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It’s What’s Inside is a sci-fi comedy horror film written and directed by Greg Jardin. The Netflix film revolves around a group of college friends who reunite before one of them gets married but the arrival of an uninvited guest with a mysterious suitcase starts to tear the group apart. It’s What’s Inside stars Alycia Debnam-Carey, Gavin Leatherwood, James Morosini, Reina Hardesty, David W. Thompson, Madison Davenport, Nina Bloomgarden, Hailee Keanna Lautenbach, and Brittany O’Grady. So, if you loved the thrilling suspense, compelling characters, and an intensely dramatic story with a tinge of comedy in It’s What’s Inside here are some similar movies you should check out next.

Talk To Me (Paramount+ & Rent on Prime Video) Credit – A24

Talk To Me is a supernatural horror thriller film directed by Danny and Michael Philippou from a screenplay...

16 years ago this month, The Film Stage was born in city of Buffalo. For those living in or near the Western New York city, the Buffalo International Film Festival is certainly on your radar, curated by Artistic Director John J. Fink, also a long-time contributor to The Film Stage. The 18th edition of the festival has now announced its lineup, featuring over 200 feature films, shorts and episodic works from over 30 countries, running in person October 10-17th. Festival screening venues in Buffalo include the historic North Park Theatre, Hallwalls Contemporary Arts Center, Buffalo Toronto Public Media (Wned Studios), Burchfield Penney Arts Center, Journey’s End Refugee Cinema.

“We’re so excited to welcome everyone to our expanded edition of the Buffalo International Film Festival, which features a rich assortment of local, regional, national and global fiction and nonfiction works that we hope will delight, inspire, and challenge our audiences to...

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Speak No Evil is a psychological horror thriller film written and directed by James Watkins. Based on the 2022 Danish film of the same name written by Mads and Christian Tafdrup, the James McAvoy film follows the story of an American family as their dream holiday at a British family’s idyllic country estate turns into a nightmare because of a psychotic man. Speak No Evil also stars Mackenzie Davis, Aisling Franciosi, Scoot McNairy, Dan Hough, Alix West Lefler, and Motaz Malhees. So, if you loved the thrilling story, immense tension, and compelling characters in Speak No Evil here are some similar movies you should check out next.

Speak No Evil (AMC+ & Rent on Prime Video) Credit – Shudder

Speak No Evil is a Danish psychological horror thriller film directed by Christian Tafdrup from a screenplay co-written by Mads and Christian Tafdrup.

After early success opposite Kirsten Dunst in Lifetime’s Fifteen and Pregnant, and as Jasper on the CW’s reboot of 90210, he’s gone on to build an impressive acting resume balancing television work (Hulu’s Under the Banner of Heaven) with edgy, transformative roles in independent films. On this episode, he talks about why it all starts with building trust with his collaborators early, the semi-mystical process of aligning his heart with the character’s heart, the importance of […]

The post “If We’re Gonna Live in This Story, We’ve Gotta Live with Each Other”: Zachary Ray Sherman, Back To One, Episode 299 first appeared on Filmmaker Magazine.

After early success opposite Kirsten Dunst in Lifetime’s Fifteen and Pregnant, and as Jasper on the CW’s reboot of 90210, he’s gone on to build an impressive acting resume balancing television work (Hulu’s Under the Banner of Heaven) with edgy, transformative roles in independent films. On this episode, he talks about why it all starts with building trust with his collaborators early, the semi-mystical process of aligning his heart with the character’s heart, the importance of […]

The post “If We’re Gonna Live in This Story, We’ve Gotta Live with Each Other”: Zachary Ray Sherman, Back To One, Episode 299 first appeared on Filmmaker Magazine.

It’s a tale as old as time: a young musician leaves their life behind with a bag on their back and a burning desire to find inspiration away from society. Phoebe Nir’s “gonzo female desire musical” “Eco Village,” however, is far from your conventional Age of Aquarius funfair about a hippie-adjacent community in the woods.

Nir’s feature debut is adapted from her eponymous Off-Broadway play and has its world premiere in the Bright Future strand of the International Film Festival Rotterdam. Speaking exclusively with Variety, the playwright-turned-filmmaker says the film came out of a wish to be honest about how it feels to fall madly in love with someone who is bad for you.

In the film, “Never, Rarely, Sometimes, Always” breakout Sidney Flanigan is Robin, a musician who hitchhikes to the titular village run by Ursula (indie veteran Lindsay Burdge) in search of pastures new. Instead...

The episode of Best Horror Movie You Never Saw covering The Invitation (2015) was Written by Andrew Hatfield, Edited by Juan Jimenez, Narrated by Kier Gomes, Produced by John Fallon and Tyler Nichols, and Executive Produced by Berge Garabedian.

