carla Simon’s “Summer 1993” and Berlin Golden Bear winner “Alcarràs,” Alauda Ruiz de Azúa’s “Lullaby” and Elena López Riera “The Water” – “20,000 Species of Bees” marks the first feature by Basque Country-based Estibaliz Urresola Solaguren whose short, “Cuerdas,” won a Cannes Critics’ Week Rails d’Or plaudit in May and was a Forqué Award best short winner this December in Spain.

It turns on an eight-year-old girl who battles with the fact that people keep addressing her in confusing ways.

Often, when embarking on the recent Variety tradition that is this feature — designed to highlight some of the year’s best yet least-Oscar-likely performances — one particular turn will emerge as the poster child. A performance that, for many reasons, really ought to have a shot at Oscar but, being in a language other than English, has little chance. This year, that slot goes to Vicky Krieps who, in Marie Kreutzer’s “Corsage,” does not so much play Empress Elisabeth of Austria (a role previously defined by Romy Schneider in the saccharine “Sissi” trilogy) as entirely reimagine and reclaim her.

Rather like with Mads Mikkelsen in Thomas Vinterberg’s “Another Round,” Krieps has the kind of stateside profile that will help “Corsage” stay in the conversation for the best international feature film Oscar shortlist. But the odds of her getting an individual best actress nod remain far slimmer — a shame, given...

Variety has been given exclusive access to Mubi’s newly cut trailer for writer-director Carla Simón’s “Alcarrás,” Spain’s Oscar entry, which is scheduled to open on Jan. 6 at the Lincoln Center and Quad Cinema in New York.

The 2022 Berlin Golden Bear winner was picked up by Mubi earlier in the year and is also opening in the U.K. on the same date.

Produced by Maria Zamora, Stefan Schmitz and Tono Folguera, Simon’s follow up to “Summer 1993,” which itself won Berlin’s 2017 best first feature award.

It tells the story of a hard-working peach-farming family in Lleida, Catalonia, in rural north east Spain, whose livelihood and way of life are condemned to oblivion when an old verbal Spanish Civil War pact on the land rental is ignored and they are faced with eviction.

Inspired in atmosphere and setting by the experience of writer-director Carla Simón’s own grandparents and uncle and aunt,...

Rodrigo Sorogoyen’s ’The Beasts’ has 17 nominations.

Rodrigo Sorogoyen’s The Beasts leads the nominees for Spain’s prestigious Goya awards, with 17, followed closely by Alberto Rodríguez’s Prison 77 on 16.

The Beasts, which had its world premiere at Cannes, centres around a French couple who cause tensions in the local village to which they move. The psychological thriller is nominated in all major categories including best film where it lines up with Prison 77, Alauda Ruiz de Azúa’s Lullaby, Pilar Palomero’s La Maternal and Carla Simón’s Golden Bear winner Alcarràs.

Scroll down for the full nominations

Alcarràs is...

The big winner at the Stockholm International Film Festival 2022 was Holy Spider, directed by Swedish-Danish-Iranian Ali Abbasi.

Complete list of winners below

The film won the Bronze Horse for Best Film, while lead actor Mehdi Bajestani was named Best Male Actor for his role as serial killer Saeed Hanaei. The film was based on the true story of the so-called ‘Spider-Killer’ who targeted sex workers and killed 16 women from 2000 to 2001 in Mashhad, Iran. The film depicts a fictional female journalist investigating the crimes.

In presenting Abbasi with his award, the jury said of Holy Spider:

“A groundbreaking film that is done not only with enormous courage but with mastery that leaves us breathless; our insides both speechless and wanting to cream. A punch in the gut for systematic belief systems that oppress rather than support. An eye opener and a most emotional cinematic experience that awakens internal revolutions in us.

Festival runs November 9-20.

The Stockholm International Film Festival will present 130 films from 50 countries, opening on November 9 with Sweden’s international Oscar submission, Boy From Heaven by Tarik Saleh.

Political thriller Boy From Heaven premiered in competition at Cannes where it was awarded best screenplay.

Actor Fares Fares will receive the Stockholm Achievement Award on opening night. His credits include Easy Money, Safe House, Westworld and Chernobyl.

The Stockholm Visionary Award will go to Sam Mendes who will present the Nordic premiere of Empire Of Light.

