‘The Camel Driving School’ is about a Moroccan woman who becomes part of a group of rebel women in her community.
Jeanne-Marie Poulain of Canada’s Art et Essai and Alaa Eddine Aljem and Francesca Duca of Morocco’s Le Moindre Geste have signed on to co-produce Halima Ouardiri’s feature debut The Camel Driving School which was presented at this week’s Atlas Workshops in Marrakech.
The Camel Driving School won the Atlas development prize of €20,000 at this year’s edition of the Atlas Workshops.
The film, currently in development, went into the Workshops with French producers Margaux Juvénal...
Jeanne-Marie Poulain of Canada’s Art et Essai and Alaa Eddine Aljem and Francesca Duca of Morocco’s Le Moindre Geste have signed on to co-produce Halima Ouardiri’s feature debut The Camel Driving School which was presented at this week’s Atlas Workshops in Marrakech.
The Camel Driving School won the Atlas development prize of €20,000 at this year’s edition of the Atlas Workshops.
The film, currently in development, went into the Workshops with French producers Margaux Juvénal...
- 12/1/2023
- by E. Nina Rothe
- ScreenDaily
‘Motherhood’ is directed by Tunisa’s Meryam Joobeur while ‘Amnesia’ is by Palestine’s Dima Hamdam.
The sixth edition of the four-day Atlas Workshops of the Marrakech International Film Festival (Fifm) closed on Thursday (November 30) with the presentation of eight awards representing total cash prizes €126,000
The three prizes for films in post-production went to Meryam Joobeur’s Motherhood, Mo Harawe’s The Village Next To Paradise and Mia Bendrimia’s The Magma.
Motherhood is the anticipated feature debut of Oscar-nominated Tunisian-Canadian filmmaker Joobeur and is produced by Sarra Ben Hassen of Tunisia’s Instinct Blue.
Somalian filmmaker Harawe’s The...
The sixth edition of the four-day Atlas Workshops of the Marrakech International Film Festival (Fifm) closed on Thursday (November 30) with the presentation of eight awards representing total cash prizes €126,000
The three prizes for films in post-production went to Meryam Joobeur’s Motherhood, Mo Harawe’s The Village Next To Paradise and Mia Bendrimia’s The Magma.
Motherhood is the anticipated feature debut of Oscar-nominated Tunisian-Canadian filmmaker Joobeur and is produced by Sarra Ben Hassen of Tunisia’s Instinct Blue.
Somalian filmmaker Harawe’s The...
- 12/1/2023
- by E. Nina Rothe
- ScreenDaily
‘Motherhood’ is directed by Tunisa’s Meryam Joobeur while ‘Amnesia’ is by Palestine’s Dima Hamdam.
The sixth edition of the four-day Atlas Workshops of the Marrakech International Film Festival (Fifm) closed on Thursday (November 30) with the presentation of eight awards representing total cash prizes €126,000
The three prizes for films in post-production went to Meryam Joobeur’s Motherhood, Mo Harawe’s The Village Next To Paradise and Mia Bendrimia’s The Magma.
Motherhood is the anticipated feature debut of Oscar-nominated Tunisian-Canadian filmmaker Joobeur and is produced by Sarra Ben Hassen of Tunisia’s Instinct Blue.
Somalian filmmaker Harawe’s The...
The sixth edition of the four-day Atlas Workshops of the Marrakech International Film Festival (Fifm) closed on Thursday (November 30) with the presentation of eight awards representing total cash prizes €126,000
The three prizes for films in post-production went to Meryam Joobeur’s Motherhood, Mo Harawe’s The Village Next To Paradise and Mia Bendrimia’s The Magma.
Motherhood is the anticipated feature debut of Oscar-nominated Tunisian-Canadian filmmaker Joobeur and is produced by Sarra Ben Hassen of Tunisia’s Instinct Blue.
Somalian filmmaker Harawe’s The...
- 12/1/2023
- by E. Nina Rothe
- ScreenDaily
Kino Lorber Acquires North American Rights to Senegal’s Oscar Submission ‘Banel & Adama’ (Exclusive)
Kino Lorber has acquired from Best Friend Forever all North American distribution rights to Ramata-Toulaye Sy’s directorial debut “Banel & Adama,” a beautifully haunting story of young love and Senegal’s official entry for the 96th Academy Awards. Kino Lorber is planning a theatrical release in 2024, followed by a home video, educational and digital release on all major platforms.
“Banel & Adama” made its world premiere at the Cannes Film Festival, where it was the only first feature to premiere in Competition, and went on to play at the Toronto and London film festivals.
The film centers on young married couple Banel and Adama, who are fiercely in love. They live in a remote village in northern Senegal. For them, nothing else exists. Yet their perfect everlasting love is on a collision course with their community’s customs. Because in this world, there is no room for passion, let alone chaos.