Horror doesn’t always have to be jump scare after jump scare or a non-stop gore fest. It doesn’t have to have Aliens, Terminators, or Predators to say nothing of any of the other monsters we’ve seen over the years. Movies that don’t include those coveted horror checklists typically get lumped into the thriller category like Silence of the Lambs or even Get Out. Funny how those are the movies that the Globes and Oscars want to award. Without a shadow of a doubt horror films that can be labeled something a little more friendly to draw more audience demographics or get better ink in reviews. I’m here...

Bi-continental production outfit Lspg (Luca Severi Production Group) has boarded “Eco Village,” a gonzo musical comedy led by Sidney Flanigan, the star of Sundance and Berlinale prize winner “Never Rarely Sometimes Always.” Nearing completion, the project is eyeing a festival launch early next year.

Marking the feature debut of playwright Phoebe Nir – who adapted her own Off-Broadway play – the off-kilter film follows a young drifter (played by actor-musician Flanigan) who makes her way first onto an anarchic and uninhibited artists colony, and then into the thrall of the utopia’s manipulative leader, played by Lindsay Burdge (of “Thirst Street” and “Her Smell”).

The filmmaker describes her 16mm project as an “[honest depiction of] the agonies and ecstasies of female desire, inspired by the memory of my tumble down the rabbit hole of first love (or was it lust?) in an idealistic hippie commune where jealousy and rage churned quietly beneath the surface.”

Theresa Rebeck and Linda Gray produced,...

Masterclass

It’s not every day that your podcast hits 200 episodes or gets a brand new logo, so it’s been a big week for Trace and me over at Horror Queers.

We’ve had an incredibly busy October on the pod, what with an extended conversation with Don Mancini about the last 30+ years of the Chucky franchise, a discussion about biphobia and Paul Verhoeven’s classic Erotic Thriller Basic Instinct, and our (now annual) check-in on David Gordon Green’s Halloween trilogy, Halloween Kills.

For our 200th episode, we wanted a special, perfect 5-star film, so we knew we had to go with Karyn Kusama‘s The Invitation (2015). In the film, grieving Will (Logan Marshall-Green) and his new girlfriend Kira (Emayatzy Corinealdi) attend a dinner in the Hollywood Hills at the behest of his ex, Eden (Tammy Blanchard) and her new boyfriend, David (Michiel Huisman).

But something’s off:...

Stars: Lindsay Burdge, Jennifer Lafleur, Aleksa Palladino, Beth Grant, Ross Partridge | Written and Directed by Sarah Adina Smith

Originally premièring at the Fantasia International Film festival in 2014 and going on to win the Breakthrough Audience Award at AFI Fest, as well as Best Feature Film at the Denver International Film Festival, The Midnight Swim is now being digitally re-released alongside a special edition Blu-ray from Vinegar Syndrome/Yellow Veil Pictures. As a fan of found footage movies, I was excited to see this little known film.

We immediately meet three sisters who are returning to their childhood home after their mother has disappeared (presumed dead) after deep-sea diving into a mysterious lake near the home. Spirit Lake is apparently so deep that no one has ever managed to find the bottom. As the three sisters decide what to do with the house, the lake and its surroundings are the location...

The Academy announced Kelley Kali and Waad al-Kateeb as domestic and international recipients, respectively, of the 2021 Academy Fellowship for Women — with Kali receiving $35,000 and al-Kateeb receiving the equivalent of £20,000.

Part of the Academy Gold global talent development and inclusion initiative, the fellowship for women is a one-year program that provides direct financial support, mentorship and access to filmmakers. Additionally, fellows will also receive career achievement support through the Alumni Gold Program — which provides professional development and education for alumni of Academy Gold Programs, including Gold Rising, Student Academy Awards and the Nicholl Fellowship in Screenwriting.

Both Kali and al-Kateeb were selected from a group of 11 finalists, including Kimberlee Bassford, Vigil Chime, Shaina Ghuraya, Amy Tofte, Gordon West, Farah Abushwesha, Rienkje Attoh-Wood, Prano Bailey-Bond and Dionne Edwards.

Kali is a graduate of Howard University and USC School of Cinematic Arts. Credits include being selected to work with Ron Howard and Brian Grazer...

David Gutnik’s debut feature “Materna” starts with an all-too familiar scene: a woman on a train, obviously desiring to be left alone, is being talked to by a highly aggressive man. He’s shouting, causing a scene, and the more the woman ignores him, the more frustrated he becomes. It’s unfortunate that the rest of “Materna” simultaneously never lives up to that opening intensity nor authenticity with regards to women in contemporary society,

Gutnik utilizes the technique of telling four separate stories, each spotlighting one woman on the train that day. We’ve seen this method of storytelling done so often in other independent features and when done poorly it feels like what it is: a gimmick. Here, there’s never a feeling of unity between the women at any point — outside of them being women with motherhood issues — so they play like four disparate stories with a...