Other notable selections include Luca Guadagnino’s Bones And All; Gina Prince-Bythewood’s The Woman King...

The event runs on November 13 across 700 cinemas globally

Filmmakers Lukas Dhont, Alice Diop, Emily Atef, Pilar Palomero, Agnieszka Smoczynska and Valerio Mastandrea have been named ambassadors for the European Arthouse Cinema Day (November 13).

The event will take place in 700 cinemas globally and aims to promote European film.

The programme includes classic titles, premieres and previews as well as panels, exhibitions, Q&a’s and programmes for young people. The ambassadors will take part in some of the events.

The event is organised by the International Federation of Arthouse Cinemas (Cicae) in collaboration with participating cinemas, its national associations, distributors and sales agents.

The Kings Of The World Photo: Courtesy of San Sebastian Film Festival Laura Mora’s Columbian film The Kings of the World took home the Golden Shell at San Sebastian Festival’s 70th edition. The film - a coproduction Luxembourg, France, Mexico and Norway - blends the harsh reality for a bunch of streetkids with something more mystical as they go on an, at times surreal, road trip in order to reclaim a patch of land.

The Silver Shell for Best Director went to Genki Kawamura's consideration of the impact of Alzheimer's on a strained mother and son relationship in A Hundred Flowers (Japan), while the Best Screenplay Award went to Dong Yun Zhou and Wang Chao for their work on the latter’s movie A Woman (China).

Young stars Carla Quílez and Paul Kircher landed the Silver Shell ex-aequo for Best Leading Performance in Pilar Palomero’s hybrd...

Colombian filmmaker Laura Mora has clinched the Golden Shell in the main competition of the 70th San Sebastian Film Festival with her latest feature The Kings of the World (Los reyes del mundo).

Billed as a subversive tale of disobedience, friendship, and dignity, the film follows five boys living on the streets of Medellín who set out on a journey in search of the promised land. The film is a Colombian co-production with Luxembourg, France, Mexico, and Norway.

This is the third year running that a film helmed by a woman has taken home the Golden Shell following Dea Kulumbegashvili’s Beginning in 2020 and Alina Grigore’s Blue Moon last year. This is also the first time a Colombian production has picked up San Sebastian’s top prize in the festival’s seven decades.

In other main competition awards, Japanese writer Genki Kawamura picked up the Silver Shell for Best...

Click here to read the full article.

Laura Mora’s Columbian drama The Kings of the World has won the Golden Shell for best film at the 2022 San Sebastián film festival, Spain’s premiere film fest. Mora’s sophomore feature follows five young men growing up on the streets of Medellín who set off on a journey in search of the promised land.

Best director went to Japanese filmmaker Genki Kawamura for dementia-focused drama Hyakka, his feature debut. Kawamura is best known as the producer of such hit Japanese animated features as Your Name (2016) and Weathering With You (2019).

Marian Mathias’ drama Runner, the story of an 18-year-old girl who decides to fulfill her dead father’s last wish to be buried in his hometown along the Mississippi, won the festival’s special jury prize.

The Silver Shell for best performance went, jointly, to Paul Kircher for his performance in Christophe Honoré...

Colombian director Laura Mora’s coming-of-age drama “Kings of the World” has taken the Golden Shell for Best Film at the San Sebastian Film Festival, marking the third consecutive year that a female filmmaker has taken the top prize at the Spanish fest.

The film, Mora’s second feature, is a raw, unusual coming-of-age drama, supplanting the sentimentality that tends to dominate that genre with delirious, even surreal energy in its story of five Medellin street kids who venture from the city into the jungle, in pursuit of ancestral land. Premiering in the latter days of the fest, it proved popular with critics, but nonetheless represents an underdog victor in a competition that included such established names as Sebastian Lelio, Hong Sangsoo and Christophe Honoré.

Instead, youth dominated the slate of winners, with freshman American filmmaker Marian Mathias taking the runner-up Special Jury Prize for her debut feature “Runner,” while...

