French actor turned director Xavier Legrand’s superbly performed first feature, Custody, was the kind of debut that budding filmmakers can only dream about. After premiering in Venice in 2017, where it won the Silver Lion, it went on to scoop up a slew of other prizes that culminated with four César Awards in France, including best picture.
In such instances, there’s always a risk of a sophomore slump, though that’s not really the term to apply to Legrand’s second movie, The Successor (Le Successeur), a bleak and tormented psychological thriller that made its world premiere in competition at San Sebastian. Let’s call it a case of swinging for the fences and hitting a foul ball that lands somewhere far off in the upper tiers, so much does this ambitious and well-made but extremely flawed film miss its mark.
Adapted by Legrand and Dominick Parenteau-Lebeuf from Alexandre Postel’s 2015 novel,...
In such instances, there’s always a risk of a sophomore slump, though that’s not really the term to apply to Legrand’s second movie, The Successor (Le Successeur), a bleak and tormented psychological thriller that made its world premiere in competition at San Sebastian. Let’s call it a case of swinging for the fences and hitting a foul ball that lands somewhere far off in the upper tiers, so much does this ambitious and well-made but extremely flawed film miss its mark.
Adapted by Legrand and Dominick Parenteau-Lebeuf from Alexandre Postel’s 2015 novel,...
- 9/27/2023
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
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