It makes sense that one of the protagonists of “Materna” is a fan of Jean-Pierre Melville’s existential neo-noir “Le Samouraï,” given that David Gutnik’s feature debut is itself a tapestry of modern alienation and disaffection. Charting the plights of four women whose paths eventually cross on a New York City subway train, Gutnik’s fragmented feature debut is rooted in fraught mother-daughter dynamics and intertwined issues of regret, resentment, racism, classism and homophobia.

Having won prizes for best actress (Assol Abdullina) and best cinematography at the pandemic-pinched 2020 Tribeca Film Festival, it should entice audiences in search of distinctive art-house fare when it debuts in limited release on Aug. 6 (ahead of an Aug. 10 VOD premiere), even if

Co-written with leads Abdullina and Jade Eshete, Gutnik’s film begins in a New York City subway car whose crowd includes a quartet of women — later identified as Jean (Kate Lyn Sheil...

There are few boundaries on public transportation, at least not physical ones. Crammed together in small spaces for oftentimes unexpected lengths of time, people who don’t normally interact are suddenly forced into each others’ orbits. Such is the concept behind Tribeca winner “Materna,” which uses the New York City subway system as a meeting point for four seemingly very different women, all of whom are forced to deal with an unexpected encounter and the impact it has on their lives. At its heart, motherhood and questions of feminine identity burn bright.

The film is the directorial debut of David Gutnik, who is also the editor of several acclaimed features, including Christina Choe’s 2018 Sundance award-winning drama “Nancy.” Gutnik wrote the film alongside two of his stars, Jade Eshete (“Billions” and “High Maintenance”) and Assol Abdullina (in one of her first film roles), and the film also features leading roles...

Now in theaters, as well as VOD/digital platforms, we have an exclusive look at The Carnivores, starring Lindsay Burdge and Tallie Medel! Along with the clip, which you can watch below, we have writer / director Caleb Michael Johnson's comments on the relationship at the center of The Carnivores and what's hidden below the surface:

"Sometimes you don’t get to decide what your body wants. Actually, let’s refine that slightly: you never get to decide. The best you can do is get good at what to feed and what to starve; you can chew up an ugly bit here to make room for some prettier part there. You can go hunting for something that’s not already inside of you, trap it and eat it and hope it stays down. But it’s all still in there somewhere. Being a functional adult is mostly a matter of...

Dark Sky Films proudly announces the June 4th theatrical + digitalrelease of The Carnivores, an LGBTQ horror comedy starring Lindsay Burdge, Tallie Medel (Joy Kevin), and Aiden the dog as Harvie. Caleb Michael Johnson’s Directorial Debut The Carnivores In Theaters and VOD/Digital Platforms on June 4th “There’s something daring and memorable about …

The post Dark Sky Films Brings The Carnivores to Theaters + VOD on June 4th appeared first on Horror News | Hnn.

Lady Killer: "Blake Lively To Star In And Produce Lady Killer Adapted By Diablo Cody

Writer: Academy Award Winner Diablo Cody to adapt the screenplay based on the Dark Horse Comic by the same name Producers: Mike Richardson and Keith Goldberg of Dark Horse Entertainment; Blake Lively and Kate Vorhoff for B for Effort Cast: Blake Lively Logline: By all appearances, Josie Schuller is the perfect 1950's housewife. But when she's not catering to the needs of her family, she leads a secret life as a highly-trained killer for hire. Lady Killer is a comic book series written by Joëlle Jones and Jamie S. Rich, illustrated by Joëlle Jones and colored by Laura Allred. It has been published by Dark Horse Comics since January 2015. The comic had great critical reception and was nominated at the Eisner Awards as Best Limited Series in 2016. Netflix has a first look deal with...

Utopia has acquired worldwide rights to David Gutnik’s “Materna” ahead of the film’s in-person debut at this year’s Tribeca Film Festival.

The movie looks at four women, whose lives intersect during an incident on a New York City subway. Kate Lyn Sheil (“She Dies Tomorrow”), Jade Eshete (“Billions”), Lindsay Burdge (“Black Bear”), Assol Abdullina (“First Snow”), Michael Chernus (“Orange Is the New Black”), Rory Culkin (“Castle Rock”) and Sturgill Simpson (the upcoming “Killers of the Flower Moon”) all star. Abdullina and Eshete co-wrote the screenplay with Gutnik.

According to the official logline: “‘Materna’ follows the journeys of four New York women who are isolated by city life, separated by class, politics, race and religion, and yet bound by a shared hunger for identity and connection. With their futures at stake, the characters’ lives are upended by a fateful encounter underground, where their stories of personal transformation become a battle for survival.