It takes a village to raise a child, goes the old saying, and at least in the figurative sense, Spanish director Pilar Palomero’s tremendous sophomore feature “La Maternal” shows that to be true. Before that can happen, however, pregnant 14-year-old Carla needs to get out of the village and into the city — specifically, to a Barcelona shelter for teenage mothers where the troubled adolescent finds the community and empathy her life has been missing all along. Female solidarity drives Palomero’s follow-up to the celebrated, similarly sisterhood-themed “Schoolgirls,” but without any glib girl-power sloganeering: A tough, unsweetened work of social realism built around an astonishing screen debut by Carla Quílez, “La Maternal” sentimentalizes not one detail of juvenile motherhood, truly earning its flashes of hope and grace.

Though it racked up festival mileage at the Berlinale and beyond, “Schoolgirls” never made quite the impression internationally that it did in...

Pilar Palomero’s second feature film “La Maternal” had its world premiere in main competition at Spain’s San Sebastián Film Festival on Tuesday. The Spanish filmmaker, who won Goyas for best picture, best new director and best original screenplay with her debut film “Las Niñas,” produced like “La Maternal” by Valérie Delpierre at Inicia Films, returns to the Basque Country festival with another invigorating work that explores the challenges and joys of girlhood.

“I never made a decision to explicitly focus on girlhood,” Palomero says. “I think it’s a coincidence that both are about young women, but I guess there’s something inside me that I’m not aware of that’s leading me to this subject.”

In “La Maternal,” sold by Elle Driver, Palomero turns her attention to teen mothers in Barcelona and the social attitudes that condemn them. 14-year-old Carla leaves home when she discovers she...

Festival runs October 12-23.

Jafar Panahi’s No Bears, Alice Diop’s Saint Omer, and Sergei Loznitsa’s The Natural History Of Destruction are among the international competitions line-up at the 58th Chicago International Film Festival next month.

This year’s competitions include 10 films receiving their North American premiere and 17 getting their US premiere as the entries vie for the festival’s Gold Hugo award in the categories of international feature, international documentary, and new directors.

The festival runs October 12-23. The full international competition line-ups are below.

Playing in International Feature Competition are: The Beasts (Sp-Fr), Rodrigo Sorogoyen, US premiere; Before,...

Packing its first full-on onsite edition since the pandemic, Spain’s San Sebastian Festival has never been busier or bigger. 10 Takes on what is shaping up as a vibrant edition:

Playing Off Powerful Market Forces

Nine of Netflix’s 20 Top 10 non-English-language films and TV series are sourced from Spain or Latin America. Platforms are battling to tie down talent.

This year, eight movies from Spain and Latin America play in competition alone at San Sebastian, the most important film event in the Spanish-speaking world. The fest’s main sidebar is its New Directors strand. San Sebastian’s focus on the Spanish-speaking world and new talent now aligns with powerful market forces. That fact plays out over the 2022 edition.

San Sebastian’s New Creative Investors’ Conference

CAA Media Finance is teaming with San Sebastian to organize the festival’s first Creative Investors’ Conference, running Sept. 19-20. Attendees take in international film...

The San Sebastian festival director reflects on the innovations for the 70th anniversary

José Luis Rebordinos has been the director of the San Sebastian International Film Festival since 2011.

He talks to Screen about this year’s 70th anniversary edition which will celebrate San Sebastian’s history as well as the exciting present moment for Spanish cinema and host an expanded industry section.

The festival opens today, Friday September 16, and runs until September 24.

San Sebastian prides itself as a festival that showcases both new and established Spanish filmmakers. How would you describe the Spanish productions selected this year?

There’s a...

Click here to read the full article.

The 70th San Sebastián Film Festival unveiled its competition line-up Tuesday, with new works from award-winning directors Sebastián Lelio, Hong Sang-soo and Ulrich Seidl in the running for the 2022 Golden Shell.

Chilean filmmaker Lelio, who won an Oscar for best international feature with A Fantastic Woman (2017), will premiere his latest, The Wonder, in San Sebastián. The period drama, based on the Emma Donoghue novel, is set in mid-19th century Ireland and stars Florence Pugh, Ciarán Hinds, Tom Burke and Toby Jones.

The prolific Hong Sang-Soo, who just won the Jury Prize in Berlin in February for The Novelist’s Film, brings his latest minimalist drama, Walk Up, to the Spanish festival. The plot involves a middle-aged film director and his estranged daughter who are being shown around a building owned by an interior designer.

Seidl, the Austrian director who has made a career...

Further titles include Mikel Gurrea’s ‘Suro’, Pilar Palomero’s ‘La Maternal’ and TV series ‘Offworld’.