“Banel & Adama” made its world premiere at the Cannes Film Festival, where it was the only first feature to premiere in Competition, and went on to play at the Toronto and London film festivals.
The film centers on young married couple Banel and Adama, who are fiercely in love. They live in a remote village in northern Senegal. For them, nothing else exists. Yet their perfect everlasting love is on a collision course with their community’s customs. Because in this world, there is no room for passion, let alone chaos.
- 11/28/2023
- by Leo Barraclough and Elsa Keslassy
- Variety Film + TV
Brussels-based company Best Friend Forever has revealed a raft of deals for key territories for Ramata-Toulaye Sy‘s feature film debut, “Banel & Adama,” which played in competition in Cannes and makes its North American premiere in Toronto. Variety reviewed it as “a dreamlike debut” in May.
The film just won the Melbourne International Film Festival’s top prize, the Bright Horizons Award.
The film was sold in Benelux (Cherry Pickers), Switzerland (trigon-films), Scandinavia (Njuta Films), Australia and New Zealand (Ahi), South Korea (Green Narae Media), Spain (Filmin), Greece (Cinobo), Portugal (Alambique), Poland (Afrykamera), and Baltics (From Afar). North America, U.K. and Japan are in discussions among others.
Previously announced deals are Tandem Films for French distribution, who just released the title in France and Pathé BC Afrique is releasing in Senegal on Oct. 4.
Ahead of TIFF, Best Friend Forever also unveiled the international trailer in exclusivity with Variety.
The film just won the Melbourne International Film Festival’s top prize, the Bright Horizons Award.
The film was sold in Benelux (Cherry Pickers), Switzerland (trigon-films), Scandinavia (Njuta Films), Australia and New Zealand (Ahi), South Korea (Green Narae Media), Spain (Filmin), Greece (Cinobo), Portugal (Alambique), Poland (Afrykamera), and Baltics (From Afar). North America, U.K. and Japan are in discussions among others.
Previously announced deals are Tandem Films for French distribution, who just released the title in France and Pathé BC Afrique is releasing in Senegal on Oct. 4.
Ahead of TIFF, Best Friend Forever also unveiled the international trailer in exclusivity with Variety.
- 9/9/2023
- by Leo Barraclough
- Variety Film + TV
Senegalese and French director Ramata-Toulaye Sy is only the second Black woman to make it into Competition in Cannes. Her debut feature, Banel & Adama, which had its debut Saturday, follows in the footsteps of Mati Diop’s 2019 Atlantics.
Sy draws on her roots in the Fulani, or Peul, culture of the Futa region in northern Senegal for her magic-realist film about a young couple whose passion brings chaos to their remote rural community. “The people of Futa have the reputation of being very dignified and sticking to their community,” says Sy, who was born and grew up in France. “I was raised in the Fulani tradition at home and French culture outside.”
Inspiration for Banel & Adama came from a desire to create a tragic African heroine on par with Pierre Corneille’s Médée or Jean Racine’s Phèdre. “We don’t really have these mythical, tragic characters, or we do,...
Sy draws on her roots in the Fulani, or Peul, culture of the Futa region in northern Senegal for her magic-realist film about a young couple whose passion brings chaos to their remote rural community. “The people of Futa have the reputation of being very dignified and sticking to their community,” says Sy, who was born and grew up in France. “I was raised in the Fulani tradition at home and French culture outside.”
Inspiration for Banel & Adama came from a desire to create a tragic African heroine on par with Pierre Corneille’s Médée or Jean Racine’s Phèdre. “We don’t really have these mythical, tragic characters, or we do,...
- 5/20/2023
- by Melanie Goodfellow
- Deadline Film + TV
Debutante director Ramata-Toulaye Sy will join one of world cinema’s most select clubs when she climbs the stairs of the Grand Theatre Lumière on May 20 for the premiere of “Banel & Adama,” which unspools in the main competition at the Cannes Film Festival. It marks just the second time in the French fest’s 76-year history that a Black woman will compete for the Palme d’Or, a glass ceiling that was shattered only four years ago by Sy’s French Senegalese compatriot, Mati Diop (“Atlantics”).
While acknowledging the honor, it is a club, Sy admits, about which she has some ambivalence. “I really hope that soon all this will be taken for granted — that we won’t be counting the Black directors, that we won’t be counting women,” the helmer tells Variety. “It means that there’s still something wrong, that there’s still something that hasn...
While acknowledging the honor, it is a club, Sy admits, about which she has some ambivalence. “I really hope that soon all this will be taken for granted — that we won’t be counting the Black directors, that we won’t be counting women,” the helmer tells Variety. “It means that there’s still something wrong, that there’s still something that hasn...
- 5/20/2023
- by Christopher Vourlias
- Variety Film + TV
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