Ticket information for the virtual screening of The Carnivores at this year’s QFest St. Louis can be found Here

The 14th Annual QFest St. Louis — presented by Cinema St. Louis (Csl) — will take place from April 16-25. Because of the Covid-19 pandemic, Csl will offer all programs virtually, protecting the health of patrons. Programs can be streamed at any time during the festival’s dates. Recorded introductions and Q&As will be available for most film programs. All of the information about this year’s QFest St. Louis can be found Here

One of the oddest and darkest films screened at QFest to date, writer-director Caleb Michael Johnson’s The Carnivores features a young lesbian couple, Alice and Bret (Tallie Medel and Lindsay Burdge), whose dog, Harvie, is slowly dying. The vet bills are adding up fast, Alice is quietly panicking, and high-strung Bret dotes on the dog and...

Persistence pays off. Bryan Wizemann has been painstakingly hacking away at indie film since 1998’s Sense following that with 2005’s Losing Ground, 2011’s About Sunny (TIFF) and finally his fourth feature in You Mean Everything to Me. Recently awarded the Rooftop Films and Brigade Festival Publicity grant and accepted into the Sundance Institute Film Music and Sound Design Lab, the shoestring budgeted film features the likes of Morgan Saylor and Ben Rosenfield, with Lindsay Burdge in a smaller role.

Gist: After getting kicked out of her sister’s place, Cassandra falls hard and fast for Nathan, a local DJ. Caught up in a whirlwind romance, he soon starts distancing them from her friends and family, and his demands grow increasingly darker.…...

Acclaimed indie filmmaker Hannah Fidell’s gripping feature-length effort, “A Teacher” (2013), was a career-making debut. Lodged somewhere between psychological thriller and character study—a portrait of a woman slowly unraveling— the drama centered on a Texas high school teacher (Lindsay Burdge) engaging in a sexual affair with her student. “A Teacher,” was evocatively ambiguous in its compelling ideas of desperation, the crucial things missing in our lives, and the way damaged people go to dangerous lengths to fill them.

Continue reading ‘A Teacher’: Hannah Fidell’s FX Sexual Predation Series Compels With Complexities, But Collapses With Consequences [Review] at The Playlist.

Hannah Fidell’s 2013 feature debut, A Teacher, is a miniature portrait, practically a locket picture. Visually cramped, clammily atmospheric and undeniably underwritten, the 75-minute film — about a female high-school teacher (Lindsay Burdge) in a sexual relationship with one of her students (Will Brittain) — isn’t anyone’s idea of a slam-dunk adaptation source, grossing just over $8,000 during its theatrical run. Indeed, it’s taken Fidell six years, since a TV version was announced for HBO in 2014, for her miniseries to make it to the screen, now for FX on Hulu. This time, Fidell’s canvas is far larger.

The 10-part ...

Hannah Fidell’s 2013 feature debut, A Teacher, is a miniature portrait, practically a locket picture. Visually cramped, clammily atmospheric and undeniably underwritten, the 75-minute film — about a female high-school teacher (Lindsay Burdge) in a sexual relationship with one of her students (Will Brittain) — isn’t anyone’s idea of a slam-dunk adaptation source, grossing just over $8,000 during its theatrical run. Indeed, it’s taken Fidell six years, since a TV version was announced for HBO in 2014, for her miniseries to make it to the screen, now for FX on Hulu. This time, Fidell’s canvas is far larger.

The 10-part ...

"Black Bear" is the new restricted, comedic thriller, written and directed by Lawrence Michael Levine, starring Aubrey Plaza, Christopher Abbott, Sarah Gadon, Paola Lázaro and Grantham Coleman, scheduled for release by Momentum Pictures December 4, 2020:

"...at a remote lake house in the Adirondack Mountains, a couple entertains an out-of-town guest looking for inspiration in her filmmaking. The group quickly falls into a calculated game of desire, manipulation and jealousy, unaware of how dangerously convoluted their lives will soon become in the filmmaker's pursuit of a work of art..." 

Cast also includes Lindsay Burdge as 'Maude', Alexander Koch as 'Mike', Jennifer Kim as 'Nora', Shannon O'Neill as 'Simone' and Lou Gonzalez as 'Chris'. 

Click the images to enlarge... ...