A total of 18 Spanish productions have been selected for the 70th San Sebastian Film Festival, running from September 16-24, including Fernando Franco’s The Rite Of Spring (La Consagración De La Primavera).

This is Franco’s third feature, following the Silver Shell for best actress received by Marian Álvarez for 2013’s The Wound (La Herida) and special screening title Dying (Morir) in 2017.

The Rite Of Spring (La Consagración De La Primavera) follows the meeting between an 18-year-old girl, played by Valèria Sorolla, and a young boy with cerebral palsy,...

Fernando Franco’s coming of age drama “The Rite of Spring” and Mikel Gurrea’s rural drama “Suro” will vie for the top Golden Seashell at September’s 70th San Sebastian Festival, the highest-profile film event in the Spanish-speaking world.

Also making the cut are Jaime Rosales’s female emancipation tale “Wild Flowers” and Pilar Palomero’s teen motherhood story “La Maternal.”

The four titles form part of a Spanish film line-up which looks to be “the strongest Spanish movie presence at San Sebastian in the 11 years I’ve been directing the festival,” San Sebastian director José Luis Rebordinos said on Friday.

One or two more Spanish films could still be added to the selection, including one more in New Directors, he went on.

Galvanizing the selection is new talent. Five of the 10 movies in San Sebastian’s principal sections for new movies – main competition, out of competition, special screenings,...

Pedro Almodóvar has put his considerable weight behind Spaniard Alauda Ruiz de Azúa’s first feature, ”Lullaby” (“Cinco Lobitos”) as it has initiated a spirited run at Spain’s box office.

“It is undoubtedly the best debut in Spanish cinema for years,” Almodóvar announced in a statement, describing the mother-daughter relationship drama as “a portrait of the role of women within the family, which is truthful, devoid of sentimentality and that does not exclude humor.”

“Life could offer another destiny for women other than caring for the whole family. [The film offers] very accurate interpretations, where Laia Costa stands out and I suppose will sweep all this year’s awards. You have to see it before the heat wave takes it away. Summer is the worst enemy of the theaters.”

Almodóvar’s advocacy is highly necessary as an exciting new generation of cineastes, often female, galvanizes Spain’s arthouse scene led by Carla Simón...

“El agua,” (Elena López Riera)

A Directors’ Fortnight title, the feature debut of Locarno winning López Riera (“Los Que Desean”), a fantasy-laced village-set critique of gender violence. S.A. Elle Driver

“Alcarràs,” (Carla Simón)

The 2022 Berlin Golden Bear winner, Simón’s follow-up to “Summer 1993” and the flagship title for Catalonia and Spain’s newest filmmaking generation. S.A. MK2 Films

“Amazing Elisa,” (Sádrac González-Perellón)

The next from 2017 BiFan Grand Jury Prize winner González-Perellón (“Black Hollow Cage”), once more mixing fantasy and family dynamics as Elisa, 12, plans revenge after her mother’s tragic death. S.A. Filmax

“The Beasts,” (Rodrigo Sorogoyen)

One of 2022’s most awaited Spanish titles, playing Cannes Premiere, a Galicia-set thriller from Oscar-nominee Sorogoyen (“Mother”), produced by Arcadia, Caballo Films and Le Pacte. S.A. Latido Films

“The Communion Girl,” (Víctor García)

A revenge thriller involving an urban legend about a girl in a communion dress. S.

“Alcarràs,” from Catalonia’s Carla Simón, won Berlin’s top Golden Bear in February. “One Year, One Night,” from Catalan Isaki Lacuesta, also played in main competition. This May “Pacifiction,” from Albert Serra, another Catalan, has scored a competition berth at Cannes.

Thanks to these three titles, Catalonia has more directors this year in the key section at Europe’s two biggest festivals than Italy (2), Germany (1) or the U.K. (none at all). Other Catalan productions to play at Cannes: Rodrigo Sorogoyen’s “The Beasts” in Premiere and Anna Fernández’s “I Didn’t Make It to Love Her,” a Critics’ Week short.

If big fest selection is any measure, with just 7.6 million inhabitants and Barcelona as its capital, Catalonia is building as an upscale European movie powerhouse.

The build, however, is far broader based. In the pipeline, all from Barcelona-based Nostromo Pictures, are major Netflix titles such as David...