"You don't think she knows what I'm up to?" Momentum Pictures has debuted an official trailer for an indie dark comedy + psychological thriller titled Black Bear, the latest from film from the mind of filmmaker Lawrence Michael Levine. This premiered at the Sundance Film Festival earlier this year, and has also been playing on the international festival circuit since then. A filmmaker at a creative impasse seeks solace from her tumultuous past at a rural retreat, only to find that the woods summon her inner demons in intense and surprising ways. Aubrey Plaza stars as the filmmaker, named Allison, pulling everyone "into a calculated game of desire, manipulation, and jealousy." Also with Christopher Abbott, Sarah Gadon, Alexander Koch, Paola Lázaro, Lindsay Burdge, and Jennifer Kim. This looks like a very intelligent, complex, even philosophical film that has much more going on within than it seems at first glance. Tricky stuff here.

Dim echoes of David Lynch and early Roman Polanski abound throughout “The Carnivores,” a fitfully fascinating mix of teasing narrative opacity and stylized psycho-thriller atmospherics. The shot-in-Austin indie feature, originally set to premiere at the cancelled SXSW Film Festival, instead had a March 14 unveiling at a private event in the Texas capital city attended, according to a press release, by “the film’s crew, cast, friends & family, and prominent members of the Austin film community.”

Director Caleb Michael Johnson, working from a script he co-wrote with Jeff Bay Smith, walks a tricky tightrope here, and occasionally — especially during his movie’s first act — seems perilously close to toppling into absurdity. Indeed, there are moments when he inadvertently cues memories of the hilarious remark by Janeane Garofalo’s veterinarian talk show host in “The Truth About Cats and Dogs”: “You can love your dog. Just don’t love your dog.

Entering its 19th edition this year, Tribeca Film Festival has announced its feature film lineup, including a number of anticipated titles as well as festival favorites. World premiering at the festival is Chad Hartigan’s sci-fi romance Little Fish, Gerardo Naranjo’s Kokoloko, Eleanor Coppola’s Love is Love is Love, Michael Winterbottom’s sequel The Trip to Greece, Rodney Ascher’s A Glitch in the Matrix, Talya Lavie’s Honeymood, BenDavid Grabinski’s Happily, Bryan Bertino’s The Dark & The Wicked, plus documentaries on Stanley Kubrick, Dmx, Harry Belafonte, John Belushi, Brian Wilson, and more.

In terms of festival favorites, there’s Josephine Decker’s Shirley (our review), Jayro Bustamante’s La Llorona Heidi Ewing’s I Carry You With Me, Gaspar Noé’s medium-length work Lux Aeterna, the St. Vincent-Carrie Brownstein collaboration The Nowhere Inn, and more. Plus, Judd Apatow’s The King of Staten Island will...

Stars: Logan Marshall-Green, Tammy Blanchard, John Carroll Lynch, Michelle Krusiec, Aiden Lovekamp, Mike Doyle, Jordi Vilasuso, Marieh Delfino, Jay Larson, Emayatzy Corinealdi, Michiel Huisman | Written by Matt Manfredi, Phil Hay | Directed by Karyn Kusama

Karyn Kusama’s latest film sells you the whole seat, but you’ll only need the edge…

Written by Matt Manfredi and Phil Hay, and directed by Kusama (Jennifer’s Body), The Invitation stars Logan Marshall-Green as Will, a man whose ex-wife, Eden, invites him to a dinner party two years after she mysteriously vanished. Eden is acting incredibly strange, at least in Will’s eyes, and peculiar goings-on lead him to suspect that she and her new boyfriend may have sinister intentions for their guests.

The best horror films play around with very relatable human emotions, and like recent Australian hit The Babadook, grief lies at the center of The Invitation. Early on the film,...

FX has ordered a TV adaptation of the 2013 film, “A Teacher” with “Love, Simon” star Nick Robinson and Kata Mara.

Hannah Fidell, who wrote and directed the film, will serve in the same capacity for the 10-episode limited series.

“A Teacher” explores the story behind the mugshot of a female high school teacher caught in an affair with her male student, revealing the complexities and consequences of these illegal relationships. Mara will star as the teacher, Claire, with Robinson playing the high-school senior, Eric.

Also Read: 'American Horror Story: 1984' Teaser Welcomes You to the Summer Camp From Hell (Video)

“Working with FX – truly the home of all my favorite shows – on ‘A Teacher’ is a dream come true,” said Fidell. “I couldn’t ask for a more perfect partner who, from day one, has understood and embraced the inherent complexities and nuance required for such subject matter.”

Along with Fidell,...

Lindsay Burdge is one of the bravest and best actors working in indie film this decade. Her breakout role in Hannah Fidell’s A Teacher brought her raves for her intense performance of destructive obsession. Bold choices continued in movies like Nathan Silver’s Thirst Street, Karyn Kusama’s The Invitation, and Joe Swanberg’s Netflix show Easy. Now she’s taken on the role of Mandy, in the long-awaited second season of Caveh Zahedi’s acclaimed The Show About The Show, after the real Mandy (Zahedi’s wife) left the show mid-production. She talks about the unique experience of working with Zahedi under these conditions, how […]...

Lindsay Burdge is one of the bravest and best actors working in indie film this decade. Her breakout role in Hannah Fidell’s A Teacher brought her raves for her intense performance of destructive obsession. Bold choices continued in movies like Nathan Silver’s Thirst Street, Karyn Kusama’s The Invitation, and Joe Swanberg’s Netflix show Easy. Now she’s taken on the role of Mandy, in the long-awaited second season of Caveh Zahedi’s acclaimed The Show About The Show, after the real Mandy (Zahedi’s wife) left the show mid-production. She talks about the unique experience of working with Zahedi under these conditions, how […]...

As a model, Agyness Deyn walked runways for Chanel and graced the cover of British Vogue, but never trained as an actor. You’d never guess, judging by her kinetic performance as swaggering bass player Marielle Hell in Alex Ross Perry’s punk rock epic “Her Smell.” Since officially retiring from modeling in 2012, she learned on the job — not a bad tactic, considering she’s worked with pedigree directors like Terence Davies and the Coen brothers in her relatively short career.

It was on Davies’ “Sunset Song,” in which she plays a farmer’s daughter dealing with abusive men and impending war, that Scottish actor and director Peter Mullan taught her the art of leaving a character’s darkness on the set. While shooting in Luxembourg, she opted to share a car with Mullan every morning, where she wisely picked his brain.

“That was one of my biggest roles that I’ve played,...

In today’s film news roundup, “The Wizard of Oz” leads off the 2019 TCM Big Screen Classics, “Jobe’z World” gets distribution, and Nrg and SAG-AFTRA make executive hires.

Classic Films

Fathom Events and Turner Classic Movies have unveiled 14 classic films that will be shown in theaters in 2019 in the TCM Big Screen Classics series, starting with “The Wizard of Oz” on Jan. 27, 29 and 30.

The other titles are “My Fair Lady,” “To Kill a Mockingbird,” “Ben-Hur,” “True Grit,” “Steel Magnolias,” “Field of Dreams,” “Glory,” “Hello, Dolly!,” “Lawrence of Arabia,” “The Shawshank Redemption,” “Alien,” “The Godfather Part II” and “When Harry Met Sally.”

Fathom specializes in event movies shown for one or two nights. It’s jointly owned by the AMC, Regal and Cinemark chains. The TCM Big Series titles will usually screen on Sundays and Wednesdays.

“Every year, more and more film fans have flocked to the TCM Big Screen Classics series,...

School is back in session for Kate Mara, who has been tapped to star in A Teacher, FX’s limited-series adaptation of the 2013 film of the same name.

A Teacher, which made its debut at that year’s Sundance Film Festival, centers on a Texas high school teacher who has an affair with one of her students, then must deal with the consequences as the relationship progresses. Mara will star as Diana Watts, the titular role played by Lindsay Burdge in the movie.

The actress also will executive-produce A Teacher alongside Hannah Fidell, who wrote, directed and produced the film.

Exclusive: FX is developing A Teacher, a limited series based on Hannah Fidell’s buzzy Sundance feature, with Kate Mara (House of Cards) attached to star and executive produce.

Fidell, who wrote, directed and produced the 2013 film, will pen the adaptation, direct and executive produce the potential series.

Timelier than ever in the #MeToo era, A Teacher is an exploration of consent, abuse of power, victimhood and the inevitable consequences that occur throughout a community after a female high school teacher (Mara) and her student are caught having an affair. FX Productions is the studio.

Mara will play the role played in the film by Lindsay Burdge. You can watch a trailer for the film, which co-starred Will Brittain, below.

A TV series adaptation of A Teacher was originally set up at HBO in 2014 with no acting talent attached. With the project’s option coming up, I hear Fidell opted to take a different route.

The Duplass Brothers Productions has become the Blumhouse of character-driven indies, an established label that upcoming filmmakers gravitate towards to work with smaller budgets and more control, often in limited settings. Duck Butter, the new comedy from indie (and occasional studio) filmmaker Miguel Arteta is kinder and gentler than his biting black comedies like Beatriz at Dinner, falling somewhere in the mode of Youth in Revolt with a touch of Alexander and the Terrible, Horrible, No Good, Very Bad Day–which brought his subversive brand of humor into family-friendly Disney territory without sacrificing laughs. Co-written with Arteta by its star, the brilliant Alia Shawkat, his latest is a simple dramedy about two women staying up for twenty-four hours straight with the goal of getting to know each other and making love every hour. The experience is akin to pressing fast-forward through years of fights, make-up sex, and all the joy and annoyance in-between.

The 17th annual Tribeca Film Festival has revealed its feature film lineup, including its closing night offering — Liz Garbus’ documentary series “The Fourth Estate,” which follows The New York Times’ coverage of the Trump administration’s first year — and a Centerpiece Gala featuring Drake Doremus’ sci-fi romance “Zoe.” As was previously announced, the spring fest will open with the Gilda Radner documentary “Love, Gilda.”

Standout titles include Desiree Akhavan’s Sundance winner “The Miseducation of Cameron Post,” Sebastian Lelio’s “Disobedience,” Marianna Palka’s latest “Egg,” Karen Gillam’s directorial debut “The Party’s Just Beginning,” and many more.

The 2018 feature film program includes 96 films from 103 filmmakers. Of the 96 films, 46% of them are directed by women, the highest percentage in the Festival’s history. The lineup includes 75 World Premieres, 5 International Premieres, 9 North American Premieres, 3 U.S. Premieres, and 4 New York Premieres from 27 countries.

“We are proud to present a lineup...

After announcing the opening night film, Lisa D’Apolito’s documentary Love, Gilda, the complete lineup for the 2018 Tribeca Film Festival has been unveiling. Along with festival favorites, including Disobedience, The Miseducation of Cameron Post, and Daughter of Mine, there’s a number of anticipated world premieres: The Seagull, starring Annette Bening and Saoirse Ronan, Kent Jones’ drama Diane, the documentary McQueen, Miguel Arteta’s Duck Butter, Ondi Timoner’s Mapplethorpe, the Ethan Hawke-led Stockholm, and more. The centerpiece of the festival will be Drake Doremus’ Zoe, starring Léa Seydoux, and closing night is Liz Garbus’ documentary The Fourth Estate.

“In a year that has reminded us more often of our divisions than our connections, this Festival’s program embraces film’s unique power to overcome differences – that connecting with stories not our own is the road into our deeply programmed human capacity for empathy and understanding,” said Cara Cusumano,...

Director Nathan Silver brings his unique vision to the screen. In Thirst Street, a flight attendant Gina (Lindsay Burdge) moves to Paris after meeting and falling for Jerome (Damien Bonnard...

Nathan Silver has made eight films in eight years. That doesn’t include other shorts he’s written or executive produced. For anyone not in the business of film, that might seem standard. For anyone who is, it’s wildly impressive, especially taking into consideration the inclusion of pre-production time, when a script is written, money is raised and all the frustrating puzzle pieces of building a team have to fall into place. Silver’s latest film, Thirst Street, centers on Gina (Lindsay Burdge), an American flight attendant who becomes entwined in a toxic obsession. After landing in Paris, she falls for Jerome (Damien […]...

The stalker genre gets a wryly funny indie treatment in Thirst Street, an experience of sustained worms-under-your-skin horror (with some dark laughs). Sometime after her boyfriend’s suicide, flight attendant Gina (Lindsay Burdge) apparently takes a Tarot reading way too seriously and decides that Jerome (Damien Bonnard, who also plays the boyfriend), a one-night stand during a layover in Paris, is her new soulmate. She quits her job, moves into the apartment building across the street from Jerome’s, and starts waitressing at the sleazy nightclub where he tends bar. This is not a scenario which improves for anyone as it progresses.

Writer/director Nathan Silver and co-writer C. Mason Wells aren’t content to merely wring cringes out of Gina’s increasing unhingedness. Many of the most disquieting (and funniest) bits are the small moments of weirdness and/or confusion between characters, as well as more universal details of expat blues.

One of our favorite films of the year so far is “Thirst Street,” an indie about obsession, delusion and romance. Starring indie actor Lindsay Burdge (“A Teacher”), the film is arch and dreamy, and features a deliciously sly narration by Academy Award-winner Anjelica Huston. Our review described it as “a wry and disturbed look at lust and longing… delightfully twisted.”

Read More: Lindsay Burdge Sparkles In The Delicious Psycho Sexual Thriller ‘Thirst Street’ [Tribeca Review]

Directed by Nathan Silver the filmmaker told us in a quick email interview he wanted to write a lead part for Burdge who had a role in his previous film, “Actor Martinez.

Continue reading ‘Thirst Street’ Clip: Lindsay Burdge Gets Obsessed [Exclusive] at The Playlist.

Familye, gangster drama set in Berlin's ethnic Turkish community, has won the German Independence Award, the top prize at the Oldenburg International Film Festival in Germany.

A black-and-white feature from first-time director Kubilay Sarikaya and Sedat Kirtan, Familye is a true indie, having been made completely outside Germany's film subsidy system.

Oldenburg's acting honors, the Seymour Cassel Awards, went to Lindsay Burdge for her performance in Nathan Silver's Thirst Street and to Gregory Kasyan for his role in Quest, the debut feature of director Santiago Rizzo.

In Thirst Street, Burdge plays an American flight attendant who gets tangled up in...

On a layover in Paris, flight attendant Gina decides to change her life and soon finds herself doing things she might never have imagined before. It's an intoxicating premise, one that is explored colorfully in Nathan Silver's Thirst Street, opening in theaters next month. We are pleased to debut a new poster for the film, which you can see in full below. To put things more fully into context, here's the official synopsis. Alone and depressed after the suicide of her lover, American flight attendant Gina (Lindsay Burdge, A Teacher) travels to Paris and hooks up with nightclub bartender Jerome (Damien Bonnard, Staying Vertical) on her layover. But as Gina falls deeper into lust and opts to stay in France, this harmless rendezvous quickly turns...

[Read the whole post on screenanarchy.com...]...

"Who is the girl? Did you two have sex?" Samuel Goldwyn Films has debuted the official Us trailer for a new indie film titled Thirst Street, a psychosexual drama that premiered at the Tribeca Film Festival this year. The film stars Lindsay Burdge (star of the indie film A Teacher) as a flight attendant still reeling over the suicide of her boyfriend, who hooks up with a bartender in Paris on one of her layovers. But she soon gets sucked into this lust and then falls even further into madness when his ex shows up and messes with everything. The film's full cast includes Damien Bonnard, Anjelica Huston, Esther Garrel, Lola Bessis, Alice de Lencquesaing, and Jacques Nolot. This looks very 70s in story and in color palette, which seems like an interesting if not cliched choice. It also seems totally twisted and insane, so watch out. Here's the official...

There’s one thing that connects some of my favorite American independent films of the last few years: cinematography of Sean Price Williams. Following Listen Up Philip, Kate Plays Christine, Heaven Knows What, Golden Exits, Marjorie Prime, Queen of Earth, and Good Time, his latest project is Thirst Street, from director Nathan Silver. Ahead of a September release, the first trailer has landed for the film following an American flight attendant who tries to make a romantic connection in Paris and things don’t go as planned.

“Sean [Price Williams] and I were talking and one key image was that crazy image from Fassbinder’s Lola (1981) where she’s sitting in bed and there are a million different colours on her,” Silver tells The Seventh Art. “We talked about always looking for ways to heighten the lighting and we used anamorphic lenses in Paris and then when we were in the U.

Love is seemingly in the air for actress Lindsay Burdge, who’s determined to find lasting intimate companionship in her upcoming drama, ‘Thirst Street.’ The trailer for the film, which was inspired by the romance seen in 1970s European cinema, has debuted on Entertainment Weekly. The clip highlights the romantic obsession that’s growing in the performer’s […]

The post Romance is in the Air as Lindsay Burdge Finds Love in Thirst Street Trailer appeared first on Shockya.com.

Of all the films I saw at the 2017 Tribeca Film Festival, Nathan Silver’s “Thirst Street” was easily the best one. Starring Lindsay Burdge (“A Teacher”), the movie is influenced by the erotic 1970s dramas of Rainer Werner Fassbinder, but gives a deviously funny edge (think Roman Polanski’s “The Tenant”) to what is a delicious psycho sexual drama.

Continue reading ‘Thirst Street’ Trailer: Lindsay Burdge Stalks In A Wry Psycho Sexual Drama at The Playlist.

Keep up with the wild and wooly world of indie film acquisitions with our weekly Rundown of everything that’s been picked up around the globe. Check out last week’s Rundown here.

– Focus Features has acquired the worldwide rights to “The Little Stranger,” excluding the U.K., France and Switzerland, where it will be distributed by Pathé. Academy Award nominee Lenny Abrahamson (“Room”) will direct the film, a chilling ghost story, which will begin production in the U.K. this summer for release in 2018. “The Little Stranger” will star Academy Award nominee Charlotte Rampling, Domhnall Gleeson, Ruth Wilson and Will Poulter. Lucinda Coxon, who wrote the screenplay adaptation of Focus’ “The Danish Girl,” has adapted “The Little Stranger” from Sarah Waters’ acclaimed 2009 novel of the same name.

In a remote English village after the close of World War II, a local practitioner, Dr. Faraday (Gleeson), is called to the...

Samuel Goldwyn Films has acquired the North American distribution rights to Nathan Silver’s Tribeca film Thirst Street, starring Lindsay Burdge, Damien Bonnard, and narrated by Oscar-winner Anjelica Huston. The company is planning to release the pic sometime this year. Co-written by Silver and C. Mason Wells, the film follows grief-stricken American flight attendant Gina (Burdge) on a layover in Paris, where she hooks up with nightclub bartender Jerome (Bonnard). As Gina…...